Most people are more or less vaguely aware that there existed in England, towards the end of the last century, a school of poets, or poetasters, called Della Cruscan; and Mrs. Oliphant not long ago suggested, in her Literary History, that a sketch of their eccentricities might not be unamusing. I propose, accordingly, for the edification of the curious, to recount a few particulars of the Della Cruscan writers, in the days of their prosperity and the days of their collapse. They were, let it at once be admitted, a feeble and a frivolous folk; yet I think that a moral may suggest itself when their story has been told.
In the year 1784 Mr. Robert Merry, a bachelor of thirty, had been for some years domiciled at Florence. That his position and prospects were not of a very definite order was owing to no defect of nurture or opportunity. He had been educated at Harrow, at the same time as Sheridan, and afterwards at Christ's College, Cambridge, and was originally intended for the Bar. To Lincoln's Inn he accordingly made a pretence of belonging till the death of his father, who was a Governor of the Hudson's Bay Company; the family connection with the North Seas being still perpetuated in the name of Merry's Island. Robert Merry at once took advantage of the independence which came to him on his father's death to abandon the Bar and buy himself a commission in the Guards. His liking for high play and high society kept him, for a short time, amused in his new position. He grew, however, once more restless; wandered on the Continent; and became, in the phraseology of the day, a man of letters and of leisure. His love of letters he gratified, at Florence, by becoming a member of the Italian Academy, the Accademia della Crusca, and his love of letters and leisure combined by joining himself to an English society who called themselves the “Oziosi,” and, no doubt, took good care to merit that designation.
The leading spirit of this coterie was no less a personage than Mrs. Piozzi, happily married at last, and safely escaped from the malice of her cold-blooded daughters, and from the virulence with which the English journals had inveighed against her choice of a second husband. Even now the memory of her domestic troubles tended to inspire her with a dejection which the master-pieces of Florentine sculpture were, oddly enough, powerless to remove. As she herself described it, in lines at which one cannot help smiling, sincere as they perhaps were,—
The slave and the wrestlers, what are they to me,
From plots and contention removed?
And Job with still less satisfaction I see,
When I think on the pains I have proved.
The homage of her countrymen, however, did much to enliven her despondency; and she complacently records in her journals some of the compliments paid her by her fellow-members of the “Oziosi.” They used to address her in this style:—
E'en so when Parsons pours his lay,
Correctly wild, or sweetly strong,