In Scotland they did not behead with the axe, nor with the sword, as under the Roman law, and formerly in Holland and France, but with the maiden (q.v.).
Capital punishment is executed by beheading in France, and in Belgium by means of the guillotine.
In Germany the instrument used varies in different states: in the old provinces of Prussia the axe, in Saxony and Rhenish Prussia the guillotine. Until 1851 executions were public. They now take place within a prison in the presence of certain specified officials.
Beheading is also the mode of executing capital punishment in Denmark and Sweden. The axe is used. In Sweden the execution takes place on the order of the king within a prison in the presence of certain specified officials and, if desired, of twelve representatives of the commune within which the prison is situate (Code 1864, s. 2, Royal Ordinance 1877).
In the Chinese empire decapitation is the usual mode of execution. By an imperial edict (24th of April 1905) certain attendant barbarities have been suppressed: viz. slicing, cutting up the body, and exhibiting the head to public view (32 Clunet, 1175).
BEHEMOTH (the intensive plural of the Hebrew b’hemah, a beast), the animal mentioned in the book of Job (ch. xl. 15), probably the hippopotamus, which in ancient times was found in Egypt below the cataracts of Syene. The word may be used in Job as typical of the primeval king of land animals, as leviathan of the water animals. The modern use expresses the idea of a very large and strong animal.
BEHISTUN, or Bisitun, now pronounced Bisutum, a little village at the foot of a precipitous rock, 1700 ft. high, in the centre of the Zagros range in Persia on the right bank of the Samas-Ab, the principal tributary of the Kerkha (Choaspes). The original form of the name, Bagistana, “place of the gods” or “of God” has been preserved by the Greek authors Stephanus of Byzantium, and Diodorus (ii. 13), the latter of whom says that the place was sacred to Zeus, i.e. Ahuramazda (Ormuzd). At its foot passes the great road which leads from Babylonia (Bagdad) to the highlands of Media (Ecbatana, Hamadan). On the steep face of the rock, some 500 ft. above the plain, Darius I., king of Persia, had engraved a great cuneiform inscription (11 or 12 ft. high), which recounts the way in which, after the death of Cambyses, he killed the usurper Gaumata (in Justin Gometes, the pseudo-Smerdis), defeated the numerous rebels, and restored the kingdom of the Achaemenidae. Above the inscription the picture of the king himself is graven, with a bow in his hand, putting his left foot on the body of Gaumata. Nine rebel chiefs are led before him, their hands bound behind them, and a rope round their necks: the ninth is Skunka, the chief of the Scythians (Sacae) whom he defeated. Behind the king stand his bow-bearer and his lance-bearer; in the air appears the figure of the great god Ahuramazda, whose protection led him to victory.[1] The inscriptions are composed in the three languages which are written with cuneiform signs, and were used in all official inscriptions of the Achaemenian kings: the chief place is of course given to the Persian language (in four columns); the three Susian (Elamitic) columns lie to the left, and the Babylonian text is on a slanting boulder above them; a part of the Babylonian has been destroyed by a torrent, which has made its way over it. In former times the second language has often been called Scythian, Turanian or Median; but we now know from numerous inscriptions of Susa that it is the language of Elam which was spoken in Susa, the capital of the Persian empire.
In 1835 the difficult and almost inaccessible cliff was first climbed by Sir Henry Rawlinson, who copied and deciphered the inscriptions (1835-1845), and thus completed the reading of the old cuneiform text and laid the foundation of the science of Assyriology. Diodorus ii. 13 (cf. xvii. 110), probably following a later author who wrote the history of Alexander’s campaigns, mentions the sculptures and inscriptions, but attributes them to Semiramis. At the foot of the rock are the remainders of some other sculptures (quite destroyed), the fragments of a Greek inscription of the Parthian prince Gotarzes (A.D. 40; text in Dittenberger, Orientis graeci inscr. selectae, no. 431), and of an Arabic inscription.