BLONDEL, DAVID (1591-1655), French Protestant clergyman, was born at Châlons-sur-Marne in 1591, and died on the 6th of April 1655. In 1650 he succeeded G.J. Vossius in the professorship of history at Amsterdam. His works were very numerous; in some of them he showed a remarkable critical faculty, as in his dissertation on Pope Joan (1647, 1657), in which he came to the conclusion, now universally accepted, that the whole story is a mere myth. Considerable Protestant indignation was excited against him on account of this book.
BLONDEL, JACQUES FRANÇOIS (1705-1774), French architect, began life as an architectural engraver, but developed into an architect of considerable distinction, if of no great originality. As architect to Louis XV. from 1755 he necessarily did much in the rococo manner, although it would seem that he conformed to fashion rather than to artistic conviction. He was among the earliest founders of schools of architecture in France, and for this he was distinguished by the Academy; but he is now best remembered by his voluminous work L’Architecture française, in which he was the continuator of Marot. The book is a precious collection of views of famous buildings, many of which have disappeared or been remodelled.
BLONDIN (1824-1897), French tight-rope walker and acrobat, was born at St Omer, France, on the 28th of February 1824. His real name was Jean François Gravelet. When five years old he was sent to the École de Gymnase at Lyons and, after six months’ training as an acrobat, made his first public appearance as “The Little Wonder.” His superior skill and grace as well as the originality of the settings of his acts, made him a popular favourite. He especially owed his celebrity and fortune to his idea of crossing Niagara Falls on a tight-rope, 1100 ft. long, 160 ft. above the water. This he accomplished, first in 1859, a number of times, always with different theatric variations: blindfold, in a sack, trundling a wheelbarrow, on stilts, carrying a man on his back, sitting down midway while he made and ate an omelette. In 1861 Blondin first appeared in London, at the Crystal Palace, turning somersaults on stilts on a rope stretched across the central transept, 170 ft. from the ground. In 1862 he again gave a series of performances at the Crystal Palace, and elsewhere in England, and on the continent. After a period of retirement he reappeared in 1880, his final performance being given at Belfast in 1896. He died at Ealing, London, on the 19th of February 1897.
BLOOD, the circulating fluid in the veins and arteries of animals. The word itself is common to Teutonic languages; the O. Eng. is blód, cf. Gothic bloth, Dutch bloed, Ger. Blut. It is probably ultimately connected with the root which appears in “blow,” “bloom,” meaning flourishing or vigorous. The Gr. word for blood, αἷμα, appears as a prefix haemo- in many compound words. As that on which the life depends, as the supposed seat of the passions and emotions, and as that part which a child is believed chiefly to inherit from its parents, the word “blood” is used in many figurative and transferred senses; thus “to have his blood,” “to fire the blood,” “cold blood,” “blood-royal,” “half” or “whole blood,” &c. The expression “blue blood” is from the Spanish sangre azul. The nobles of Castile claimed to be free from all admixture with the darker blood of Moors or Jews, a proof being supposed to lie in the blue veins that showed in their fairer skins. The common English expletive “bloody,” used as an adjective or adverb, has been given many fanciful origins; it has been supposed to be a contraction of “by our Lady,” or an adaptation of the oath common during the 17th century, “’sblood,” a contraction of “God’s blood.” The exact origin of the expression is not quite clear, but it is certainly merely an application of the adjective formed from “blood.” The New English Dictionary suggests that it refers to the use of “blood” for a young rowdy of aristocratic birth, which was common at the end of the 17th century, and later became synonymous with “dandy,” “buck,” &c.; “bloody drunk” meant therefore “drunk as a blood,” “drunk as a lord.” The expression came into common colloquial use as a mere intensive, and was so used till the middle of the 18th century. There can be little doubt that the use of the word has been considerably affected by the idea of blood as the vital principle, and therefore something strong, vigorous, and parallel as an intensive epithet with such expressions as “thundering,” “awfully” and the like.
Anatomy and Physiology
In all living organisms, except the most minute, only a minimum number of cells can come into immediate contact with the general world, whence is to be drawn the food supply for the whole organism. Hence those cells—and they are by far the most numerous—which do not lie on the food-absorbing surface, must gain their nutriment by some indirect means. Further, each living cell produces waste products whose accumulation would speedily prove injurious to the cell, hence they must be constantly removed from its immediate neighbourhood and indeed from the organism as a whole. In this instance again, only a few cells can lie on a surface whence such materials can be directly discharged to the exterior. Hence the main number of the cells of the organism must depend upon some mechanism by which the waste products can be carried away from them to that group of cells whose duty it is to modify them, or discharge them from the body. These two ends are attained by the aid of a circulating fluid, a fluid which is constantly flowing past every cell of the body. From it the cells extract the food materials they require for their sustenance, and into it they discharge the waste materials resulting from their activity. This circulating medium is the blood.