(G. W. T.)

BALAGHAT (i.e. "above the ghats or passes," the highlands), a district of British India in the Nagpur division of the Central Provinces. The administrative headquarters are at the town of Burha. The district contains an area of 3132 sq. m. It forms the eastern portion of the central plateau which divides the province from east to west. These highlands, formerly known as the Raigarh Bichhia tract, remained desolate and neglected until 1866, when the district of Balaghat was formed, and the country opened to the industrious and enterprising peasantry of the Wainganga valley. Geographically the district is divided into three distinct parts:—(1) The southern lowlands, a slightly undulating plain, comparatively well cultivated and drained by the Wainganga, Bagh, Deo, Ghisri and Son rivers. (2) The long narrow valley known as the Mau Taluka, lying between the hills and the Wainganga river, and comprising a long, narrow, irregular-shaped lowland tract, intersected by hill ranges and peaks covered with dense jungle, and running generally from north to south. (3) The lofty plateau, in which is situated the Raigarh Bichhia tract, comprising irregular ranges of hills, broken into numerous valleys, and generally running from east to west. The highest points in the hills of the district are as follows:—Peaks above Lanji, 2300 or 2500 feet; Tepagarh hill, about 2600 ft.; and Bhainsaghat range, about 3000 ft. above the sea. The principal rivers in the district are the Wainganga, and its tributaries, the Bagh, Nahra and Uskal; a few smaller streams, such as the Masmar, the Mahkara, &c.; and the Banjar, Halon and Jamunia, tributaries of the Nerbudda, which drain a portion of the upper plateau. In the middle of the 19th century the upper part of the district was an impenetrable waste. About that time one Lachhman Naik established the first villages on the Paraswara plateau. But a handsome Buddhist temple of cut stone, belonging to some remote period, is suggestive of a civilization which had disappeared before historic times. The population in 1901 was 326,521, showing a decrease of 15% in the decade, due to the effects of famine. A large part of the area is still covered with forest, the most valuable timber-tree being sal. There are few good roads. The Gondia-Jubbulpore line of the Bengal-Nagpur railway traverses the Wainganga valley in the west of the district. The district suffered very severely from the famine of 1896-1897. It suffered again in 1900, when in April the number of persons relieved rose above 100,000.

BALAGUER, VICTOR (1824-1901), Spanish politician and author, was born at Barcelona on the 11th of December 1824, and was educated at the university of his native town. His precocity was remarkable; his first dramatic essay, Pepin el jorobado, was placed on the Barcelona stage when he was fourteen years of age, and at nineteen he was publicly "crowned" after the production of his second play, Don Enrique el Dadivoso. From 1843 to 1868 he was the chief of the Liberal party in Barcelona, and as proprietor and editor of El Conseller did much to promote the growth of local patriotism in Catalonia. But it was not till 1857 that he wrote his first poem in Catalan—a copy of verses to the Virgin of Montserrat. Henceforward he frequently adopted the pseudonym of "lo Trovador de Montserrat"; in 1859 he helped to restore the "Juegos Florales," and in 1861 was proclaimed mestre de gay saber. He was removed to Madrid, took a prominent part in political life, and in 1867 emigrated to Provence. On the expulsion of Queen Isabella, he returned to Spain, represented Manresa in the Cortes, and in 1871-1872 was successively minister of the colonies and of finance. He resigned office at the restoration, but finally followed his party in rallying to the dynasty; he was appointed vice-president of congress, and was subsequently a senator. He died at Madrid on the 14th of January 1901. Long before his death he had become alienated from the advanced school of Catalan nationalists, and endeavoured to explain away the severe criticism of Castile in which his Historia de Cataluña y de la Corona de Aragon (1860-1863) abounds. This work, like his Historia politica y literaria de los trovadores (1878-1879), is inaccurate, partial and unscientific; but both books are attractively written and have done great service to the cause which Balaguer once upheld. As a poet he is imitative: reminiscences of Quintana are noticeable in his patriotic songs, of Zorrilla in his historical ballads, of Byron in his lyrical poems. He wrote too hastily to satisfy artistic canons; but if he has the faults he has also the merits of a pioneer, and in Catalonia his name will endure.

BALAKIREV, MILI ALEXEIVICH (1836- ), Russian musical composer, was born at Nijni-Novgorod on the 31st of December 1836. He had the advantage as a boy of living with Oulibichev, author of a Life of Mozart, who had a private band, and from whom Balakirev obtained a valuable education in music. At eighteen, after a university course in mathematics, he went to St Petersburg, full of national ardour, and there made the acquaintance of Glinka. Round him gathered César Cui (b. 1835), and others, and in 1862 the Free School of Music was established, by which, and by Balakirev's personal zeal, the modern school of Russian music was largely stimulated. In 1869 Balakirev was appointed director of the imperial chapel and conductor of the Imperial Musical Society. His influence as a conductor, and as an organizer of Russian music, give him the place of a founder of a new movement, apart even from his own compositions, which though few in number are remarkable in themselves. His works consist largely of songs and collections of folk-songs, but include a symphony (first played in England in 1901), two symphonic poems ("Russia" and "Tamara"), and four overtures, besides pianoforte pieces. His orchestral works are of the "programme-music" order, but all are brilliant examples of the highly coloured, elaborate style characteristic of modern Russian composers, and developed by Balakirev's disciples, such as Borodin and Rimsky-Korsakov.

BALAKLAVA, a village in the Crimea, east of Sevastopol, famous for a battle in the Crimean War. The action of Balaklava (October 25th, 1854) was brought about by the advance of a Russian field army under General Liprandi to attack the allied English, French and Turkish forces besieging Sevastopol. The ground on which the engagement took place was the Vorontsov ridge (see Crimean War), and the valleys on either side of it. Liprandi's corps formed near Traktir Bridge, and early on the 25th of October its advanced guard moved southward to attack the ridge, which was weakly occupied by Turkish battalions behind slight entrenchments. The two nearest British divisions were put into motion as soon as the firing became serious, but were prevented by their orders from descending at once into the plain, and the Turks had to meet the assault of greatly superior numbers. They made a gallant resistance, but the Russians quickly cleared the ridge, capturing several guns, and their first line was followed by a heavy mass of cavalry which crossed the ridge and descended into the Balaklava plain. At this moment the British cavalry division under the earl of Lucan was in the plain, but their commander was prevented from engaging the Russians by the tenor of his orders. One of his brigades, the Heavy (4th and 5th Dragoon Guards, 1st, 2nd and 6th Dragoons) under Brigadier-General J. Y. Scarlett, was in the Balaklava plain; the other, the Light Brigade under Lord Cardigan (4th and 13th Light Dragoons now Hussars, 8th and 11th Hussars and 17th Lancers) in the valley to the north of the Vorontsov ridge. All these regiments were very weak in numbers. The Russian cavalry mass, after crossing the ridge, moved towards Balaklava; a few shots were fired into it by a Turkish battery and a moment later the Heavy Brigade charged. The attack was impeded at first by obstacles of ground, but in the mêlée the weight of the British troopers gradually broke up the enemy, and the charge of the 4th Dragoon Guards, delivered against the flank of the Russian mass, was decisive. The whole of the Russian cavalry broke and fled to the ridge. This famous charge occupied less than five minutes from first to last, and at the same time some of the Russian squadrons, attempting to charge the 93rd Highlanders (who were near Balaklava) were met by the steady volleys of the "thin red line," and fled with the rest. The defeated troops retreated past the still inactive Light Brigade, on whose left a French cavalry brigade was now posted. The Russians were at this juncture reinforced by a mixed force on the Fedukhine heights; Liprandi's infantry occupied the captured ridge, and manned the guns taken from the Turks. The cavalry defeated by the Heavy Brigade was re-formed in the northern valley behind the field guns, and infantry, cavalry and artillery were on both the Fedukhine and the Vorontsov heights. Thus, in front of the Light Brigade was a valley over a mile long, at the end of which was the enemy's cavalry and twelve guns, and on the ridges on either side there were in all twenty-two guns, with cavalry and infantry. It was under these circumstances that an order was given by the British headquarters, which led to the charge for which above all Balaklava is remembered. It was carried to Lord Lucan by Captain L. E. Nolan, 15th Hussars, and ran as follows:—"Lord Raglan wishes the cavalry to advance rapidly to the front and try to prevent the enemy carrying away the guns ... French cavalry is on your left." Lucan, seeing no attempt on the part of the enemy to move guns, questioned Nolan, who is said to have pointed down the valley to the artillery on the plain; whereupon Lucan rode to Lord Cardigan, the commander of the Light Brigade, and repeated Lord Raglan's order and Nolan's explanation. The Light Brigade then advanced straight to its front, and soon came under fire from the guns on both flanks. Nolan was killed as he rode across the front of the brigade, perhaps with the intention of changing its direction to the Vorontsov ridge. Five minutes later the guns in front began to fire with telling effect. The pace was increased, though the "charge" was not sounded, and Cardigan and those of his men who remained mounted, rode up to and through the Russian line of guns. Small parties even charged the Russian cavalry in rear and on either flank. The French 4th Chasseurs d' Afrique made a dashing charge which drove the Russians off the Fedukhine heights, though at considerable loss. Lucan had meanwhile called up the Heavy Brigade to support the Light, but it lost many men and horses and was quickly withdrawn. Only two formed bodies of the Light Brigade found their way back. The 13th Light Dragoons mustered but ten mounted men at the evening parade; the brigade as a whole had lost 247 men and 497 horses out of a total strength of 673 engaged in the charge, which lasted twenty minutes from first to last. The two infantry divisions which now approached the field were again halted, and Liprandi was left undisturbed on the Vorontsov ridge and in possession of the captured guns. The result of the day was thus unfavourable to the allies, but the three chief incidents of the engagement—the two cavalry charges and the fight of the 93rd Highlanders—gave to it all the prestige of a victory. The impression created by the conduct of the Light Brigade was forcibly expressed in Tennyson's well-known ballad, and in spite of the equally celebrated remark of the French general Bosquet, C'est magnifique mais ce n'est pas la guerre, it may be questioned whether the moral effect of the charge did not outweigh the very serious loss in trained men and horses involved.

BALALAÏKA, a stringed instrument said to have retained its primitive form unchanged, very popular in Russia among the peasants, more especially in Ukraine. The instrument has a triangular soundboard to which is glued a vaulted back, forming a body having a triangular base, enabling it to stand upright. To the body is added a fretted neck strung with two, three or four strings, generally so tuned as to produce a minor chord when sounded together. The strings are generally plucked with the fingers, but the peasants obtain charming "glissando" effects by sweeping the strings lightly one after the other with the fingers or side of the hand. The Balalaïka is common to the Slav races, who use it to accompany their folk-songs and dances. It is also to be seen in the hands of gipsies at rural festivities and fairs.

BALANCE (derived through the Fr. from the Late Lat. bilantia, an apparatus for weighing, from bi, two, and lanx, a dish or scale), a term originally used for the ordinary beam balance or weighing machine with two scale pans, but extended to include (with or without adjectival qualification) other apparatus for measuring and comparing weights and forces. In addition to beam and spring balances (see Weighing Machines), apparatus termed "torsion balances," in which forces are measured or compared by their twisting moment on a wire, are used, especially in gravitational, electrostatic and magnetic experiments (see Gravitation and Electrometer). The term also connotes the idea of equality or equalization; e.g. in the following expressions: "balance," in bookkeeping, the amount which equalizes the debit and credit accounts; "balance wheel,"

in horology, a device for equalizing the relaxing of a watch or clock spring (see Clock); the "balancing of engines," the art of minimizing the total vibrations of engines when running, and consisting generally in the introduction of masses which induce vibrations opposed to the vibrations of the essential parts of the engine.

BALANCE OF POWER, a phrase in international law for such a "just equilibrium" between the members of the family of nations as should prevent any one of them from becoming sufficiently strong to enforce its will upon the rest. The principle involved in this, as Hume pointed out in his Essay on the Balance of Power, is as old as history, and was perfectly familiar to the ancients both as political theorists and as practical statesmen. In its essence it is no more than a precept of commonsense born of experience and the instinct of self-preservation; for, as Polybius very clearly puts it (lib. i. cap. 83): "Nor is such a principle to be despised, nor should so great a power be allowed to any one as to make it impossible for you afterwards to dispute with him on equal terms concerning your manifest rights." It was not, however, till the beginning of the 17th century, when the science of international law took shape at the hands of Grotius and his successors, that the theory of the balance of power was formulated as a fundamental principle of diplomacy. According to this the European states formed a sort of federal community, the fundamental condition of which was the preservation of the balance of power, i.e. such a disposition of things that no one state or potentate should be able absolutely to predominate and prescribe laws to the rest; and, since all were equally interested in this settlement, it was held to be the interest, the right and the duty of every power to interfere, even by force of arms, when any of the conditions of this settlement were infringed or assailed by any other member of the community.[[1]] This principle, once formulated, became an axiom of political science. It was impressed as such by Fénelon, in his Instructions, on the young duke of Burgundy; it was proclaimed to the world by Frederick the Great in his Anti-Machiavel; it was re-stated with admirable clearness in 1806 by Friedrich von Gentz in his Fragments on the Balance of Power. It formed the basis of the coalitions against Louis XIV. and Napoleon, and the occasion, or the excuse, for most of the wars which desolated Europe between the congress of Münster in 1648 and that of Vienna in 1814. During the greater part of the 19th century it was obscured by the series of national upheavals which have remodelled the map of Europe; yet it underlay all the efforts of diplomacy to stay or to direct the elemental forces let loose by the Revolution, and with the restoration of comparative calm it has once more emerged as the motive for the various political alliances of which the ostensible object is the preservation of peace (see Europe: History).