The fruit is first carefully assorted in respect to size and uniform degree of ripeness. Pears, pine-apples, and quinces are pared; citrons are cut into quarters and soaked a month in seawater; and the ‘pips’ of apricots, cherries, and peaches are carefully removed. This work, which requires a certain degree of skill, is chiefly done by women. When thus prepared, the fruit is immersed in boiling water, which quickly penetrates the pulp, dissolving and diluting the juice, which is thereby nearly eliminated; then the fruit is taken from the water and drained, leaving only the solid portion of the pulp intact. The period of immersion must be regulated by the size and ripeness of the fruit. If immersed too long, the pulp is either over-cooked, or is left too dry and woody. If taken out too soon, the juices left in the pulp prevent perfect absorption of the sugar afterwards, and by eventually causing fermentation, destroy the value of the product. A skilful workman can tell by the colour and appearance of the pulp when it is properly ‘blanched.’ For the different grades of fruits, sugar-sirups of different degrees of density are required: the softer the fruit, the stronger the sirup required for its preservation. The sirup having been prepared by dissolving the sugar in pure water, the fruit is immersed in it and left at rest for a certain period in large earthenware pans, glazed inside. The sirup penetrates the pulp, and gradually withdraws and replaces the remaining fruity juice, which, as it exudes and mingles with the transparent liquid, produces a certain filmy or clouded appearance, which marks the commencement of fermentation. When this has reached a certain stage, the vessel containing the sirup and fruit is placed over the fire and heated to two hundred and twelve degrees, which corrects the fermentation. If the sirup is of proper density, the process of impregnating the fruit with sugar will be complete in about six weeks, during which period it is sometimes necessary to perform the heating process three times. The fruit now goes through one of two finishing processes according as it is to be ‘glazed’ or ‘crystallised.’ Some manufacturers are said to quicken the crystallisation of fruit by the use of a powerful antiseptic called salicylic acid; but although time, labour, and sugar are thereby saved, Mr Mason believes it is at the expense of quality in the finished product.
THE ANCIENT BOAT AT BRIGG.
A notice will be found in [No. 126] of the Journal referring to the discovery, at Brigg in Lincolnshire, during the excavations for a new gasholder, of a curious and ancient boat cut out of a solid piece of oak, and measuring forty-eight feet in length, fifty-two inches in width, and thirty-three inches in depth. The vessel is in a fine state of preservation, and it is to be hoped that proper means will be provided by the authorities for preserving this interesting relic. The last news that we have of it, however, is that it has ‘got into Chancery.’ A curious dispute seems to have arisen as to the ownership of this relic; and probably, when the case comes to be argued before the Court, some interesting legal points will be raised by the gentlemen of the ‘long robe’ as to the main question at issue. Whatever may be the result, one thing is certain, that so rare a prehistoric relic as this should be preserved to the nation as public property, on the spot, or in the town near to where it was found, as an object of peculiar local interest. It would be a mistake to remove it to London, as has been suggested; but to exhibit it for money is neither fair nor proper, and the public will probably watch the proceedings before the High Court of Chancery with interest. Boats found buried in the earth and dating from remote antiquity are very rare in this country, although several have been discovered of late years in Norway and Denmark, they having been the tomb or grave of the original commander, one of the brave and lawless vikings who roamed the seas and ravaged the neighbouring coasts of Europe in search of conquest and plunder, and when at last his restless life had closed, made his beloved ship at once his monument and sepulchre.
RELICS OF ANCIENT CARTHAGE—MOSAICS.
Not long ago, some highly artistic relics of ancient Carthage were disposed of at an auction in London. Two of the finest of these are mosaics in splendid preservation, each about three feet square. The one represents a woman robed and wearing a crown of flowers, with a naked youth sitting beside her; and the other a youth carrying on his shoulders an eagle. These have been called ‘Peace’ and ‘War;’ but there seems to be no authority for this. Both works are evidently early Carthaginian, and must have belonged to a period when Carthage held a high position as a nursery of art, especially in the beautiful art of mosaic-work, of which ancient Greece has left no trace, whilst the mosaics of Rome are of a much later date. It will be remembered that Carthage was celebrated for her beautiful coloured marbles, and for the wonderful skill of her artists and workmen, which were known throughout the civilised world, for Carthage was a large city one hundred and forty years before the foundations of Rome were laid. It is possible, therefore, that the peculiar art of working in mosaic may have been originated in Carthage, and may have found its way to Rome, where it might have been practised by Roman, or even Carthaginian artists. But, as a rule, the Roman work is very inferior to the Carthaginian. These specimens were, with many others, collected by Count d’Hérisson from recent excavations made in a garden at Danar-el-Sciat, near Tunis, and situated in the midst of the ruins of ancient Carthage. Of the authenticity of these relics there can be, therefore, no possible doubt, as they were brought direct from the site of the city itself. The two referred to, together with several other interesting specimens, were purchased by Mr Edwin Long, R.A.
Whilst on the subject of mosaics, we may mention that a valuable discovery has just been made at Chiusi in Italy. Whilst some workmen were digging out a watercourse at the foot of a hill near Monte Venere, they came upon a mosaic pavement about nine feet by six feet in size. The centre represents a double hunting scene: in the top row are three stags pursued by a hunter with a spear; below is a boar followed by two hunters, carrying each an axe and lance. The whole work is in perfect preservation, well and carefully executed with much fire and spirit, and is interesting as being the first piece of mosaic pavement that has been discovered in Chiusi or its neighbourhood.
SWEETHEART, FAREWELL.
Beneath the whispering trees we lingered late,
Hand clasped in hand, my dearest love and I,
And he spake words I never can forget,