Towards half-past twelve we had news of the King, and immediately after Madame de Bourgogne came out of the little cabinet with the Duke, who seemed more touched than when I first saw him. The Princess took her scarf and her coifs from the toilette, standing with a deliberate air, her eyes scarcely wet—a fact betrayed by inquisitive glances cast rapidly to the right and left—and, followed only by her ladies, went to her coach by the great staircase.
I took the opportunity to go to the Duchesse d'Orleans, where I found many people. Their presence made me very impatient; the Duchess, who was equally impatient, took a light and went in. I whispered in the ear of the Duchesse de Villeroy, who thought as I thought of this event. She nudged me, and said in a very low voice that I must contain myself. I was smothered with silence, amidst the complaints and the narrative surprises of these ladies; but at last M. le Duc d'Orleans appeared at the door of his cabinet, and beckoned me to come to him.
I followed him into the cabinet, where we were alone. What was my surprise, remembering the terms on which he was with Monseigneur, to see the tears streaming from his eyes.
"Sir!" exclaimed I, rising: He understood me at once; and answered in a broken voice, really crying: "You are right to be surprised—I am surprised myself; but such a spectacle touches. He was a man with whom I passed much of my life, and who treated me well when he was uninfluenced. I feel very well that my grief won't last long; in a few days I shall discover motives of joy; at present, blood, relationship, humanity,—all work; and my entrails are moved." I praised his sentiments, but repeated my surprise. He rose, thrust his head into a corner, and with his nose there, wept bitterly and sobbed, which if I had not seen I could not have believed.
After a little silence, however, I exhorted him to calm himself. I represented to him that, everybody knowing on what terms he had been with Monseigneur, he would be laughed at, as playing a part, if his eyes showed that he had been weeping. He did what he could to remove the marks of his tears, and we then went back into the other room.
The interview of the Duchesse de Bourgogne with the King had not been long. She met him in the avenue between the two stables, got down, and went to the door of the carriage. Madame de Maintenon cried out, "Where are you going? We bear the plague about with us." I do not know what the King said or did. The Princess returned to her carriage, and came back to Versailles, bringing in reality the first news of the actual death of Monseigneur.
Acting upon the advice of M. de Beauvilliers, all the company had gone into the salon. The two Princes, Monseigneur de Bourgogne and M. de Berry, were there, seated on one sofa, their Princesses at their sides; all the rest of the company were scattered about in confusion, seated or standing, some of the ladies being on the floor, near the sofa. There could be no doubt of what had happened. It was plainly written on every face in the chamber and throughout the apartment. Monseigneur was no more: it was known: it was spoken of: constraint with respect to him no longer existed. Amidst the surprise, the confusion, and the movements that prevailed, the sentiments of all were painted to the life in looks and gestures.
In the outside rooms were heard the constrained groans and sighs of the valets—grieving for the master they had lost as well as for the master that had succeeded. Farther on began the crowd of courtiers of all kinds. The greater number—that is to say the fools—pumped up sighs as well as they could, and with wandering but dry eyes, sung the praises of Monseigneur—insisting especially on his goodness. They pitied the King for the loss of so good a son. The keener began already to be uneasy about the health of the King; and admired themselves for preserving so much judgment amidst so much trouble, which could be perceived by the frequency of their repetitions. Others, really afflicted—the discomfited cabal—wept bitterly, and kept themselves under with an effort as easy to notice as sobs. The most strong-minded or the wisest, with eyes fixed on the ground, in corners, meditated on the consequences of such an event—and especially on their own interests. Few words passed in conversation—here and there an exclamation wrung from grief was answered by some neighbouring grief—a word every quarter of an hour —sombre and haggard eyes—movements quite involuntary of the hands— immobility of all other parts of the body. Those who already looked upon the event as favourable in vain exaggerated their gravity so as to make it resemble chagrin and severity; the veil over their faces was transparent and hid not a single feature. They remained as motionless as those who grieved most, fearing opinion, curiosity, their own satisfaction, their every movement; but their eyes made up for their immobility. Indeed they could not refrain from repeatedly changing their attitude like people ill at ease, sitting or standing, from avoiding each other too carefully, even from allowing their eyes to meet—nor repress a manifest air of liberty—nor conceal their increased liveliness—nor put out a sort of brilliancy which distinguished them in spite of themselves.
The two Princes, and the two Princesses who sat by their sides, were more exposed to view than any other. The Duc de Bourgogne wept with tenderness, sincerity, and gentleness, the tears of nature, of religion, and patience. M. le Duc de Berry also sincerely shed abundance of tears, but bloody tears, so to speak, so great appeared their bitterness; and he uttered not only sobs, but cries, nay, even yells. He was silent sometimes, but from suffocation, and then would burst out again with such a noise, such a trumpet sound of despair, that the majority present burst out also at these dolorous repetitions, either impelled by affliction or decorum. He became so bad, in fact, that his people were forced to undress him then and there, put him to bed, and call in the doctor, Madame la Duchesse de Berry was beside herself, and we shall soon see why. The most bitter despair was painted with horror on her face. There was seen written, as it were, a sort of furious grief, based on interest, not affection; now and then came dry lulls deep and sullen, then a torrent of tears and involuntary gestures, yet restrained, which showed extreme bitterness of mind, fruit of the profound meditation that had preceded. Often aroused by the cries of her husband, prompt to assist him, to support him, to embrace him, to give her smelling-bottle, her care for him was evident; but soon came another profound reverie—then a gush of tears assisted to suppress her cries. As for Madame la Duchesse de Bourgogne she consoled her husband with less trouble than she had to appear herself in want of consolation. Without attempting to play a part, it was evident that she did her best to acquit herself of a pressing duty of decorum. But she found extreme difficulty in keeping up appearances. When the Prince her brother-in-law howled, she blew her nose. She had brought some tears along with her and kept them up with care; and these, combined with the art of the handkerchief, enabled her to redden her eyes, and make them swell, and smudge her face; but her glances often wandered on the sly to the countenances of all present.
Madame arrived, in full dress she knew not why, and howling she knew not why, inundated everybody with her tears in embracing them, making the chateau echo with renewed cries, and furnished the odd spectacle of a Princess putting on her robes of ceremony in the dead of night to come and cry among a crowd of women with but little on except their night- dresses,—almost as masqueraders.