CROFT, SIR JAMES (d. 1590), lord deputy of Ireland, belonged to an old family of Herefordshire, which county he represented in parliament in 1541. He was made governor of Haddington in 1549, and became lord deputy of Ireland in 1551. There he effected little beyond gaining for himself the reputation of a conciliatory disposition. Croft was all his life a double-dealer. He was imprisoned in the Tower for treason in the reign of Mary, but was released and treated with consideration by Elizabeth after her accession. He was made governor of Berwick, where he was visited by John Knox in 1559, and where he busied himself actively on behalf of the Scottish Protestants, though in 1560 he was suspected, probably with good reason, of treasonable correspondence with Mary of Guise, the Catholic regent of Scotland; and for ten years he was out of public employment. But in 1570 Elizabeth, who showed the greatest forbearance and favour to Sir James Croft, made him a privy councillor and controller of her household. He was one of the commissioners for the trial of Mary queen of Scots, and in 1588 was sent on a diplomatic mission to arrange peace with the duke of Parma. Croft established private relations with Parma, for which on his return he was sent to the Tower. He was released before the end of 1589, and died on the 4th of September 1590.
Croft’s eldest son, Edward, was put on his trial in 1589 on the curious charge of having contrived the death of the earl of Leicester by witchcraft, in revenge for the earl’s supposed hostility to Sir James Croft. Edward Croft was father of Sir Herbert Croft (d. 1622), who became a Roman Catholic and wrote several controversial pieces in defence of that faith. His son Herbert Croft (1603-1691), bishop of Hereford, after being for some time, like his father, a member of the Roman church, returned to the church of England about 1630, and about ten years later was chaplain to Charles I., and obtained within a few years a prebend’s stall at Worcester, a canonry of Windsor, and the deanery of Hereford, all of which preferments he lost during the Civil War and Commonwealth. By Charles II. he was made bishop of Hereford in 1661. Bishop Croft was the author of many books and pamphlets, several of them against the Roman Catholics; and one of his works, entitled The Naked Truth, or the True State of the Primitive Church (London, 1675), was very celebrated in its day, and gave rise to prolonged controversy. The bishop died in 1691. His son Herbert was created a baronet in 1671, and was the ancestor of Sir Herbert Croft (q.v.), the 18th century writer.
Bibliography.—See Richard Bagwell, Ireland under the Tudors, vol. i. (3 vols., London, 1885); David Lloyd, State Worthies from the Reformation to the Revolution (2 vols., London, 1766); John Strype, Annals of the Reformation (Oxford, 1824), which contains an account of the trial of Edward Croft; S. L. Lee’s art. “Croft, Sir James,” in Dict. of National Biography, vol. xiii.; and for Bishop Croft see Anthony à Wood, Athenae Oxonienses (ed. Bliss, 1813-1820); John Le Neve, Fasti Ecclesiae Anglicanae (ed. by T. D. Hardy, Oxford, 1854).
CROFT (or Crofts), WILLIAM (1678-1727), English composer, was born in 1678, at Nether Ettington in Warwickshire. He received his musical education in the Chapel Royal under Dr Blow. He early obtained the place of organist of St Anne’s, Soho, and in 1700 was admitted a gentleman extraordinary of the Chapel Royal. In 1707 he was appointed joint-organist with Blow; and upon the death of the latter in 1708 he became solo organist, and also master of the children and composer of the Chapel Royal, besides being made organist of Westminster Abbey. In 1712 he wrote a brief introduction on the history of English church music to a collection of the words of anthems which he had edited under the title of Divine Harmony. In 1713 he obtained his degree of doctor of music in the university of Oxford. In 1724 he published an edition of his choral music in 2 vols. folio, under the name of Musica Sacra, or Select Anthems in score, for two, three, four, five, six, seven and eight voices, to which is added the Burial Service, as it is occasionally performed in Westminster Abbey. This handsome work included a portrait of the composer and was the first of the kind executed on pewter plates and in score. John Page, in his Harmonia Sacra, published in 1800 in 3 vols. folio, gives seven of Croft’s anthems. Of instrumental music, Croft published six sets of airs for two violins and a bass, six sonatas for two flutes, six solos for a flute and bass. He died at Bath on the 14th of August 1727, and was buried in the north aisle of Westminster Abbey, where a monument was erected to his memory by his friend and admirer Humphrey Wyrley Birch. Burney in his History of Music devotes several pages of his third volume (pp. 603-612) to Dr Croft’s life, and criticisms of some of his anthems. During the earlier period of his life Croft wrote much for the theatre, including overtures and incidental music for Courtship à la mode (1700), The Funeral (1702) and The Lying Lover (1703).
CROFTER, a term used, more particularly in the Highlands and islands of Scotland, to designate a tenant who rents and cultivates a small holding of land or “croft.” This Old English word, meaning originally an enclosed field, seems to correspond to the Dutch kroft, a field on high ground or downs. The ultimate origin is unknown. By the Crofters’ Holdings (Scotland) Act 1886, a crofter is defined as the tenant of a holding who resides on his holding, the annual rent of which does not exceed £30 in money, and which is situated in a crofting parish. The wholesale clearances of tenants from their crofts during the 19th century, in violation of, as the tenants claimed, an implied security of tenure, has led in the past to much agitation on the part of the crofters to secure consideration of their grievances. They have been the subject of royal commissions and of considerable legislation, but the effect of the Crofters Act of 1886, with subsequent amending acts, has been to improve their condition markedly, and much of the agitation has now died out. A history of the legislation dealing with the crofters is given in the article [Scotland].
CROKER, JOHN WILSON (1780-1857), British statesman and author, was born at Galway on the 20th of December 1780, being the only son of John Croker, the surveyor-general of customs and excise in Ireland. He was educated at Trinity College, Dublin, where he graduated in 1800. Immediately afterwards he was entered at Lincoln’s Inn, and in 1802 he was called to the Irish bar. His interest in the French Revolution led him to collect a large number of valuable documents on the subject, which are now in the British Museum. In 1804 he published anonymously Familiar Epistles to J. F. Jones, Esquire, on the State of the Irish Stage, a series of caustic criticisms in verse on the management of the Dublin theatres. The book ran through five editions in one year. Equally successful was the Intercepted Letter from Canton (1805), also anonymous, a satire on Dublin society. In 1807 he published a pamphlet on The State of Ireland, Past and Present, in which he advocated Catholic emancipation.