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DURESS (through Fr. from Lat. duritia, harshness, severity, durus, hard), in law, constraint or compulsion. Duress may be of two kinds. It may consist in personal restraint or actual violence or imprisonment; or it may be by threats (per minas), as where a person is compelled to an act by threats of immediate death or grievous bodily harm. Duress, in certain cases, may be pleaded as a defence of an act which would otherwise be a crime, but the extent to which the plea of duress can be urged is unascertained. At common law a contract entered into under duress is voidable at the option of one of the parties. See [Coercion], [Contract].
D’URFEY, THOMAS (1653-1723), better known as Tom d’Urfey, English song-writer and dramatist, belonged to a Huguenot family settled at Exeter, where he was born in 1653. Honoré d’Urfé, the author of Astrée, was his uncle. His first play, The Siege of Memphis, or the Ambitious Queen, a bombastic rhymed tragedy, was produced at the Theatre Royal in 1676. He was much more successful with his comedies, which had brisk, complicated plots carried out in lively dialogue. He had a light touch for fitting words on current topics to popular airs; moreover, many of his songs were set to music by his friends Dr John Blow, Henry Purcell and Thomas Farmer. Many of these songs were introduced into his plays. Addison in the Guardian (No. 67) relates that he remembered to have seen Charles II. leaning on Tom d’Urfey’s shoulder and humming a song with him. Even William III. liked to hear him sing his songs, and as a strong Tory he was sure of the favour of Princess Anne, who is said to have given Tom fifty guineas for a song on the Electress Sophia, the next heir in succession to the crown. “The crown’s far too weighty, for shoulders of eighty,” said d’Urfey, with an indirect compliment to the princess, “So Providence kept her away,—poor old Dowager Sophy.” Pope, in an amusing letter to Henry Cromwell (Works, ed. Elwin and Courthope, vi. 91) describes him as “the only poet of tolerable reputation in this country.” In spite of the success of his numerous comedies he was poor in his old age. But his gaiety and invincible good humour had made him friends in the craft, and by the influence of Addison his Fond Husband, or The Plotting Sisters was revived for d’Urfey’s benefit at Drury Lane on the 15th of June 1713. This performance, for which Pope wrote a prologue full of rather faint praise, seems to have eased the poet’s difficulties. He died on the 26th of February 1723, and was buried in St James’s Church, Piccadilly.
Collections of his songs with the music appeared during his lifetime, the most complete being the 1719-1720 edition (6 vols.) of Wit and Mirth; or Pills to Purge Melancholy. The best known of the twenty-nine pieces of his which actually found their way to the stage were Love for Money; or The Boarding School (Theatre Royal, 1691), The Marriage-Hater Match’d (1692), and The Comical History of Don Quixote, in three parts (1694, 1694 and 1696), which earned the especial censure of Jeremy Collier. In his burlesque opera, Wonders in the Sun; or the Kingdom of the Birds (1706, music by G.B. Draghi), the actors were dressed as parrots, crows, &c.
DURFORT, a village of south-western France, formerly in the province of Guienne, now in the department of Tarn-et-Garonne, 18 m. N.W. of Montauban by road. It was at one time the seat of a feudal lordship which gave its name to a family distinguished in French and English history. Though earlier lords are known, the pedigree of the family is only clearly traceable to Arnaud de Durfort (fl. 1305), who acquired the fief of Duras by his marriage with a niece of Pope Clement V. His descendant, Gaillard de Durfort, having embraced the side of the king of England, went to London in 1453, and was made governor of Calais and a knight of the Garter.
The greatness of the family dates, however, from the 17th century. Guy Aldonce (1605-1665), marquis de Duras and comte de Rozan, had, by his wife Elizabeth de la Tour d’Auvergne, sister of Marshal Turenne, six sons, three of whom played a distinguished part. The eldest, Jacques Henri (1625-1704), was governor of Franche Comté in 1674 and was created a marshal of France for his share in the conquest of that province (1675). The second, Guy Aldonce (1630-1702), comte de Lorges and duc de Quintin (known as the duc de Lorges), became a marshal of France in 1676, commanded the army in Germany from 1690 to 1695, and captured Heidelberg in 1693. The sixth son, Louis (1640?-1709), marquis de Blanquefort, came to England in the suite of James, duke of York, in 1663, and was naturalized in the same year. On the 19th of January 1672-1673 he was raised to the English peerage as Baron Duras of Holdenby, his title being derived from an estate in Northamptonshire bought from the duke of York, and in 1676 he married Mary, daughter and elder co-heiress of Sir George Sondes, created in that year Baron Throwley, Viscount Sondes and earl of Feversham. On the death of his father-in-law (16th of April 1677), Duras succeeded to his titles under a special remainder. He was appointed by Charles II. successively to the command of the third and second troops of Horse Guards, was sent abroad on several important diplomatic missions, and became master of the horse (1679) and lord chamberlain to the queen (1680). In 1682 he was appointed a lord of the bed-chamber, and was present at the king’s deathbed reconciliation with the Roman Church. Under James II. Feversham became a member of the privy council, and in 1685 was given the chief command against the rebels under Monmouth (q.v.), in which he mainly distinguished himself by his cruelty to the vanquished. He was rewarded with a knighthood of the Garter and the colonelcy of the first troop of Life Guards, and in 1686 he was appointed to the command of the army assembled by King James on Blackheath to overawe the people. On James’s flight, Feversham succeeded in making his peace with William, on the intercession of the queen dowager, at whose instance he received the mastership of the Royal Hospital of St Catherine near the Tower (1698). He died without issue on the 8th of April 1709. [See G.E. C(ockayne), Complete Peerage, and art. in Dict. Nat. Biog.]
Jean Baptiste (1684-1770), due de Duras, son of Jacques Henri, was also a marshal of France. In 1733 he resigned the dukedom of Duras to his son, Emmanuel Félicité, himself receiving the brevet title of duc de Durfort. Emmanuel Félicité (1715-1789), duc de Duras, took part in all the wars of Louis XV. and was made a marshal of France in 1775. His grandson, Amédée Bretagne Malo (1771-1838), duc de Duras, is mainly known as the husband of Claire Louise Rose Bonne de Coëtnempren de Kersaint (1778-1828), daughter of Armand Guy Simon de Coëtnempren Kersaint (q.v.), who, as duchesse de Duras, presided over a once celebrated salon and wrote several novels once widely read.