The Passions according to St Matthew and St John.
Funeral ode for the Duchess Eberhardine (now known to be arranged from portions of the lost Passion according to St Mark).
4 short masses (i.e. Kyrie and Gloria only) mainly compiled from church cantatas.
Mass in B minor. Magnificat in D. A few other ecclesiastical Latin choruses.
B. Without Orchestra
5 motets a capella (but there is reason to believe that these, except Komm Jesu komm, were intended to be partly supported by the organ). A sixth motet has an obligato figured-bass accompaniment.
A few early choruses, mostly turned to account in later works.
A large collection of plain chorales, including several original melodies.
II.—Secular Vocal Music
Der Streit zwischen Phoebus und Pan and Der zufrieden gestellte Aeolus; both entitled Dramma per Musica, but showing no more essential connexion with the stage than Handel's Acis and Galatea.