The whole population of the good city of Brussels was in a state of excitement. Talma, the great French tragedian, was that evening to close his engagement by appearing in his favourite character of Leonidas; and from an early hour in the morning, the doors of the theatre were beset with waiting crowds, extending to the very end of the large square in which it stood. It was evident that the building, spacious as it was, could not contain one-half of the eager expectants already assembled, and yet every moment brought a fresh accession to the number destined to be disappointed. The hero of this ovation, and the object of all this unusual excitement to the worthy and naturally phlegmatic beer-drinkers of old Brabant, was standing near a window in the White Cross Hotel, engaged most prosaically in shaving himself; and, from time to time, casting on the crowd, to which he was the magnet of attraction, the careless glance of a monarch become from habit almost insensible to the loyal enthusiasm of his subjects.
'So he will not come?' said the tragedian to an old friend who was with him. 'He is a cynical old fool; and yet, I assure you, my dear M. Lesec, that I had Leonidas got up expressly for him, thinking to tickle his old republican fancies, for to my mind it is as stupid a play as Germanicus, though I contrive to produce an effect with some of its high-sounding patriotic passages; and I thought the worthy David would have recognised his own picture vivified. But he will not come: he positively refused, you tell me. I might have known it. Age, exile, the memory of the past—all this has cut him up terribly: he is the David of the Consulate no longer.'
'I am just come from him,' answered Collector Lesec: 'he received me almost as Hermione receives Orestes in the fourth act of Andromache. To say the least of it, he was somewhat tart. "I never go to the theatre," he answered abruptly. "Tell my friend Talma, that I thank him for his kindness; but I always go to bed at nine. I should be very glad if he would come, before he left Brussels, and have a tankard and a smoke with me."'
'I see,' said Talma with a half-ironical smile, 'he is turned quite Flemish. Poor fellow! to what has he come?—to smoking tobacco, and losing all faith in art. Persecution does more harm than the guillotine,' added the tragedian in a tone of bitterness. 'There is a living death. David's exile has deprived us of many a chef-d'œuvre. I can forgive the Restoration for surrounding itself with nobodies, but it need not banish our men of talent: they are not to be found now-a-days in every corner. But enough. Another word, and we should be talking politics.'
Leonidas finished shaving like any other man; and then turned suddenly to his friend: 'I bet you ten napoleons,' said he, 'that David would have come to the play had I gone myself to him with the invitation! I intended it, but I had not time; these rehearsals kill me—I might as well be a galley-slave. However, I have about three-quarters of an hour to myself now, and I will go beard the old Roman in his stronghold. What say you to going with me?'
It would have been difficult to name a place to which M. Lesec would not have gone, to have the honour of being seen arm-in-arm with the great Talma; and in another half hour they were on their way across the Place de la Monnaie into the Rue Pierre Plate.
'Now for a storm!' said Lesec. 'We are in for it: so be prepared. I leave it all on your shoulders, noble sir, for I must keep clear of him.'
'Is he, then, so entirely changed?' exclaimed Talma, quickening his pace. 'Poor exile! unhappy genius! torn from thy native soil, to languish and die!'
The visitors soon reached the large, though somewhat dilapidated mansion of the celebrated artist; and after they had been reconnoitred through a small grating by an old female servant, they were ushered into a rather gloomy apartment, presenting a singular discrepancy between its antique decorations and modern furniture.
The illustrious exile came out of an adjoining apartment in his dressing-gown, and advanced towards them with a quick yet almost majestic step, though his form was slightly bent, apparently by age. To Talma's great surprise, David received him most cordially, even throwing away his usually inseparable companion, a long pipe, to grasp both his hands. 'Welcome, welcome, my old friend!' he said; 'you could not have come at a better time. I have not for many a day felt so happy, and the sight of you is a great addition.' And the old painter kept rubbing his hands, a token with him of exuberant satisfaction.