And thin partitions do the bounds divide.

Carlyle remarks that ‘love is not altogether a delirium; yet it has many points in common therewith.’ From the illustrations that are constantly set before us, it would appear that the chief point in common between love and madness or delirium is that in both cases the victim becomes more or less devoid of the power of self-control, and, in his or her infatuation, indulges in the most serious or ludicrous extravagances.

The evidence would seem to indicate that Reason, in the presence of Love, is obliged to descend from her throne, and pay tribute to what has become the dominating motive. When Love takes possession, it subsidises and controls the judgment, tastes, faculties, and inclinations of the individual, and is not to be argued down, even by the subject himself, much less by others. In the words of Addison:

Love is not to be reasoned down, or lost

In high ambition, or a thirst of greatness;

’Tis second life—it grows into the soul,

Warms every vein, and beats in every pulse.

From whatever point of view we approach this theme, we soon encounter what is, perhaps, after all, the most prominent and least dubitable characteristic of love—namely, its far-reaching, all-pervading potency. Bacon, with all his philosophical acumen, is obviously wrong when he describes love as a ‘weak passion;’ indeed, the phrase itself is a contradiction in terms. Voltaire is much more just in his estimate when he says: ‘Love is the strongest of all the passions, because it attacks at once the head, the heart, and the body.’

What Bacon evidently intended to refer to was the weakness, not of the passion, but of the will which could not repel or subdue it. This view is borne out by the context, which is, that ‘great spirits and great business do keep out this weak passion.’ This contention, however, is no more tenable than his characterisation. All the evidence goes to prove that love is not to be conquered by great spirits, or smothered by great business, any more than it is to be reasoned down. As the French proverb says: ‘Close the door in Love’s face, and he will leap in at the window;’ and the aphorism is equally applicable to mental and material obstructions. In the same way Shakspeare teaches that ‘stony limits cannot hold love out;’ that ‘the more thou dam’st it up, the more it burns;’ and that ‘Love is your master, for he masters you.’

There is, indeed, no aspect of this passion regarding which so great unanimity prevails as that expressed in those last quotations. It is Scott who declares that