How the hands clawed at the sparkling treasure; eager, trembling avarice in every finger-tip; from the long, lean, yellow claw of the old withered gamester, to the plump little hand of the bride, who is trying her fortune with silver, fearful lest, driven by despair, some less fortunate player should lay felonious fingers upon the piled-up treasure.
Standing behind the all-absorbed group was a young man with pale, almost ghostly features, and a heavy dark moustache. From his attitude and smile, it was hard to say how fortune had served him, for his face was void of any emotion. He held one piece of gold in his hand, placed it on a colour, waited, and lost. A trifling movement of his lips, pressed tightly together under the dark moustache—that was all. Then for a moment he hesitated, pondered, and suddenly, as if to settle the matter quickly, he detached a coin from his watchchain and leaned forward again. Under him, seated at the table, was a woman winning steadily. A pile of gold was before her; she was evidently in the luckiest vein. The man, with all a gambler’s superstition, placed the coin in her hand. ‘Stake for me,’ he whispered; ‘you have the luck.’
Mechanically, she took the proffered coin, and turned it in her hand; then suddenly a wave of crimson, succeeded by a deathly whiteness, came across her face. She held the coin, then put it carefully aside, and staked another in its place. Then, apparently forgetting her emotion in the all-absorbing interest of the game, she looked at the table. ‘Rouge gagne, et couleur perd,’ came the chant of the croupier. The stakes were raked in, and the money lost. Under his breath, the man uttered a fervent imprecation, slightly shrugged his shoulders, and turned to watch the game again. From that moment the woman lost; her pile dwindled away to one coin beyond the piece of metal tendered her to stake, but still she played on, the man behind watching her play intently. A little varying luck, at one moment a handful of napoleons, at another, reduced to one, the game proceeded. At length the last but one was gone, save the piece tendered to her by the man behind the chair; that she never parted with. As she sat there, words came to her ears vaguely—the voice of the man behind her, and every time he spoke she shivered, as if a cold breath were passing through her heart. A temporary run of luck came to her aid, and so she sat, listening and playing.
The new-comer was another man, evidently an Italian, fine, strong, with an open face and dark passionate eyes. He touched the first man upon the shoulder lightly, speaking in excellent English.
There were four actors there, playing, had they but known it, a ghastly tragedy. The two men were players; the listening woman was another; and across the table, behind the spectators, stood a girl. She had a dark southern face of great beauty—a face cleanly chiselled, and lighted by a pair of wondrous black eyes—eyes bent upon the two men and the woman, playing now with the keenest interest. She shrank back a little as the new-comer entered, and her breath came a little quicker; but there she stayed, watching and waiting for some opportunity. Her look boded ill for some one. Meanwhile, the unconscious actors fixed their attention on the game. The last arrival touched the other man upon the elbow again, a little roughly this time.
‘You have been playing again, Hector?’ he said.
‘I have been playing my friend—yes. It is not in my nature to be in such a place without. What would you have me do, Luigi? I am dying of ennui from this inaction—kicking up my heels here waiting for orders.’
‘I should have thought you could have found something better to occupy your time,’ the man addressed as Luigi returned. ‘Our work is too stern, too holy, to be shared with such frivolity as this. Gold, gold, with no thoughts of anything but this maddening scramble!’
‘My dear Luigi, pray, control yourself. Are you not aware that this sort of thing has been done to death? Do not, as you love me, descend to the level of the descriptive journalist, who comes over here to coin his superlative condemnatory adjectives into money—to lose at this very interesting game. John Bull holds up his hands in horror as he reads the description in his Telegraph, and then he comes to try his luck himself. I, Hector le Gautier, have seen a bishop here.’
‘How fond you are of the sound of your own voice,’ Luigi Salvarini returned. ‘Come outside; I have something important to say to you.’