During the Revolution he emigrated to St Domingo, and during the negro revolt he was made prisoner, barely escaping with his life. He took refuge in the United States, where he supported himself by teaching the piano. In 1797 he returned to his native country, and in a very few years he became famous as a writer of comedies, operas and vaudevilles, which were produced in rapid succession at the Théâtre des Variétés and the Vaudeville. He also wrote convivial and satirical songs, which, though different in character, can only worthily be compared with those of Béranger. He was at one time president of the Caveau, a convivial society whose members were then chiefly drawn from literary circles. He had the honour of introducing Béranger as a member. In 1815 Désaugiers succeeded Pierre Yves Barré as manager of the Vaudeville, which prospered under his management until, in 1820, the opposition of the Gymnase proved too strong for him, and he resigned. He died in Paris on the 9th of August 1827.
Among his pieces maybe mentioned Le Valet d’emprunt (1807); Monsieur Vautour (1811); and Le Règne d’un terme et le terme d’un règne, aimed at Napoleon.
An edition of Désaugiers’ Chansons et Poésies diverses appeared in 1827. A new selection with a notice by Alfred de Bougy appeared in 1858. See also Sainte-Beuve’s Portraits contemporains, vol. v.
DESAULT, PIERRE JOSEPH (1744-1795), French anatomist and surgeon, was born at Magny-Vernois (Haute Saône) on the 6th of February 1744. He was destined for the church, but his own inclination was towards the study of medicine; and, after learning something from the barber-surgeon of his native village, he was settled as an apprentice in the military hospital of Belfort, where he acquired some knowledge of anatomy and military surgery. Going to Paris when about twenty years of age, he opened a school of anatomy in the winter of 1766, the success of which excited the jealousy of the established teachers and professors, who endeavoured to make him give up his lectures. In 1776 he was admitted a member of the corporation of surgeons; and in 1782 he was appointed surgeon-major to the hospital De la Charité. Within a few years he was recognized as one of the leading surgeons of France. The clinical school of surgery which he instituted at the Hôtel Dieu attracted great numbers of students, not only from every part of France but also from other countries; and he frequently had an audience of about 600. He introduced many improvements into the practice of surgery, as well as into the construction of various surgical instruments. In 1791 he established a Journal de chirurgerie, edited by his pupils, which was a record of the most interesting cases that had occurred in his clinical school, with the remarks which he had made upon them in the course of his lectures. But in the midst of his labours he became obnoxious to some of the revolutionists, and he was, on some frivolous charge, denounced to the popular sections. After being twice examined, he was seized on the 28th of May 1793, while delivering a lecture, carried away from his theatre, and committed to prison in the Luxembourg. In three days, however, he was liberated, and permitted to resume his functions. He died in Paris on the 1st of June 1795, the story that his death was caused by poison being disproved by the autopsy carried out by his pupil, M. F. X. Bichat. A pension was settled on his widow by the republic. Together with François Chopart (1743-1795) he published a Traité des maladies chirurgicales (1779), and Bichat published a digest of his surgical doctrines in Œuvres chirurgicales de Desault (1798-1799).
DES BARREAUX, JACQUES VALLÉE, SIEUR (1602-1673), French poet, was born in Paris in 1602. His great-uncle, Geoffroy-Vallée, had been hanged in 1574 for the authorship of a book called Le Fléau de la foy. His nephew appears to have inherited his scepticism, which on one occasion nearly cost him his life. The peasants of Touraine attributed to the presence of the unbeliever an untimely frost that damaged the vines, and proposed to stone him. His authorship of the sonnet on “Pénitence,” by which he is generally known, has been disputed. He had the further distinction of being the first of the lovers of Marion Delorme. He died at Chalon-sur-Saône on the 9th of May 1673.
See Poésies de Des Barreaux (1904), edited by F. Lachèvre.
DESBOROUGH, JOHN (1608-1680), English soldier and politician, son of James Desborough of Eltisley, Cambridgeshire, and of Elizabeth Hatley of Over, in the same county, was baptized on the 13th of November 1608. He was educated for the law. On the 23rd of June 1636 he married Eltisley Jane, daughter of Robert Cromwell of Huntingdon, and sister of the future Protector. He took an active part in the Civil War when it broke out, and showed considerable military ability. In 1645 he was present as major in the engagement at Langport on the 10th of July, at Hambleton Hill on the 4th of August, and on the 10th of September he commanded the horse at the storming of Bristol. Later he took part in the operations round Oxford. In 1648 as colonel he commanded the forces at Great Yarmouth. He avoided all participation in the trial of the king in June 1649, being employed in the settlement of the west of England. He fought at Worcester as major-general and nearly captured Charles II. near Salisbury. After the establishment of the Commonwealth he was chosen, on the 17th of January 1652, a member of the committee for legal reforms. In 1653 he became a member of the Protectorate council of state, and a commissioner of the treasury, and was appointed one of the four generals at sea and a commissioner for the army and navy. In 1654 he was made constable of St Briavel’s Castle in Gloucestershire. Next year he was appointed major-general over the west. He had been nominated a member of Barebones’ parliament in 1653, and he was returned to the parliament of 1654 for Cambridgeshire, and to that of 1656 for Somersetshire. In July 1657 he became a member of the privy council, and in 1658 he accepted a seat in Cromwell’s House of Lords. In spite of his near relationship to the Protector’s family, he was one of the most violent opponents of the assumption by Cromwell of the royal title, and after the Protector’s death, instead of supporting the interests and government of his nephew Richard Cromwell, he was, with Fleetwood, the chief instigator and organizer of the hostility of the army towards his administration, and forced him by threats and menaces to dissolve his parliament in April 1659. He was chosen a member of the council of state by the restored Rump, and made colonel and governor of Plymouth, but presenting with other officers a seditious petition from the army council, on the 5th of October, was about a week later dismissed. After the expulsion of the Rump by Fleetwood on the 13th of October he was chosen by the officers a member of the new administration and commissary-general of the horse. The new military government, however, rested on no solid foundation, and its leaders quickly found themselves without any influence. Desborough himself became an object of ridicule, his regiment even revolted against him, and on the return of the Rump he was ordered to quit London. At the restoration he was excluded from the act of indemnity but not included in the clause of pains and penalties extending to life and goods, being therefore only incapacitated from public employment. Soon afterwards he was arrested on suspicion of conspiring to kill the king and queen, but was quickly liberated. Subsequently he escaped to Holland, where he engaged in republican intrigues. Accordingly he was ordered home, in April 1666, on pain of incurring the charge of treason, and obeying was imprisoned in the Tower till February 1667, when he was examined before the council and set free. Desborough died in 1680. By his first wife, Cromwell’s sister, he had one daughter and seven sons; he married a second wife in April 1658 whose name is unrecorded. Desborough was a good soldier and nothing more; and his only conception of government was by force and by the army. His rough person and manners are the constant theme of ridicule in the royalist ballads, and he is caricatured in Butler’s Hudibras and in the Parable of the Lion and Fox.