In the year 1598, a division of a Dutch squadron on its way to Bantam, rediscovered what was then called the island of Cerne; and a boat's crew having been sent ashore to reconnoitre, returned with nine great birds, a number of smaller ones, and the welcome intelligence of a secure and convenient harbour. Those nine great birds were the first of the doomed dodo race that ever came in contact with their destined destroyer, man; at least, this is undoubtedly their first appearance on record. The exact date of such an event is note-worthy: it occurred on the 18th of May. De Warwijk, the Dutch admiral, brought his ships into the harbour; and finding no traces of man—the birds being so unused to his presence, that they suffered themselves to be caught by hand—took formal possession of the island, changing its name to Mauritius, in honour of Prince Maurice, then Stadtholder of Holland. Immense tortoises, delicious fish, thousands of turtledoves, and dodos à discrétion, regaled the half-starved and scurvy-stricken seamen. The name dodo, however, had not then been given. Warwick's men, revelling in the luxuries of this virgin isle, became fastidious. Finding, after a hearty meal on the newly-discovered bird, that its extreme fatness disagreed with them, they gave it the name of walghvogel[1]—the nausea-causing bird. With our own experience—and that is somewhat extensive—of sailors in general, and Dutch ones in particular, we must infer that these dodos were very, very fat, indeed. A narrative of this voyage[2] was published in Dutch at Amsterdam in 1601, went through many editions, and has been translated into various languages. The work contains an engraving, representing the landing-place at the Mauritius; the carpenters, coopers, and blacksmiths, busy at work; the preacher and his orderly congregation; while tortoises, a dodo, and other animals, wander about, heedless of the presence of man. This is the first engraving of the dodo, and, judging from more pictures of greater pretension, by no means a bad likeness; indeed, the whole sketch bears strong evidence of its having been taken from nature. In the letter-press, the walghvogel is described as a large bird, the size of a swan, with a huge head furnished with a kind of hood; and in lieu of wings, having three or four small pen-feathers, the tail consisting of four or five small curled feathers of a gray colour.
De Bry, an engraver of considerable eminence, and a bookseller at Frankfort-on-the-Maine, being in England in 1587, was induced by our famous compiler, Hakluyt, to commence the publication of an illustrated series of voyages, which, after his death, was continued by his sons. Amongst bibliographers, this compilation is well known as the Collection of Great and Little Voyages. The volumes comprising the 'little voyages,' relating exclusively to the East, are entitled Indiæ Orientalis; they were issued in parts, and their period of publication extended from 1598 to 1624. The walghvogel is merely mentioned, but an engraving gives a fanciful representation of the doings of another Dutch crew on the island. Two gallants, elaborately attired, are represented riding on a tortoise; while ten others, seated in a tortoise's shell, are holding a grand symposium. Three birds are depicted in this plate, which the letter-press says are walghvogels, but which our eyes tell us are cassowaries, then termed emeus. It is evident, then, that De Bry had not, at that time, seen a sketch or description of the dodo: if he had, he would not thus have confounded it with the cassowary. Moreover, in the letter-press explanatory of the engraving, it is stated that a living walghvogel had been brought to Holland, which clearly proves that he had erroneously confounded the two birds; for a living cassowary, even at that early date, had actually been transported thither. But though there can be little doubt, that one or more living dodos were subsequently brought to Europe, it is certain that such an event did not take place till after L'Ecluse wrote, in 1605. About the same time that De Bry published this fourth part of Indiæ Orientalis, the Dutch work appeared containing the account of the voyages of the whole eight ships; and then De Bry, in his fifth part, which came out later in the same year, was enabled to give a correct representation of the dodo, and a complete account of the voyages of the whole squadron. We have been more precise on this part of our subject than might seem necessary; but by being so, we have smoothed over an inequality that has been a stumbling-block to almost all previous writers on the dodo.
L'Ecluse, professor of botany at Leyden, one of the greatest naturalists of his age, published his Exoticorum in 1605. In it he gives an engraved likeness and description of the dodo, which he obtained from persons who had sailed in De Warwijk's fleet, stating that he had himself seen only the leg of the bird—a sure proof that no live specimen had, at that time, been brought to Holland.
Passing over the visits to the isles of four old Dutch navigators, who all describe the dodo under different names, we come to the quaint old traveller, Sir Thomas Herbert, who touched at the Mauritius in 1627. In his Relation of some Yeare's Travaile, he thus describes the bird:—'The dodo; a bird the Dutch call walghvogel or dod eersen; her body is round and fat, which occasions the slow pace, or that her corpulencie; and so great as few of them weigh less than fifty pound: better to the eye than stomack: greasy appetites may perhaps commend them, but to the indifferently curious in nourishment, prove offensive. Let's take her picture: her visage darts forth melancholy, as if sensible of Nature's injurie in framing so great and massie a body to be directed by such small and complementall wings, as are unable to hoise her from the ground; serving only to prove her a bird, which otherwise might be doubted of. Her head is variously drest, the one-half hooded with downy blackish feathers; the other perfectly naked, of a whitish hue, as if a transparent lawne had covered it. Her bill is very howked, and bends downwards; the thrill or breathing-place is in the midst of it, from which part to the end the colour is a light green mixed with a pale yellowe; her eyes be round and small, and bright as diamonds; her clothing is of finest downe, such as you see on goslins. Her trayne is (like a China beard) of three or four short feathers; her legs thick, black, and strong; her tallons or pounces sharp; her stomach fiery hot, so as she easily can digest stones.'
As a 'China beard' consists of only a few hairs under the chin, the above simile is correct; but in the French edition of these travels, the translator erroneously rendered the words oiseau de Chine, Chinese bird, and subsequently, a celebrated French savant raised a magnificent hypothetical edifice on the basis of the mistranslation.
Herbert was the first who used the word dodo as the name of this bird, stating it to be derived from the Portuguese doudo, a simpleton; but as he is generally somewhat wild and vague in his etymologies, and as we have no intelligence whatever of the dodo through the Portuguese, we may safely conclude that the name is of Dutch derivation. In the old black-letter Dutch and English dictionary now before us, we find the word dodoor translated a humdrum, which, Dr Johnson tells us, means 'a stupid person.' Now, if the name be derived from the bird's simplicity, the Dutch dodoor is as near the mark as the Portuguese doudo. But it may be that the name was given on account of the peculiar form of the bird, and not in illusion to its mental capacity; and, consequently, even dodoor may not be the true origin. We more than suspect that it is really derived from a vulgar, compound epithet, used by Dutch seamen to denote an awkward, clumsily-formed, inactive person. This inquiry, however, is beyond our humble powers, and should be prosecuted by some learned professor—such, for instance, as Jonathan Oldbuck's friend, Dr Heavysterne, of the Low Countries.
We next hear of the dodo, in a curiously indirect manner, through an uneducated French adventurer named Cauche, who passed several years in Madagascar and the adjacent islands. His narrative, edited by one Morissot, an avocat, was published in 1651, and created great interest in France. In 1638, he was at the Mauritius, and there saw a bird which he describes under the name of the bird of Nazareth—oiseau de Nazaret—so termed, as he states, from its being found on the island of Nazareth, which lies to the northward of the Mauritius. The description is an accurate one of the dodo, with the exception of two particulars—one, as to the number and position of the toes; the other, as to the creature having no tongue—a prevalent opinion then amongst the vulgar with respect to several other birds. Though there is no record of this bird of Nazareth having been seen by any one but Cauche, yet, ever since, his phantom-like picture has skulked in the obscurity, adding to the mystery which enveloped the dodo. Time, however, has now exorcised it. There never was a bird of Nazareth. What Cauche saw was undoubtedly a dodo; and his errors of description are what any person, not a naturalist, might commit. Oiseau de Nazaret is simply a corruption of oiseau de nausée—the original French name of the dodo, a literal translation of the original Dutch walghvogel. It is a curious coincidence, that as the bird of Nazareth has been found in books only, so the island of Nazareth has been found only on paper. At first, it appeared quite a respectable island; as maritime discovery progressed, it degenerated to a reef, and from that to a shoal; till at last, expunged from the more correct charts of modern hydrographers, it no longer can boast of a local habitation or a name.
About the same time that Cauche was at the Mauritius, the citizens of London were gratified by the sight of a living dodo. Of this very interesting event, there is only one solitary record at present known, but it is an authentic one. In a manuscript commentary on Sir Thomas Browne's Vulgar Errors—preserved in the British Museum—written by Sir Hamon L'Estrange, father of the more celebrated Sir Roger, there occurs the following passage:—
'About 1638, as I walked London streets, I [3] the picture of a strange fowle hung out upon a cloth [3]vas, and myselfe, with one or two more then in company, went in to see it. It was kept in a chamber, and was somewhat bigger than the largest turkey-cock, and so legged and footed, but stouter and thicker, and of a more erect shape, coloured before like the breast of a young cock-fesan, and on the back of a dunne or deare colour. The keeper called it a dodo; and in the end of a chymney in the chamber there lay a heap of large pebble-stones, whereof hee gave it many in our sight, some as big as nutmegs; and the keeper told us shee eats them (conducing to digestion); and though I remember not how farr the keeper was questioned therein, yet I am confident that afterwards she cast them all againe.'
We next, in order of time, come to the famous Tradescant dodo. When or where the Tradescants procured it, is unknown; it is first mentioned in the catalogue of their museum, published by the surviving Tradescant, in 1656, as 'a dodar from the island Mauritius; it is not able to flie, being so big.' We shall presently have occasion to detail the subsequent history of this interesting specimen.