BECCAFICO (Ital. for “fig-pecker”), a small migratory bird of the warbler (Sylviidae) family, which frequents fig-trees and vineyards, and, when fattened, is considered a great delicacy.
BECCAFUMI, DOMENICO DI PACE (1486-1551), Italian painter, of the school of Siena. In the early days of the Tuscan republics Siena had been in artistic genius, and almost in political importance, the rival of Florence. But after the great plague in 1348 the city declined; and though her population always comprised an immense number of skilled artists and artificers, yet her school did not share in the general progress of Italy in the 15th century. About the year 1500, indeed, Siena had no native artists of the first importance; and her public and private commissions were often given to natives of other cities. But after the uncovering of the works of Raphael and Michelangelo at Rome in 1508, all the schools of Italy were stirred with the desire of imitating them. Among these accomplished men who now, without the mind and inspiration of Raphael or Michelangelo, mastered a great deal of their manner, and initiated the decadence of Italian art, several of the most accomplished arose in the school of Siena. Among these was Domenico, the son of a peasant, one Giacomo di Pace, who worked on the estate of a well-to-do citizen named Lorenzo Beccafumi. Seeing some signs of a talent for drawing in his labourer’s son, Lorenzo Beccafumi took the boy into his service and presently adopted him, causing him to learn painting from masters of the city. Known afterwards as Domenico Beccafumi, or earlier as Il Mecarino (from the name of a poor artist with whom he studied), the peasant’s son soon gave proof of extraordinary industry and talent. In 1509 he went to Rome and steeped himself in the manner of the great men who had just done their first work in the Vatican. Returning to his native town, Beccafumi quickly gained employment and a reputation second only to Sodoma. He painted a vast number both of religious pieces for churches and of mythological decorations for private patrons. But the work by which he will longest be remembered is that which he did for the celebrated pavement of the cathedral of Siena. For a hundred and fifty years the best artists of the state had been engaged laying down this pavement with vast designs in commesso work,—white marble, that is, engraved with the outlines of the subject in black, and having borders inlaid with rich patterns in many colours. From the year 1517 to 1544 Beccafumi was engaged in continuing this pavement. He made very ingenious improvements in the technical processes employed, and laid down multitudinous scenes from the stories of Ahab and Elijah, of Melchisedec, of Abraham and of Moses. These are not so interesting as the simpler work of the earlier schools, but are much more celebrated and more jealously guarded. Such was their fame that the agents of Charles I. of England, at the time when he was collecting for Whitehall, went to Siena expressly to try and purchase the original cartoons. But their owner would not part with them, and they are now in the Siena Academy and elsewhere. The subjects have been engraved on wood, by the hand, as it seems, of Beccafumi himself, who at one time or another essayed almost every branch of fine art. He made a triumphal arch and an immense mechanical horse for the procession of the emperor Charles V. on his entry into Siena. In his later days, being a solitary liver and continually at work, he is said to have accelerated his death by over-exertion upon the processes of bronze-casting.
BECCARIA, GIOVANNI BATTISTA (1716-1781), Italian physicist, was born at Mondovi on the 3rd of October 1716, and entered the religious order of the Pious Schools in 1732. He became professor of experimental physics, first at Palermo and then at Rome, and was appointed to a similar situation at Turin in 1748. He was afterwards made tutor to the young princes de Chablais and de Carignan, and continued to reside principally at Turin during the remainder of his life. In May 1755 he was elected a fellow of the Royal Society of London, and published several papers on electrical subjects in the Phil. Trans. He died at Turin on the 27th of May 1781. Beccaria did much, in the way both of experiment and exposition, to spread a knowledge of the electrical researches of Franklin and others. His principal work was the treatise Dell’ Elettricismo Naturale ed Artificiale (1753), which was translated into English in 1776.
BECCARIA-BONESANA, CESARE, Marchese de (1735-1794), Italian publicist, was born at Milan on the 15th of March 1735. He was educated in the Jesuit college at Parma, and showed at first a great aptitude for mathematics. The study of Montesquieu seems to have directed his attention towards economic questions; and his first publication (1762) was a tract on the derangement of the currency in the Milanese states, with a proposal for its remedy. Shortly after, in conjunction with his friends the Verris, he formed a literary society, and began to publish a small journal, in imitation of the Spectator, called Il Caffè. In 1764 he published his brief but justly celebrated treatise Dei Delitti e delle Pene (“On Crimes and Punishments”). The weighty reasonings of this work were expounded with all the additional force of a clear and animated style. It pointed out distinctly and temperately the grounds of the right of punishment, and from these principles deduced certain propositions as to the nature and amount of punishment which should be inflicted for any crime. The book had a surprising success. Within eighteen months it passed through six editions. It was translated into French by Morellet in 1766, and published with an anonymous commentary by Voltaire. An English translation appeared in 1768 and it was translated into several other languages. Many of the reforms in the penal codes of the principal European nations are traceable to Beccaria’s treatise. In November 1768 he was appointed to the chair of law and economy, which had been founded expressly for him at the Palatine college of Milan. His lectures on political economy, which are based on strict utilitarian principles, are in marked accordance with the theories of the English school of economists. They are published in the collection of Italian writers on political economy (Scrittori Classici Italiani di Economia politico., vols. xi. and xii.). In 1771 Beccaria was made a member of the supreme economic council; and in 1791 he was appointed one of the board for the reform of the judicial code. In this post his labours were of very great value. He died at Milan on the 28th of November 1794.
BECCLES, a market town and municipal borough, in the Lowestoft parliamentary division of Suffolk, England; on the right bank of the river Waveney, 109 m. N.E. from London by the Great Eastern railway. Pop. (1901) 6898. It has a pleasant, well-wooded site overlooking the flat lands bordering the Waveney. The church of St Michael, wholly Perpendicular, is a fine example of the style, having an ornate south porch of two storeys and a detached bell tower. There are a grammar school (1712), and boys’ school and free school on the foundation of Sir John Leman (1631). Rose Hall, in the vicinity, is a moated manor of brick, of the 16th century. Printing works, malting, brick and tile, and agricultural implement works are the chief industries. Beccles was incorporated in 1584. It is governed by a mayor, 4 aldermen and 12 councillors. Area, 2017 acres.