[312] Der Pfarrer von Kirchfeld; Der Meineidbauer; Die Kreuzelschreiber; Das vierte Gebot.
[313] The Robbers (Franz Moor). His next most famous part was Lear.
[314] In connexion with the production in 1855 of “F. Halm’s” Fechter von Ravenna, of which the authorship was claimed by a half-demented schoolmaster.
[315] As to more recent developments of German theatrical literature see the article [German Literature], and the remarks on the influence of foreign works in the section on [a]Recent English Drama] above.
[316] Aluta; Asotus; Hecastus, &c.
[317] Gysbrecht van Aemstel; Lucifer.
[318] Ulysses of Ithaca.
[319] The Politician-Tinman; Jean de France or Hans Franzen; The Lying-In, &c.
[320] Aladdin; Corregio.
[321] Maria Stuart; A Bankruptcy; Leonarda.