BRAKELOND, JOCELYN DE (fl. 1200), English monk, and author of a chronicle narrating the fortunes of the monastery of Bury St Edmunds between 1173 and 1202. He is only known to us through his own work. He was a native of Bury St Edmunds; he served his novitiate under Samson of Tottington, who was at that time master of the novices, but afterwards sub-sacrist, and, from 1182, abbot of the house. Jocelyn took the habit of religion in 1173, during the time of Abbot Hugo (1157-1180), through whose improvidence and laxity the abbey had become impoverished and the inmates dead to all respect for discipline. The fortunes of the abbey changed for the better with the election of Samson as Hugo’s successor. Jocelyn, who became abbot’s chaplain within four months of the election, describes the administration of Samson at considerable length. He tells us that he was with Samson night and day for six years; the picture which he gives of his master, although coloured by enthusiastic admiration, is singularly frank and intimate. It is all the more convincing since Jocelyn is no stylist. His Latin is familiar and easy, but the reverse of classical. He thinks and writes as one whose interests are wrapped up in his house; and the unique interest of his work lies in the minuteness with which it describes the policy of a monastic administrator who was in his own day considered as a model.
Jocelyn has also been credited with an extant but unprinted tract on the election of Abbot Hugo (Harleian MS. 1005, fo. 165); from internal evidence this appears to be an error. He mentions a (non-extant) work which he wrote, before the Cronica, on the miracles of St Robert, a boy whom the Jews of Bury St Edmunds were alleged to have murdered (1181).
See the editions of the Cronica Jocelini de Brakelonda by T. Arnold (in Memorials of St Edmund’s Abbey, vol. i. Rolls series, 1890), and by J.G. Rokewood (Camden Society, 1840); also Carlyle’s Past and Present, book ii. A translation and notes are given in T.E. Tomlin’s Monastic and Social Life in the Twelfth Century in the Chronicle of Jocelyn de Brakelond (1844). There is also a translation of Jocelyn by Sir E. Clarke (1907).
BRAMAH, JOSEPH (1748-1814), English engineer and inventor, was the son of a farmer, and was born at Stainborough, Yorkshire, on the 13th of April 1748. Incapacitated for agricultural labour by an accident to his ankle, on the expiry of his indentures he worked as a cabinet-maker in London, where he subsequently started business on his own account. His first patent for some improvements in the mechanism of water-closets was taken out in 1778. In 1784 he patented the lock known by his name, and in 1795 he invented the hydraulic press. For an important part of this, the collar which secured water-tightness between the plunger and the cylinder in which it worked, he was indebted to Henry Maudslay, one of his workmen, who also helped him in designing machines for the manufacture of his locks. In 1806 he devised for the Bank of England a numerical printing machine, specially adapted for bank-notes. Other inventions of his included the beer-engine for drawing beer, machinery for making aerated waters, planing machines, and improvements in steam-engines and boilers and in paper-making machinery. In 1785 he suggested the possibility of screw propulsion for ships, and in 1802 the hydraulic transmission of power; and he constructed waterworks at Norwich in 1790 and 1793. He died in London on the 9th of December 1814.
BRAMANTE, or Bramante Lazzari (c. 1444-1514), Italian architect and painter, whose real name was Donate d’Augnolo, was born at Monte-Asdrualdo in Urbino, in July 1444. He showed a great taste for drawing, and was at an early age placed under Fra Bartolommeo, called Fra Carnavale. But though he afterwards gained some fame as a painter, his attention was soon absorbed by architecture. He appears to have studied under Scirro Scirri, an architect in his native place, and perhaps under other masters. He then set out from Urbino, and proceeded through several of the towns of Lombardy, executing works of various magnitudes, and examining patiently all remains of ancient art. At last, attracted by the fame of the great Duomo, he reached Milan, where he remained from 1476 to 1499. He seems to have left Milan for Rome about 1500. He painted some frescoes at Rome, and devoted himself to the study of the ancient buildings, both in the city and as far south as Naples. About this time the Cardinal Caraffa commissioned him to rebuild the cloister of the Convent della Pace. Owing to the celerity and skill with which Bramante did this, the cardinal introduced him to Pope Alexander VI. He began to be consulted on nearly all the great architectural operations in Rome, and executed for the pope the palace of the Cancelleria or chancery. Under Julius II., Alexander’s successor, Bramante’s talents began to obtain adequate sphere of exercise. His first large work was to unite the straggling buildings of the palace and the Belvedere. This he accomplished by means of two long galleries or corridors enclosing a court. The design was only in part completed before the death of Julius and of the architect. So impatient was the pope and so eager was Bramante, that the foundations were not sufficiently well attended to; great part of it had, therefore, soon to be rebuilt, and the whole is now so much altered that it is hardly possible to decipher the original design.
Besides executing numerous smaller works at Rome and Bologna, among which is specially mentioned by older writers a round temple in the cloister of San Pietro-a-Montorio, Bramante was called upon by Pope Julius to take the first part in one of the greatest architectural enterprises ever attempted—the rebuilding of St Peter’s. Bramante’s designs were complete, and he pushed on the work so fast that before his death he had erected the four great piers and their arches, and completed the cornice and the vaulting in of this portion. He also vaulted in the principal chapel. After his death on the 11th of March 1514, his design was much altered, in particular by Michelangelo.
See Pungileoni, Memoire intorno alla vita ed alle opere di Bramante (Rome, 1836); H. Semper, Donato Bramante (Leipzig, 1879).