‘I am a man of few words,’ he said, ‘and I guess I am about calculated to fill the vacancy. I am alone in the world, and if I fail to return, there will be no dear one to mourn the loss. I have one little favour to ask before I go, and that is, in case the worst happens, to spare me an epitaph. You will think of me sometimes; and when you sit round your winter firesides and the wind is howling in the naked trees’—— Here he waved his hands deprecatingly towards the company, as if praying them to spare his emotions.
Mr Carver’s eyes twinkled at this tirade. ‘Well, that is settled then,’ he said. ‘The sooner you go the better. Shall we say to-morrow?—Very good. The address is 34 Cedar Road, Hampstead.’
‘It is well,’ said the victim to friendship. ‘Before I quit you once and for ever, I should like to break the bread of joviality once more; for the last time, I should like to look upon the wine when it is red. To drop the language of metaphor, I invite you all to lunch with me at the Holborn.’
It was left, then, in Mr Slimm’s hands to consummate what he denominated as ‘working the oracle.’
‘What do you think of my dream, now?’ Eleanor asked her husband as they walked home together.
‘Your “Argosy with golden sails?”’ queried Edgar. ‘Well, I am beginning to think it may come into port after all.’
Like the ‘condemned man’ of the penny-a-liner, Mr Slimm passed a good night, and the thought of the task he had undertaken did not deter him from making a hearty and substantial breakfast. Without so much as a tremor, he ordered a cab, and sped away northwards on his diplomatic errand.
Cedar Road may, without any great stretch of imagination, be termed dingy. It is not the dinginess of the typical London street, but a jaunty kind of griminess, a griminess which knows itself to be grimy, but swaggers with a pretension of spick-and-span cleanliness; a sort of place which makes one think of that cheap gentility which wears gaudy apparel and unclean linen, or no linen at all. I may better explain my meaning by saying that the majority of the houses were black with smoke, and yet, singularly enough, the facings of light stone at the corners had preserved their natural colour, and each house was adorned by a veranda painted a staring green, which stood out in ghastly contrast to the fog-stained fronts. Every house had a little grass plot—called, by a stretch of courtesy, the lawn—fronting it. It was presumedly of grass, because it was vegetation of some kind, but about as much like the genuine article as London milk resembles the original lacteal fluid. In the centre of each ‘lawn’ was an oval flower-bed, tenanted by some hardy annuals, bearing infinitesimal blooms of a neutral tint. Each house was approached by a flight of steps rising from the road, which gentle ascent served to keep the prying gaze of the vulgar from peering too closely into the genteel seclusion of the dining-rooms. Every house was the counterpart of its neighbour, each having the same sad-coloured curtains and wire-blinds on the ground-floor, the same cheap muslins at the drawing-room windows, and the same drawn blinds, surmounted with brass rods, to the bedrooms. A canary likewise hung in a painted cage in every drawing-room window; No. 34 boasting in addition a stagnant-looking aquarium, containing three torpid goldfish in extremely dirty water.
After three peals of the bell, each outrivalling its predecessor in volume, which is not saying much for the bell-metal at No. 34, Mr Slimm was answered. Through the fragile door he had distinctly heard the sounds of revelry within, and acquired the information that some mystic Melissa was ‘tidying,’ and therefore ’Tilda must transform herself for the nonce into the slave of the bell. By the petulant expression on ’Tilda’s face, the errand was not particularly pleasant to her.