In 1760 he produced his first play, Polly Honeycomb, which met with great success. In 1761 The Jealous Wife, a comedy partly founded on Tom Jones, made Colman famous. The death of Lord Bath in 1764 placed him in possession of independent means. In 1765 appeared his metrical translation of the plays of Terence; and in 1766 he produced The Clandestine Marriage, jointly with Garrick, whose refusal to take the part of Lord Ogleby led to a quarrel between the two authors. In the next year he purchased a fourth share in the Covent Garden Theatre, a step which is said to have induced General Pulteney to revoke a will by which he had left Colman large estates. The general, who died in that year, did, however, leave him a considerable annuity. Colman was acting manager of Covent Garden for seven years, and during that period he produced several “adapted” plays of Shakespeare. In 1768 he was elected to the Literary Club, then nominally consisting of twelve members. In 1774 he sold his share in the great playhouse, which had involved him in much litigation with his partners, to Leake; and three years later he purchased of Samuel Foote, then broken in health and spirits, the little theatre in the Haymarket. He was attacked with paralysis in 1785; in 1789 his brain became affected, and he died on the 14th of August 1794. Besides the works already cited, Colman was author of adaptations of Beaumont and Fletcher’s Bonduca, Ben Jonson’s Epicoene, Milton’s Comus, and of other plays. He also produced an edition of the works of Beaumont and Fletcher (1778), a version of the Ars Poëtica of Horace, an excellent translation from the Mercator of Plautus for Bonnell Thornton’s edition (1769-1772), some thirty plays, many parodies and occasional pieces. An incomplete edition of his dramatic works was published in 1777 in four volumes.
His son, George Colman (1762-1836), known as “the Younger,” English dramatist and miscellaneous writer, was born on the 21st of October 1762. He passed from Westminster school to Christ Church, Oxford, and King’s College, Aberdeen, and was finally entered as a student of law at Lincoln’s Inn, London. While in Aberdeen he published a poem satirizing Charles James Fox, called The Man of the People; and in 1782 he produced, at his father’s playhouse in the Haymarket, his first play, The Female Dramatist, for which Smollett’s Roderick Random supplied the materials. It was unanimously condemned, but Two to One (1784) was entirely successful. It was followed by Turk and no Turk (1785), a musical comedy; Inkle and Yarico (1787), an opera; Ways and Means (1788); The Iron Chest (1796), taken from William Godwin’s Adventures of Caleb Williams; The Poor Gentleman (1802); John Bull, or an Englishman’s Fireside (1803), his most successful piece; The Heir at Law (1808), which enriched the stage with one immortal character, “Dr Pangloss,” and numerous other pieces, many of them adapted from the French.
The failing health of the elder Colman obliged him to relinquish the management of the Haymarket theatre in 1789, when the younger George succeeded him, at a yearly salary of £600. On the death of the father the patent was continued to the son; but difficulties arose in his way, he was involved in litigation with Thomas Harris, and was unable to pay the expenses of the performances at the Haymarket. He was forced to take sanctuary within the Rules of the King’s Bench. Here he resided for many years continuing to direct the affairs of his theatre. Released at last through the kindness of George IV., who had appointed him exon of the Yeomen of the Guard, a dignity disposed of by Colman to the highest bidder, he was made examiner of plays by the duke of Montrose, then lord chamberlain. This office, to the disgust of all contemporary dramatists, to whose MSS. he was as illiberal as he was severe, he held till his death. Although his own productions were open to charges of indecency and profanity, he was so severe a censor of others that he would not pass even such words as “heaven,” “providence” or “angel.” His comedies are a curious mixture of genuine comic force and sentimentality. A collection of them was published (1827) in Paris, with a life of the author, by J. W. Lake.
Colman, whose witty conversation made him a favourite, was also the author of a great deal of so-called humorous poetry (mostly coarse, though much of it was popular)—My Night Gown and Slippers (1797), reprinted under the name of Broad Grins, in 1802; and Poetical Vagaries (1812). Some of his writings were published under the assumed name of Arthur Griffinhood of Turnham Green. He died in Brompton, London, on the 17th of October 1836. He had, as early as 1784, contracted a runaway marriage with an actress, Clara Morris, to whose brother David Morris, he eventually disposed of his share in the Haymarket theatre. Many of the leading parts in his plays were written especially for Mrs Gibbs (née Logan), whom he was said to have secretly married after the death of his first wife.
See the second George Colman’s memoirs of his early life, entitled Random Records (1830), and R. B. Peake, Memoirs of the Colman Family (1842).
COLMAN, SAMUEL (1832- ), American landscape painter, was born at Portland, Maine, on the 4th of March 1832. He was a pupil of Ashur B. Durand in New York, and in 1860-1862 studied in Spain, Italy, France and England. In 1871-1876 he was again in Europe. In 1860, with James D. Smilie, he founded the American Water Color Society, and became its first president (1866-1867), his own water-colour paintings being particularly fine. He was elected a member of the National Academy of Design in 1862. Among his works are “The Ships of the Western Plains,” in the Union League Club, New York; and “The Spanish Peaks, Colorado,” in the Metropolitan Museum, New York.
COLMAR, or Kolmar, a town of Germany, in the imperial province of Alsace-Lorraine, formerly the capital of the department of Haut-Rhin in France, on the Logelbach and Lauch, tributaries of the Ill, 40 m. S.S.W. from Strassburg on the main line of railway to Basel. Pop. (1905) 41,582. It is the seat of the government for Upper Alsace, and of the supreme court of appeal for Alsace-Lorraine. The town is surrounded by pleasant promenades, on the site of the old fortifications, and has numerous narrow and picturesque streets. Of its edifices the most remarkable are the Roman Catholic parish church of St Martin, known also as the Münster, dating from the 13th and 14th centuries, the Lutheran parish church (15th century), the former Dominican monastery (1232-1289), known as “Unterlinden” and now used as a museum, the Kaufhaus (trade-hall) of the 15th century, and the handsome government offices (formerly the Prefecture). Colmar is the centre of considerable textile industries, comprising wool, cotton and silk-weaving, and has important manufactures of sewing thread, starch, sugar and machinery. Bleaching and brewing are also carried on, and the neighbourhood is rich in vineyards and fruit-gardens. The considerable trade of the place is assisted by a chamber of commerce and a branch of the Imperial Bank (Reichsbank).
Colmar (probably the columbarium of the Romans) is first mentioned, as a royal villa, in a charter of Louis the Pious in 823, and it was here that Charles the Fat held a diet in 884. It was raised to the status of a town and surrounded with walls by Wölfelin, advocate (Landvogt) of the emperor Frederick II. in Alsace, a masterful and ambitious man, whose accumulated wealth was confiscated by the emperor in 1235, and who is said to have been murdered by his wife lest her portion should also be seized. In 1226 Colmar became an imperial city, and the civic rights (Stadtrecht) conferred on it in 1274 by Rudolph of Habsburg became the model for those of many other cities. Its civic history is much the same as that of other medieval towns: a struggle between the democratic gilds and the aristocratic “families,” which ended in 1347 in the inclusion of the former in the governing body, and in the 17th century in the complete exclusion of the latter. In 1255 Colmar joined the league of Rhenish cities, and in 1476 and 1477 took a vigorous share in the struggle against Charles the Bold. In 1632, during the Thirty Years’ War, it was taken by the Swedes, and in 1635 by the French, who held it till after the Peace of Westphalia (1649). In 1673 the French again occupied it and dismantled the fortifications. In 1681 it was formally annexed to France by a decree of Louis XIV.’s Chambre de Réunion, and remained French till 1871, when it passed with Alsace-Lorraine to the new German empire.