See F.A. Aulard, Les Orateurs de la Révolution (2nd ed., 1906); L. Sciout, Le Directoire (4 vols., 1895); and the “Notice sur la vie et les œuvres de M. Boissy d’Anglas” in the Mémoires de l’Académie des Inscriptions, ix.
(R. A.*)
BOITO, ARRIGO (1842- ), Italian poet and musical composer, was born at Padua on the 24th of February 1842. He studied music at the Milan Conservatoire, but even in those early days he devoted as much of his time to literature as to music, forecasting the divided allegiance which was to be the chief characteristic of his life’s history. While at the Conservatoire he wrote and composed, in collaboration with Franco Faccio, a cantata, Le Sorelle d’Italia, which was performed with success. On completing his studies Boito travelled for some years, and after his return to Italy settled down in Milan, dividing his time between journalism and music. In 1866 he fought under Garibaldi, and in 1868 conducted the first performance of his opera Mefistofele at the Scala theatre, Milan. The work failed completely, and was withdrawn after a second performance. It was revived in 1875 at Bologna in a much altered and abbreviated form, when its success was beyond question. It was performed in London in 1880 with success, but in spite of frequent revivals has never succeeded in firmly establishing itself in popular favour. Boito treated the Faust legend in a spirit far more nearly akin to the conception of Goethe than is found in Gounod’s Faust, but, in spite of many isolated beauties, his opera lacks cohesion and dramatic interest. His energies were afterwards chiefly devoted to the composition of libretti, of which the principal are Otello and Falstaff, set to music by Verdi; La Gioconda, set by Ponchielli; Amleto, set by Faccio; and Ero e Leandre, set by Bottesini and Mancinelli. These works display a rare knowledge of the requirements of dramatic poetry, together with uncommon literary value. Boito also published a book of poems and a novel, L’Alfier Meno. The degree of doctor of music was conferred upon him in 1893 by the university of Cambridge.
BOIVIN, FRANÇOIS DE, Baron de Villars (d. 1618), French chronicler, entered the service of Charles, Marshal Brissac, as secretary, and accompanied him to Piedmont in 1550 when the marshal went to take command of the French troops in the war with Spain. Remaining in this service he was sent after the defeat of the French at St Quentin in 1557 to assure the French king Henry II. of the support of Brissac. He took part in the negotiations which led to the treaty of Cateau-Cambrésis in April 1559, but was unable to prevent Henry II. from ceding the conquests made by Brissac. Boivin wrote Mémoires sur les guerres démêlées tant dans le Piémont qu’au Montferrat et duche de Milan par Charles de Cossé, comte de Brissac (Paris, 1607), which, in spite of some drawbacks, is valuable as the testimony of an eye-witness of the war. An edition, carefully revised, appears in the Mémoires relatifs à l’histoire de France, tome x., edited by J.F. Michaud and J.J.F. Poujoulat (Paris, 1850). He also wrote Instruction sur les affaires d’état (Lyons, 1610).
See J. Lelong, Bibliothèque historique de la France (Paris, 1768-1778).
BOKENAM, OSBERN (1393?-1447?), English author, was born, by his own account, on the 6th of October 1393. Dr Horstmann suggests that he may have been a native of Bokeham, now Bookham, in Surrey, and derived his name from the place. In a concluding note to his Lives of the Saints he is described as “a Suffolke man, frere Austyn of Stoke Clare.” He travelled in Italy on at least two occasions, and in 1445 was a pilgrim to Santiago de Compostela. He wrote a series of thirteen legends of holy maidens and women. These are written chiefly in seven- and eight-lined stanzas, and nine of them are preceded by prologues. Bokenam was a follower of Chaucer and Lydgate, and doubtless had in mind Chaucer’s Legend of Good Women. His chief, but by no means his only, source was the Legenda Aurea of Jacobus de Voragine, archbishop of Genoa, whom he cites as “Januence.” The first of the legends, Vita Scae Margaretae, virginis et martiris, was written for his friend, Thomas Burgh, a Cambridge monk; others are dedicated to pious ladies who desired the history of their name-saints. The Arundel MS. 327 (British Museum) is a unique copy of Bokenam’s work; it was finished, according to the concluding note, in 1447, and presented by the scribe, Thomas Burgh, to a convent unnamed “that the nuns may remember him and his sister, Dame Betrice Burgh.” The poems were edited (1835) for the Roxburghe Club with the title Lyvys of Seyntys ..., and by Dr Carl Horstmann as Osbern Bokenams Legenden (Heilbronn, 1883), in E. Kölbing’s Altengl. Bibliothek, vol. i. Both editions include a dialogue written in Latin and English taken from Dugdale’s Monasticon Anglicanum (ed. 1846, vol. vi. p. 1600); “this dialogue betwixt a Secular asking and a Frere answerynge at the grave of Dame Johan of Acres shewith the lyneal descent of the lordis of the honoure of Clare fro ... MCCXLVIII to ... MCCCLVI”. Bokenam wrote, as he tells us, plainly, in the Suffolk speech. He explains his lack of decoration on the plea that the finest flowers had been already plucked by Chaucer, Gower and Lydgate.