Singular contrasts are often seen amidst the grandeur of courts. In order to manage such high play at the Queen's faro table, it was necessary to have a banker provided with large, sums of money; and this necessity placed at the table, to which none but the highest titled persons were admitted in general, not only M. de Chalabre, who was its banker, but also a retired captain of foot, who officiated as his second. A word, trivial, but perfectly appropriate to express the manner in which the Court was attended there, was often heard. Gentlemen presented at Court, who had not been invited to stay at Marly, came there notwithstanding, as they did to Versailles, and returned again to Paris; under such circumstances, it was said such a one had been to Marly only 'en polisson';—[A contemptuous expression, meaning literally "as a scamp" or "rascal">[—and it appeared odd to hear a captivating marquis, in answer to the inquiry whether he was of the royal party at Marly, say, "No, I am only here 'en polisson'," meaning simply "I am here on the footing of all those whose nobility is of a later date than 1400." The Marly excursions were exceedingly expensive to the King. Besides the superior tables, those of the almoners, equerries, maitres d'hotel, etc., were all supplied with such a degree of magnificence as to allow of inviting strangers to them; and almost all the visitors from Paris were boarded at the expense of the Court.
The personal frugality of the unfortunate Prince who sank beneath the weight of the national debts thus favoured the Queen's predilection for her Petit Trianon; and for five or six years preceding the Revolution the Court very seldom visited Marly.
The King, always attentive to the comfort of his family, gave Mesdames, his aunts, the use of the Chateau de Bellevue, and afterwards purchased the Princesse de Guemenee's house, at the entrance to Paris, for Elisabeth. The Comtesse de Provence bought a small house at Montreuil; Monsieur already had Brunoy; the Comtesse d'Artois built Bagatelle; Versailles became, in the estimation of all the royal family, the least agreeable of residences. They only fancied themselves at home in the plainest houses, surrounded by English gardens, where they better enjoyed the beauties of nature. The taste for cascades and statues was entirely past.
The Queen occasionally remained a whole month at Petit Trianon, and had established there all the ways of life in a chateau. She entered the sitting-room without driving the ladies from their pianoforte or embroidery. The gentlemen continued their billiards or backgammon without suffering her presence to interrupt them. There was but little room in the small Chateau of Trianon. Madame Elisabeth accompanied the Queen there, but the ladies of honour and ladies of the palace had no establishment at Trianon. When invited by the Queen, they came from Versailles to dinner. The King and Princes came regularly to sup. A white gown, a gauze kerchief, and a straw hat were the uniform dress of the Princesses.
[The extreme simplicity of the Queen's toilet began to be strongly censured, at first among the courtiers, and afterwards throughout the kingdom; and through one of those inconsistencies more common in France than elsewhere, while the Queen was blamed, she was blindly imitated. There was not a woman but would have the same undress, the same cap, and the same feathers as she had been seen to wear. They crowded to Mademoiselle Bertin, her milliner; there was an absolute revolution in the dress of our ladies, which gave importance to that woman. Long trains, and all those fashions which confer a certain nobility on dress, were discarded; and at last a duchess could not be distinguished from an actress. The men caught the mania; the upper classes had long before given up to their lackeys feathers, tufts of ribbon, and laced hats. They now got rid of red heels and embroidery; and walked about our streets in plain cloth, short thick shoes, and with knotty cudgels in their hands. Many humiliating scrapes were the consequence of this metamorphosis. Bearing no mark to distinguish them from the common herd, some of the lowest classes got into quarrels with them, in which the nobles had not always the best of it.—MONTJOIE, "History of Marie Antoinette.">[
Examining all the manufactories of the hamlet, seeing the cows milked, and fishing in the lake delighted the Queen; and every year she showed increased aversion to the pompous excursions to Marly.
The idea of acting comedies, as was then done in almost all country houses, followed on the Queen's wish to live at Trianon without ceremony.
[The Queen got through the characters she assumed indifferently enough; she could hardly be ignorant of this, as her performances evidently excited little pleasure. Indeed, one day while she was thus exhibiting, somebody ventured to say, by no means inaudibly, "well, this is royally ill played!" The lesson was thrown away upon her, for never did she sacrifice to the opinion of another that which she thought permissible. When she was told that her extreme plainness in dress, the nature of her amusements, and her dislike to that splendour which ought always to attend a Queen, had an appearance of levity, which was misinterpreted by a portion of the public, she replied with Madame de Maintenon: "I am upon the stage, and of course I shall be either hissed or applauded." Louis XIV. had a similar taste; he danced upon the stage; but he had shown by brilliant actions that he knew how to enforce respect; and besides, he unhesitatingly gave up the amusement from the moment he heard those beautiful lines in which Racine pointed out how very unworthy of him such pastimes were.—MONTJOIE, "History of Marie Antoinette.">[
It was agreed that no young man except the Comte d'Artois should be admitted into the company of performers, and that the audience should consist only of the King, Monsieur, and the Princesses, who did not play; but in order to stimulate the actors a little, the first boxes were to be occupied by the readers, the Queen's ladies, their sisters and daughters, making altogether about forty persons.
The Queen laughed heartily at the voice of M. d'Adhemar, formerly a very fine one, but latterly become rather tremulous. His shepherd's dress in Colin, in the "Devin du Village," contrasted very ridiculously with his time of life, and the Queen said it would be difficult for malevolence itself to find anything to criticise in the choice of such a lover. The King was highly amused with these plays, and was present at every performance. Caillot, a celebrated actor, who had long quitted the stage, and Dazincourt, both of acknowledged good character, were selected to give lessons, the first in comic opera, of which the easier sorts were preferred, and the second in comedy. The office of hearer of rehearsals, prompter, and stage manager was given to my father-in-law. The Duc de Fronsac, first gentleman of the chamber, was much hurt at this. He thought himself called upon to make serious remonstrances upon the subject, and wrote to the Queen, who made him the following answer: "You cannot be first gentleman when we are the actors. Besides, I have already intimated to you my determination respecting Trianon. I hold no court there, I live like a private person, and M. Campan shall be always employed to execute orders relative to the private fetes I choose to give there." This not putting a stop to the Duke's remonstrances, the King was obliged to interfere. The Duke continued obstinate, and insisted that he was entitled to manage the private amusements as much as those which were public. It became absolutely necessary to end the argument in a positive manner.