A work published at Amsterdam in 1678, entitled De Americaensche Zee Roovers, from the pen of a buccaneer named Exquemelin, was translated into several European languages, receiving additions at the hands of the different translators. The French translation by Frontignières is named Histoire des avanturiers qui se sont signalez dans les Indes; the English edition is entitled The Bucaniers of America. Other works are Raynal's History of the Settlements and Trade of the Europeans in the East and West Indies, book x., English translation 1782; Dampier's Voyages; Geo. W. Thornbury's Monarchs of the Main, &c. (1855); Lionel Wafer's Voyage and Description of the Isthmus of America (1699); and the Histoire de l'isle Espagnole, &c., and Histoire et description générale de la Nouvelle France of Père Charlevoix. The statements in these works are to be received with caution. A really authentic narrative, however, is Captain James Burney's History of the Buccaneers of America (London, 1816). The Calendar of State Papers, Colonial Series (London, 1860 et seq.), contains much evidence for the history of the buccaneers in the West Indies.
(D. H.)
BUCCARI (Serbo-Croatian Bakar), a royal free town of Croatia-Slavonia, Hungary; situated in the county of Modruš-Fiume, 7 m. S.E. of Fiume, on a small bay of the Adriatic Sea. Pop. (1900) 1870. The Hungarian state railway from Zákány and Agram terminates 2½ m. from Buccari. The harbour, though sometimes dangerous to approach, affords good anchorage to small vessels. Owing to competition from Fiume, Buccari lost the greater part of its trade during the 19th century. The staple industry is boatbuilding, and there is an active coasting trade in fish, wine, wood and coal. The tunny-fishery is of some importance. In the neighbourhood of the town is the old castle of Buccarica, and farther south the flourishing little port of Porto Ré or Kraljevica.
From a photo by Brogi.
BUCCINA (more correctly Būcĭna, Gr. Βυκάνη, connected with bucca, cheek, and Gr. Βύζω, a brass wind instrument extensively used in the ancient Roman army. The Roman instrument consisted of a brass tube measuring some 11 to 12 ft. in length, of narrow cylindrical bore, and played by means of a cup-shaped mouthpiece. The tube is bent round upon itself from the mouthpiece to the bell in the shape of a broad C and is strengthened by means of a bar across the curve, which the performer grasps while playing, in order to steady the instrument; the bell curves over his head or shoulder as in the modern helicon. Three Roman buccinas were found among the ruins of Pompeii and are now deposited in the museum at Naples. V. C. Mahillon, of Brussels[[1]] has made a facsimile of one of these instruments; it is in G and has almost the same harmonic series as the French horn and the trumpet. The buccina, the cornu (see Horn), and the tuba were used as signal instruments in the Roman army and camp to sound the four night watches (hence known as buccina prima, secunda, &c.), to summon them by means of the special signal known as classicum, and to give orders.[[2]] Frontinus relates[[3]] that a Roman general, who had been surrounded by the enemy, escaped during the night by means of the stratagem of leaving behind him a buccinator (trumpeter), who sounded
the watches throughout the night.[[4]] Vegetius gives brief descriptions of the three instruments, which suffice to establish their identity; the tuba, he says, is straight; the buccina is of bronze bent in the form of a circle.[[5]]
Fig. 3.—Busine, 14th century. (From MS. R. 10 E. IV. Brit. Mus.)
