‘Nonsense!’ she said. ‘If not overdone, it lends a piquancy to writings that without it would attract no attention and be passed by as prosy. When an author happens to hit on a good original phrase, he should “ring the changes” on it. The reader recognises it as an old friend met under new circumstances, and is not at all displeased. An author who can originate a few phrases, put them in his mental kaleidoscope, so to speak, and sprinkle the resulting combinations through his book, is said to have acquired “a style,” and his books are sought after.’

‘By Jove, Nan, but you surprise me!’ he cried, looking at her with a puzzled air. ‘What, then, would you advise me to do?’

She was prepared for this question, and had been framing an answer to it in her mind for some days past. Obviously, the most sensible advice was for him to abandon his literary dreams, and settle down to the pursuit of his profession. But then sensible advice is rarely palatable, and still more rarely adopted. That he was determined to make a mark of some kind in literature, was evident, and she rather admired her lover’s indomitable pluck, in refusing to accept as final the unfavourable criticisms of London editors. If he hadn’t been her lover, she would probably have called it ‘stupid obstinacy.’ She therefore determined to urge him on in his literary projects; he was undoubtedly clever, and was certain, sooner or later, to see his productions in print. When he reached that goal, the glamour which possessed him would probably vanish; and he would then most likely return to his profession, as a surer road to success and distinction.

‘Did you ever try the Olympic, Alfred?’ she said.

‘O no,’ he rejoined. ‘You see, it is more of a review. Besides, it is a very high-class, exclusive magazine, and one not at all likely to encourage beginners like me.’

‘I know they don’t publish stories,’ continued Nan; ‘but they have often short descriptive articles. Now, I was thinking if you were to send the editor a short sketch of some kind in your very best style, he might perhaps put it in.’

‘And what kind of sketch would you propose?’ he inquired.

‘What would you think of “A Summer Ramble in Kirkcudbright?” she replied. ‘The editor belongs to that quarter; and if the description of the scenery and folks were well done, I think he might put it in.’

‘A capital idea, Nan. Why, I’ll set about it at once,’ he said impetuously.

Alfred went to work with renewed hope and vigour. After ten days’ alternate rambling and writing, he one evening announced that his paper was finished, and read it over to Nan in the parlour. On the whole she gave a favourable verdict on its merits; and it was sealed up and duly addressed to the editor of the Olympic. She had insisted on him using a nom de plume. He chose that of ‘Ariel;’ and the address was: ‘Post-office, Glenluce.—To lie till called for.’