FOOTNOTES:
[1] A line of about forty-five miles, from Christiania to the end of the Miösin Lake, is surveyed, and in course of preparation.—Ed.
A SEARCH FOR ROBIN HOOD.
The adventures of an amateur in search of a picture, of a foundling in search of his father, and even of a dog in search of his master, have been severally recorded by skilful pens for the amusement of the public. But, however entertaining or romantic these narratives may be considered, they can hardly surpass in interest the curious history which has just been disclosed of the adventures of an antiquary in search of a ballad-hero. We owe our knowledge of the facts to one of a series of Critical and Historical Tracts, by the Rev. Joseph Hunter, now in course of publication. Mr Hunter is an assistant-keeper of the public records, and is well known, by his other publications, as one of the most laborious and most judicious elucidators of mysterious passages in our national history. But the evidences of industry, of minute knowledge, and of logical acuteness, contained in his little treatise concerning 'the ballad-hero, Robin Hood,' are really surprising. The story of an obscure outlaw, who chased deer and took purses in a northern forest five hundred years ago, has been investigated with the painstaking sagacity of a Niebuhr; and a strong light has been unexpectedly thrown on the state of public sentiment and manners existing at that period. Mr Hunter, it is proper to say, dwells in his treatise chiefly upon results, and says little, and that very modestly, of the labours by which they were obtained. He even seems to fear that his subject may be considered trivial, and that he may possibly receive 'the censure of being one who busies himself with the mere playthings of antiquity.' Dr Percy, when he compiled his invaluable Reliques, had similar apprehensions, which were then not altogether groundless; but it may reasonably be hoped, that the race of pedants, who wondered how a man of learning could be interested in a bundle of old ballads, is now extinct.
Departing a little from the method and order observed by Mr Hunter in his tract, we will endeavour not only to state in a condensed form the remarkable conclusions at which he has arrived, but also to follow, as accurately as his references will enable us to do so, the ingenious processes of investigation which led to these results. The object of the inquiry was to determine, in the first place, whether such a person as Robin Hood ever existed; and, in the second place, to ascertain who and what he was, and to what extent the ballads of which he was the hero were based upon actual occurrences. What a vast amount of uncertainty there was to clear up, may be inferred from the wide differences of opinion among writers of the highest credit who preceded Mr Hunter in this inquiry. The celebrated historian of the Norman Conquest, M. Thierry, supposes Robin Hood to have been the chief of a small body of Saxons, who, in their forest strongholds, held out for a time against the domination of the Norman conquerors. On this point, as confessedly on others, the French historian seems to have derived his opinions from the suggestive scenes in Scott's splendid romance of Ivanhoe. Another writer conjectures, that the outlaws of whom Robin was the leader, may have been some of the adherents of Simon de Montfort, whose partisans were pursued to extremity after the fatal battle of Evesham, in the year 1264. Others, still, have denied altogether the existence, at any period, of such a person as Robin Hood. They make him either a mere hero of romance—the 'creation of some poetical mind;' or else, led by a similarity of names, they discover in him merely one of the embodiments of popular superstitions—a sylvan sprite, a Robin Goodfellow, or a Hudkin. Only two years ago, a historical writer of no small acumen, Mr Thomas Wright, published his opinion, that Robin Hood, in his original character, was simply 'one amongst the personages of the early mythology of the Teutonic people.'
But Mr Hunter could not concur in these views, or be satisfied with the mode of reasoning by which they were maintained. In his opinion, Robin Hood was neither a Saxon malcontent nor the hero of a poet's romance; nor yet was he 'a goblin or a myth.' He was, in all probability, exactly such a person as the popular songs described him—an English yeoman, an outlaw living in the woods, and noted for his skill in archery. Previous researches had proved, that many of our old ballads are merely rhyming records of historical events. Mr Hunter had already rescued one ballad-hero, Adam Bell, from the 'danger of being reduced to an abstraction or a myth;' and it now remained for him to undertake the same good office for a more renowned freebooter.
The first thing to be done was, of course, to examine carefully the ballads themselves, and to ascertain the amount and value of the evidence they afforded, as to the epoch and the real story of their hero. It appeared, then, that 'three single ballads are found in manuscript, which cannot be later than the fourteenth century.' There is also a poem of considerable length, entitled The Lytel Geste of Robyn Hood, which was printed by Winkyn de Worde, in or about the year 1495. It is 'a kind of life' of the outlaw, and is composed of several ballads, strung together by means of a few intermediate stanzas, which give continuity to the story. The language of these ballads is that of the preceding century—being, in fact, the same as that of the ballads in manuscript. Thus the date of the songs themselves is carried back as far as the fourteenth century. It is, moreover, in the middle of this century that the first allusion to Robin Hood occurs in any work of undoubted authority. In Longland's poem, entitled The Vision of Pierce Ploughman, the date of which is between 1355 and 1365, mention is made of 'rymes of Robyn Hood and Randolph Earl of Chester,' the outlaw and the earl being apparently both regarded as historical personages, about whom songs had been written. It may be observed, that if the Robin Hood ballads were much older than this date, it must be considered surprising that no earlier allusion to them should be found, since in the subsequent century they were referred to by many writers.
According to the story contained in the Lytel Geste, Robin Hood was at the head of a band of outlaws, who made their head-quarters in Bernysdale, or Barnesdale—once 'a woody and famous forest,' on the southern confines of Yorkshire, in the neighbourhood of Doncaster, Wakefield, and Pontefract; and who infested the woodlands and the highways from thence as far as Sherwood and Nottingham, near which ancient town some of their boldest exploits were performed. They slew the king's deer, and plundered rich travellers, but spared the humble, relieved the distressed, and were courteous to all who did not offend them.