BEFANA (Ital., corrupted from Epifania, Epiphany), the Italian female counterpart of Santa Claus, the Christmas benefactor (St Nicholas). On Epiphany, or Twelfth Night, she plays the fairy godmother to the children, filling their stockings with presents. Tradition relates that she was too busy with house duties to come to the window to see the Three Wise Men of the East pass on their journey to pay adoration to the Saviour, excusing herself on the ground that she could see them on their return. They went back another way, and Befana is alleged to have been punished by being obliged to look for them for ever. Her legends seem to be rather mixed, for in spite of her Santa Claus character, her name is used by Italian mothers as a bogey to frighten the babies. It was the custom to carry her effigy through Italian towns on the eve of the Epiphany.
BEFFROY DE REIGNY, LOUIS ABEL (1757-1811), French dramatist and man of letters, was born at Laon on the 6th of November 1757. Under the name of “Cousin Jacques” he founded a periodical called Les Lunes (1785-1787). The Courrier des planètes ou Correspondance du Cousin Jacques avec le firmament (1788-1792) followed. Nicodème dans la lune, ou la révolution pacifique (1790) a three-act farce, is said to have had more than four hundred representations. In spite of his protests against the evils of the Revolution he escaped interference through the influence of his brother, Louis Étienne Beffroy, who was a member of the Convention. Of La Petite Nanette (1795) and several other operas he wrote both the words and the music. His Dictionnaire néologique (3 vols., 1795-1800) of the chief actors and events in the Revolution was interdicted by the police and remained incomplete. Beffroy spent his last years in retirement, dying in Paris on the 17th of December 1811.
BEGAS, KARL (1794-1854), German historical painter, was born at Heinsberg near Aix-la-Chapelle. His father, a retired judge, destined him for the legal profession, but the boy’s tastes pointed definitely in another direction. Even at school he was remarked for his wonderful skill in drawing and painting, and in 1812 he was permitted to visit Paris in order to perfect himself in his art. He studied for eighteen months in the atelier of Gros and then began to work independently. In 1814 his copy of the Madonna della Sedia was bought by the king of Prussia, who was attracted by the young artist and did much to advance him. He was engaged to paint several large Biblical pictures, and in 1825, after his return from Italy, continued to produce paintings which were placed in the churches of Berlin and Potsdam. Some of these were historical pieces, but the majority were representations of Scriptural incidents. Begas was also celebrated as a portrait-painter, and supplied to the royal gallery a long series of portraits of eminent Prussian men of letters. At his death he held the post of court painter at Berlin. His son Oskar (1828-1883) was also a painter and professor of painting at Berlin. Reinhold, the sculptor, is noticed below.
BEGAS, REINHOLD (1831- ), German sculptor, younger son of Karl Begas, the painter, was born at Berlin on the 15th of July 1831. He received his early education (1846-1851) in the ateliers of C.D. Rauch and L. Wichmann. During a period of study in Italy, from 1856 to 1858, he was influenced by Böcklin and Lenbach in the direction of a naturalistic style in sculpture. This tendency was marked in the group “Borussia,” executed for the façade of the exchange in Berlin, which first brought him into general notice. In 1861 he was appointed professor at the art school at Weimar, but retained the appointment only a few months. That he was chosen, after competition, to execute the statue of Schiller for the Gendarmen Markt in Berlin, was a high tribute to the fame he had already acquired; and the result, one of the finest statues in the German metropolis, entirely justified his selection. Since the year 1870, Begas has entirely dominated the plastic art in Prussia, but especially in Berlin. Among his chief works during this period are the colossal statue of Borussia for the Hall of Glory; the Neptune fountain in bronze on the Schlossplatz; the statue of Alexander von Humboldt, all in Berlin; the sarcophagus of the emperor Frederick III. in the mausoleum of the Friedenskirche at Potsdam; and, lastly, the national monument to the emperor William (see [Berlin]), the statue of Bismarck before the Reichstag building, and several of the statues in the Siegesallee. He was also entrusted with the execution of the sarcophagus of the empress Frederick.
See A.G. Meyer, “Reinhold Begas” in Künstler-Monographien, ed. H. Knackfuss, Heft xx. (Bielefeld, 1897; new ed., 1901).