Continental Monthly, Vol. III, No IV, April 1863 / Devoted to Literature and National Policy

by Various

Let us turn to

'THE GRANDMOTHER.

'Grandmother is very old, has many wrinkles, and perfectly white hair; but her eyes gleam like two stars, yes, much more beautiful; they are so mild, it does one good to look into them! And then she knows how to relate the most beautiful stories. And she has a dress embroidered with great, great flowers; it is such a heavy silk stuff that it rattles. Grandmother knows a great deal, because she has lived much longer than father and mother; that is certain! Grandmother has a hymn book with strong silver clasps, and she reads very often in the book. In the midst of it lies a rose, pressed and dry; it is not so beautiful as the rose which stands in the glass, but yet she smiles upon it in the most friendly way; indeed, it brings the tears to her eyes! Why does grandmother look so at the faded flower in the old book? Do you know? Every time that grandmother's tears fall upon the flower, the colors become fresh again, the rose swells up and fills the whole room with its fragrance, the walls disappear, as if they were only mist, and round about her is the green, glorious wood, where the sun beams through the leaves of the trees; and grandmother is young again; a charming maiden, with full red cheeks, beautiful and innocent—no rose is fresher; but the eyes, the mild, blessing eyes, still belong to grandmother. At her side sits a young man, large and powerful: he reaches her the rose, and she smiles—grandmother does not smile so now! oh yes, look now!—--But he has vanished: many thoughts, many forms sweep past—the beautiful young man is gone, the rose lies in the hymn book, and grandmother sits there again as an old woman, and looks upon the faded rose which lies in the book.

'Now grandmother is dead. She sat in the armchair and related a long, beautiful story; she said, 'Now the story is finished, and I am tired;' and she leaned her head back, in order to sleep a little. We could hear her breathing—she slept; but it became stiller and stiller, her face was full of happiness and peace, it was as if a sunbeam illumined her features; she smiled again, and then the people said, 'She is dead.' She was placed in a black box; there she lay covered with white linen; she was very beautiful, and yet her eyes were closed, but every wrinkle had vanished; she lay there with a smile about her mouth; her hair was silver white, venerable, but it did not frighten one to look upon the corpse, for it was indeed the dear, kind-hearted grandmother. The hymn book was placed under her head—this she had herself desired; the rose lay in the old book; and then they buried grandmother.

Upon the grave, close by the church wall, a rose tree was planted; it was full of roses, and the nightingale flew singing over the flowers and the grave. Within the church, there resounded from the organ the most beautiful hymns, which were in the old book under the head of the dead one. The moon shone down upon the grave, but the dead was not there; each child could go there quietly by night and pluck a rose from the peaceful courtyard wall. The dead know more than all of us living ones; they are better than we. The earth is heaped up over the coffin, even within the coffin there is earth; the leaves of the hymn book are dust, and the rose, with all its memories. But above bloom fresh roses; above, the nightingale sings, and the organ tones forth; above, the memory of the old grandmother lives, with her mild, ever young eyes. Eyes can never die. Ours will one day see the grandmother again, young and blooming as when she for the first time kissed the fresh red rose, which is now dust in the grave.'

'THE CELL PRISON.

'By separation from other men, by loneliness, in continual silence shall the criminal be punished and benefited; on this account cell prisons are built. In Sweden there are many such, and new ones are building. I visited for the first time one in Marienstadt. The building lies in a beautiful landscape, close by the town, on a small stream of water, like a great villa, white and smiling, with window upon window. But one soon discovers that the stillness of the grave rests over the place; it seems as if no one dwelt here, or as if it were a dwelling forsaken during the plague. The gates of these walls are locked; but one opened and the jailor received us, with his bundle of keys in his hand. The court is empty and clean; even the grass between the paving stones is weeded out. We entered the 'reception room,' to which the prisoner is first taken; then the bath room, whither he is carried next. We ascend a flight of stairs, and find ourselves in a large hall, built the whole length and height of the building. Several galleries, one over another in the different stories, extend round the whole hall, and in the midst of the hall is the chancel, from which, on Sundays, the preacher delivers his sermon before an invisible audience. All the doors of the cells, which lead upon the galleries, are half opened, the prisoners hear the preacher, but they cannot see him, nor he them. The whole is a well-built machine for a pressure of the spirit. In the door of each cell there is a glass of the size of an eye; a valve covers it on the outside, and through this may the warden, unnoticed by the prisoners, observe all which is going on within; but he must move with soft step, noiselessly, for the hearing of the prisoner is wonderfully sharpened by solitude. I removed the valve from the glass very softly, and looked into the closed room—for a moment the glance of the prisoner met my eye. It is airy, pure, and clean within, but the window is so high that it is impossible to look out. The whole furniture consists of a high bench, made fast to a kind of table, a berth, which can be fastened with hooks to the ceiling, and around which there is a curtain. Several cells were opened to us. In one there was a young, very pretty maiden; she had lain down in her berth, but sprang out when the door was opened, and her first movement disturbed the berth, which it unclasped and rolled together. Upon the little table stood the water cask, and near it lay the remains of hard black bread, farther off the Bible, and a few spiritual songs. In another cell sat an infanticide; I saw her only through the small glass of the door, she had heard our steps, and our talking, but she sat still, cowered together in the corner by the door, as if she wished to conceal herself as much as she could; her back was bent, her head sunk almost into her lap, and over it her hands were folded. The unhappy one is very young, said they. In two different cells sat two brothers; they were paying the penalty of horse-stealing; one was yet a boy. In one cell sat a poor servant girl; they said she had no relations, and was poor, and they placed her here. I thought that I had misunderstood, repeated my question, Why is the maiden here? and received the same answer. Yet still I prefer to believe that I have misunderstood the remark. Without, in the clear, free sunlight, is the busy rush of day; here within the stillness of midnight always reigns. The spider, which spins along the wall, the swallow, which rarely flies near the vaulted window there above, even the tread of the stranger in the gallery, close by the door, is an occurrence in this mute, solitary life, where the mind of the prisoner revolves ever upon himself. One should read of the martyr cells of the holy inquisition, of the unfortunates of the Bagnio chained to each other, of the hot leaden chambers, and the dark wet abyss of the pit of Venice, and shudder over those pictures, in order to wander through the galleries of the cell prison with a calmer heart; here is light, here is air, here it is more human. Here, where the sunbeam throws in upon the prisoner its mild light, here will an illuminating beam from God Himself sink into the heart.'

Last we have

'SALA.

'Sweden's great king, Germany's deliverer, Gustavus Adolphus, caused Sala to be built. The small enclosed wood in the vicinity of the little town relates to us yet traditions of the youthful love of the hero king, of his rendezvous with Ebba Brahe. The silver shafts at Sala are the largest, the deepest and oldest in Sweden; they reach down a hundred and seventy fathoms, almost as deep as the Baltic. This is sufficient to awaken an interest in the little town; how does it look now? 'Sala,' says the guide book, 'lies in a valley, in a flat, and not very agreeable region.' And so it is truly; in that direction was nothing beautiful, and the highway led directly into the town, which has no character. It consists of a single long street with a knot and a pair of ends: the knot is the market; at the ends are two lanes which are attached to it. The long street—it may be called long in such a short town—was entirely empty. No one came out of the doors, no one looked out of the windows. It was with no small joy that I saw a man, at last, in a shop, in whose window hung a paper of pins, a red handkerchief, and two tea cans, a solitary, sedate apprentice, who leaned over the counter and looked out through the open house door. He certainly wrote that evening in his journal, if he kept one; 'To-day a traveller went through the town; the dear God may know him, I do not!' The apprentice's face appeared to me to say all that, and he had an honest face.