ANTIPATER (398?-319 B.C.), Macedonian general, and regent of Macedonia during Alexander’s Eastern expedition (334-323). He had previously (346) been sent as ambassador by Philip to Athens and negotiated peace after the battle of Chaeroneia (338). About 332 he set out against the rebellious tribes of Thrace; but before this insurrection was quelled, the Spartan king Agis had risen against Macedonia. Having settled affairs in Thrace as well as he could, Antipater hastened to the south, and in a battle near Megalopolis (331) gained a complete victory over the insurgents (Diodorus xvii. 62). His regency was greatly troubled by the ambition of Olympias, mother of Alexander, and he was nominally superseded by Craterus. But, on the death of Alexander in 323, he was, by the first partition of the empire, left in command of Macedonia, and in the Lamian War, at the battle of Crannon (322), crushed the Greeks who had attempted to re-assert their independence. Later in the same year he and Craterus were engaged in a war against the Aetolians, when the news arrived from Asia which induced Antipater to conclude peace with them; for Antigonus reported that Perdiccas contemplated making himself sole master of the empire. Antipater and Craterus accordingly prepared for war against Perdiccas, and allied themselves with Ptolemy, the governor of Egypt. Antipater crossed over into Asia in 321; and while still in Syria, he received information that Perdiccas had been murdered by his own soldiers. Craterus fell in battle against Eumenes (Diodorus xviii. 25-39). Antipater, now sole regent, made several new regulations, and having quelled a mutiny of his troops and commissioned Antigonus to continue the war against Eumenes and the other partisans of Perdiccas, returned to Macedonia, where he arrived in 320 (Justin xiii. 6). Soon after he was seized by an illness which terminated his active career, 319. Passing over his son Cassander, he appointed the aged Polyperchon regent, a measure which gave rise to much confusion and ill-feeling (Diodorus xvii., xviii).
ANTIPHANES, the most important writer of the Middle Attic comedy with the exception of Alexis, lived from about 408 to 334 B.C. He was apparently a foreigner who settled in Athens, where he began to write about 387. He was extremely prolific: more than 200 of the 365 (or 260) comedies attributed to him are known to us from the titles and considerable fragments preserved in Athenaeus. They chiefly deal with matters connected with the table, but contain many striking sentiments.
Fragments in Koch, Comicorum Atticorum Fragmenta, ii. (1884); see also Clinton, Philological Museum, i. (1832); Meineke, Historia Critica Comicorum Graecorum (1839).
ANTIPHILUS, a Greek painter, of the age of Alexander. He worked for Philip of Macedon and Ptolemy I. of Egypt. Thus he was a contemporary of Apelles, whose rival he is said to have been, but he seems to have worked in quite another style. Quintilian speaks of his facility: the descriptions of his works which have come down to us show that he excelled in light and shade, in genre representations, and in caricature.
See Brunn, Geschichte der griechischen Kunstler, ii. p. 249.
ANTIPHON, of Rhamnus in Attica, the earliest of the “ten” Attic orators, was born in 480 B.C. He took an active part in political affairs at Athens, and, as a zealous supporter of the oligarchical party, was largely responsible for the establishment of the Four Hundred in 411 (see [Theramenes]); on the restoration of the democracy he was accused of treason and condemned to death. Thucydides (viii. 68) expresses a very high opinion of him. Antiphon may be regarded as the founder of political oratory, but he never addressed the people himself except on the occasion of his trial. Fragments of his speech then delivered in defence of his policy (called Περὶ μεταστάσεως) have been edited by J. Nicole (1907) from an Egyptian papyrus. His chief business was that of a professional speech-writer (λογογράφος), for those who felt incompetent to conduct their own cases— as all disputants were obliged to do—without expert assistance. Fifteen of Antiphon’s speeches are extant: twelve are mere school exercises on fictitious cases, divided into tetralogies, each consisting of two speeches for prosecution and defence—accusation, defence, reply, counter-reply; three refer to actual legal processes. All deal with cases of homicide (φονικαὶ δίκαι). Antiphon is also said to have composed a Τέχνη or art of Rhetoric.