BAUDRILLART, HENRI JOSEPH LÉON (1821-1892), French economist, was born in Paris on the 28th of November 1821. His father, Jacques Joseph (1774-1832), was a distinguished writer on forestry, and was for many years in the service of the French government, eventually becoming the head of that branch of the department of agriculture which had charge of the state forests. Henri was educated at the Collège Bourbon, where he had a distinguished career, and in 1852 he was appointed assistant lecturer in political economy to M. Chevalier at the Collège de France. In 1866, on the creation of a new chair of economic history, Baudrillart was appointed to fill it. His first work was an Éloge de Turgot (1846), which at once won him notice among the economists. In 1853 he published an erudite work on Jean Bodin et son temps; then in 1857 a Manuel d’économie politique; in 1860, Des rapports de la morale et de l’économie politique; in 1865, La Liberté du travail; and from 1878 to 1880, L’Histoire du luxe ... depuis l’antiquité jusqu’à nos jours, in four volumes. At the instance of the Académie des Sciences Morales et Politiques he investigated the condition of the farming classes of France, and published the results in four volumes (1885, et seq.). From 1855 to 1864 he directed the Journal des économistes, and contributed many articles to the Journal des débats and to the Revue des deux mondes. His writings are distinguished by their style, as well as by their profound erudition. In 1863 he was elected member of the Académie des Sciences Morales et Politiques; in 1870 he was appointed inspector-general of public libraries, and in 1881 he succeeded J. Garnier as professor of political economy at the École des Ponts et Chaussées. Baudrillart was made an officer of the Legion of Honour in 1889. He died in Paris on the 24th of January 1892.
BAUDRY, or Balderich, OF BOURGUEIL (1046 or 1047-1130), archbishop of Dol, historian and poet, was born at Meung-sur-Loire, where he passed his early days. Educated at Meung and at Angers, he entered the Benedictine abbey of Bourgueil, and in 1079 became abbot of this place, but his time was devoted to literary pursuits rather than to his official duties. Having failed to secure the bishopric of Orleans in 1097, he became archbishop of Dol in 1107, and went to Rome for his pallium in 1108. The bishopric of Dol had been raised to the rank of an archbishopric during the 10th century by Nomenoé, king of Brittany, but this step had been objected to by the archbishops of Tours. Consequently the position of the see was somewhat ambiguous, and Baudry is referred to both as archbishop and as bishop of Dol. He appears to have striven earnestly to do something for the education of the ignorant inhabitants of Brittany but his efforts were not very successful, and he soon abandoned the task. In 1116 he attended the Lateran council, and in 1119 the council of Reims, after which he paid a visit of two years’ duration to England. Returning to France he neglected the affairs of his diocese, and passed his time mainly at St Samson-sur-Risle in Normandy. He died on the 5th or 7th of January 1130.
Baudry wrote a number of Latin poems of very indifferent quality. The most important of these, from the historical point of view, have been published in the Historiae Francorum Scriptores, tome iv., edited by A. Duchesne (Paris 1639-1649). Baudry’s prose works are more important. The best known of these is his Historiae Hierosolymitance, a history of the first crusade from 1095 to 1099. This is a history in four books, the material for which was mainly drawn from the anonymous Gesta Francorum, but some valuable information has been added by Baudry. It was very popular during the middle ages, and was used by Ordericus Vitalis for his Historiae ecclesiasticae; by William, archbishop of Tyre, for his Belli sacri historia; and by Vincent of Beauvais for his Speculum historiale. The best edition is that by C. Thurot, which appears in the Recueil des historiens des croisades, tome iv. (Paris, 1841-1887), Other works probably by Baudry are Epistola ad Fiscannenses monachos, a description of the monastery of Fécamp; Vita Roberti de Arbrissello; Vita S. Hugonis archiepiscopi Rothomagensis; Translatio capitis Gemeticum et miracula S. Valentini martyris; Relatio de scuto et gladio, a history of the arms of St. Michael; and Vita S. Samsonis Dolensis episcopi. Other writings which on very doubtful authority have been attributed to Baudry are Acta S. Valeriani martyris Trenorchii; De visitatione infirmorum; Vita S. Maglorii Dolensis episcopi et Vita S. Maclovii, Alectensis episcopi; De revelatione abbatum Fiscannensium; and Confirmatio bonorum monasterii S. Florentii. Many of these are published by J.P. Migne in the Patrologia Latina, tomes 160, 162 and 166 (Paris 1844).
See Histoire littéraire de la France, tome xi. (Paris, 1865-1869); H. von Sybel, Geschichte des ersten Kreuzzuges (Leipzig, 1881); A. Thurot, “Études critiques sur les historiens de la première croisade; Baudri de Bourgueil” in the Revue historique (Paris, 1876).
BAUDRY, PAUL JACQUES AIMÉ (1828-1886), French painter, was born at La Roche-sur-Yonne (Vendée). He studied under Drolling, a sound but second-rate artist, and carried off the Prix de Rome in 1850 by his picture of “Zenobia found on the banks of the Araxes.” His talent from the first revealed itself as strictly academical, full of elegance and grace, but somewhat lacking originality. In the course of his residence in Italy Baudry derived strong inspiration from Italian art with the mannerism of Coreggio, as was very evident in the two works he exhibited in the Salon of 1857, which were purchased for the Luxembourg: “The Martyrdom of a Vestal Virgin” and “The Child.” His “Leda,” “St John the Baptist,” and a “Portrait of Beulé,” exhibited at the same time, took a first prize that year. Throughout this early period Baudry commonly selected mythological or fanciful subjects, one of the most noteworthy being “The Pearl and the Wave.” Once only did he attempt an historical picture, “Charlotte Corday after the murder of Marat” (1861), and returned by preference to the former class of subjects or to painting portraits of illustrious men of his day—Guizot, Charles Garnier, Edmond About. The works that crowned Baudry’s reputation were his mural decorations, which show much imagination and a high artistic gift for colour, as may be seen in the frescoes in the Paris Cour de Cassation, at the château of Chantilly, and some private residences—the hôtel Fould and hôtel Paiva—but, above all, in the decorations of the foyer of the Paris opera house. These, more than thirty paintings in all, and among them compositions figurative of dancing and music, occupied the painter, for ten years. Baudry died in Paris in 1886. He was a member of the Institut de France, succeeding Jean Victor Schnetz. Two of his colleagues, Dubois and Marius Jean Mercie, co-operating with his brother, Baudry the architect, erected a monument to him in Paris (1890). The statue of Baudry at La Roche-sur-Yonne (1897) is by Gérôme.
See H. Delaborde, Notice sur la vie et les ouvrages de Baudry (1886); Ch. Ephrussi, Baudry, sa vie et son œuvre (1887).
(H. Fr.)