Out of the “official script” two other forms were soon developed, namely the
ts‘ao shu, or “grass character,” which so curtails the usual strokes as to be comparable to a species of shorthand, requiring special study, and the
hsing shu or running hand, used in ordinary correspondence. Some form of grass character is mentioned as in use as early as 200 B.C. or thereabouts, though how nearly it approximated to the modern grass hand it is hard to say; the running hand seems to have come several centuries later. The final standardization of Chinese writing was due to the great calligraphist Wang Hsi-chih of the 4th century, who gave currency to the graceful style of character known as
k‘ai shu, sometimes referred to as the “clerkly hand.” When block-printing was invented some centuries later, the characters were cut on this model, which still survives at the present day. It is no doubt owing to the early introduction of printing that the script of China has remained practically unchanged ever since. The manuscript rolls of the T‘ang and preceding dynasties, recently discovered by Dr Stein in Turkestan, furnish direct evidence of this fact, showing as they do a style of writing not only clear and legible but remarkably modern in appearance.
The whole history of Chinese writing, then, is characterized by a slow progressive development which precludes the idea of sharply-marked divisions between one period and another. The Chinese themselves, however, have canonized quite a series of alleged inventors, starting from Fu Hsi, a mythical emperor of the third millennium B.C., who is said to have developed a complete system of written characters from the markings on the back of a dragon-horse; hence, by the way, the origin of the dragon as an Imperial emblem. As a rule, the credit of the invention of the art of writing is given to Ts‘ang Chieh, a being with fabulous attributes, who conceived the idea of a written language from the markings of birds’ claws upon the sand. The diffusion of the Greater Seal script is traced to a work in fifteen chapters published by Shih Chou, historiographer in the reign of King Hsüan. The Lesser Seal, again, is often ascribed to Li Ssŭ himself, whereas the utmost he can have done in the matter was to urge its introduction into common use. Likewise, Ch‘êng Mo, of the 3rd century B.C., is supposed to have invented the li shu while in prison, and one account attributes the Lesser Seal to him as well; but the fact is that the whole history of writing, as it stands in Chinese authors, is in hopeless confusion.
Grammar.—When about to embark on the study of a foreign language, the student’s first thought is to provide himself with two indispensable aids—a dictionary and a grammar. The Chinese have found no difficulty in producing the former (see Literature). Now what as to the grammar? He might reasonably expect a people so industrious in the cultivation of their language to have evolved some system of grammar which to a certain degree would help to smooth his path. And yet the contrary is the case. No set of rules governing the mutual relations of words has ever been formulated by the Chinese, apparently because the need of such rules has never been felt. The most that native writers have done is to draw a distinction between
