If there are some people who cannot laugh, there are others who will not. It is not, however, that they are ashamed of being grown men, and want to go back to babyhood, for by some extraordinary perversity, they fancy unalterable gravity to be the distinguishing characteristic of wisdom. In a merry company, they present the appearance of a Red Indian whitewashed, and look on at the strange ways of their neighbours without betraying even the faintest spark of sympathy or intelligence. These are children of a larger growth, and have not yet acquired sense enough to laugh. Like the savage, they are afraid of compromising their dignity, or, to use their own words, of making fools of themselves. For our part, we never see a man afraid of making a fool of himself at the right season, without setting him down as a fool ready made.

A woman has no natural grace more bewitching than a sweet laugh. It is like the sound of flutes on the water. It leaps from her heart in a clear, sparkling rill; and the heart that hears it feels as if bathed in the cool, exhilarating spring. Have you ever pursued an unseen fugitive through the trees, led on by her fairy laugh; now here, now there—now lost, now found? We have. And we are pursuing that wandering voice to this day. Sometimes it comes to us in the midst of care, or sorrow, or irksome business; and then we turn away, and listen, and hear it ringing through the room like a silver bell, with power to scare away the ill spirits of the mind. How much we owe to that sweet laugh! It turns the prose of our life into poetry; it flings showers of sunshine over the darksome wood in which we are travelling; it touches with light even our sleep, which is no more the image of death, but gemmed with dreams that are the shadows of immortality.

But our song, like Dibdin's, 'means more than it says;' for a man, as we have stated, may laugh, and yet the cachinnation be wanting. His heart laughs, and his eyes are filled with that kindly, sympathetic smile which inspires friendship and confidence. On the sympathy within, these external phenomena depend; and this sympathy it is which keeps societies of men together, and is the true freemasonry of the good and wise. It is an imperfect sympathy that grants only sympathetic tears: we must join in the mirth as well as melancholy of our neighbours. If our countrymen laughed more, they would not only be happier, but better; and if philanthropists would provide amusements for the people, they would be saved the trouble and expense of their fruitless war against public-houses. This is an indisputable proposition. The French and Italians, with wine growing at their doors, and spirits almost as cheap as beer in England, are sober nations. How comes this? The laugh will answer that leaps up from group after group—the dance on the village-green—the family dinner under the trees—the thousand merry-meetings that invigorate industry, by serving as a relief to the business of life. Without these, business is care; and it is from care, not from amusement, men fly to the bottle.

The common mistake is to associate the idea of amusement with error of every kind; and this piece of moral asceticism is given forth as true wisdom, and, from sheer want of examination, is very generally received as such. A place of amusement concentrates a crowd, and whatever excesses may be committed, being confined to a small space, stand more prominently forward than at other times. This is all. The excesses are really fewer—far fewer—in proportion to the number assembled, than if no gathering had taken place. How can it be otherwise? The amusement is itself the excitement which the wearied heart longs for; it is the reaction which nature seeks; and in the comparatively few instances of a coarser intoxication being superadded, we see only the craving of depraved habit—a habit engendered, in all probability, by the want of amusement.

No, good friends, let us laugh sometimes, if you love us. A dangerous character is of another kidney, as Cæsar knew to his cost:—

'He loves no plays,
As thou dost, Antony; he hears no music;
Seldom he laughs;'

and when he does, it is on the wrong side of his mouth.

Let us be wiser. Let us laugh in fitting time and place, silently or aloud, each after his nature. Let us enjoy an innocent reaction rather than a guilty one, since reaction there must be. The bow that is always bent loses its elasticity, and becomes useless.


MARGARET FULLER OSSOLI.[1]