[1] Edwards recognized the abuse of impulses and impressions, opposed itinerant and lay preachers, and defended a well-ordered and well-educated clergy.

[2] These were probably not fiction like Pamela, as Sir Leslie Stephen suggested, for Edwards listed several of Richardson’s novels for his own reading, and considered Sir Charles Grandison a very moral and excellent work.

[3] Besides the younger Jonathan many of Edwards’s descendants were great, brilliant or versatile men. Among them were: his son Pierrepont (1750-1826), a brilliant but erratic member of the Connecticut bar, tolerant in religious matters and bitterly hated by stern Calvinists, a man whose personal morality resembled greatly that of Aaron Burr; his grandsons, William Edwards (1770-1851), an inventor of important leather rolling machinery; Aaron Burr the son of Esther Edwards; Timothy Dwight (1752-1817), son of Mary Edwards, and his brother Theodore Dwight, a Federalist politician, a member, the secretary and the historian of the Hartford Convention; his great-grandsons, Tryon Edwards (1809-1894) and Sereno Edwards Dwight, theologian, educationalist and author; and his great-great-grandsons, Theodore William Dwight, the jurist, and Timothy Dwight, second of that name to be president of Yale.


EDWARDS, LEWIS (1809-1887), Welsh Nonconformist divine, was born in the parish of Llanbadarn Fawr, Cardiganshire, on the 27th of October 1809. He was educated at Aberystwyth and at Llangeitho, and then himself kept school in both these places. He had already begun to preach for the Calvinistic Methodists when, in December 1830, he went to London to take advantage of the newly-opened university. In 1832 he settled as minister at Laugharne in Carmarthenshire, and the following year went to Edinburgh, where a special resolution of the senate allowed him to graduate at the end of his third session. He was now better able to further his plans for providing a trained ministry for his church. Previously, the success of the Methodist preachers had been due mainly to their natural gifts. Edwards made his home at Bala, and there, in 1837, with David Charles, his brother-in-law, he opened a school, which ultimately became the denominational college for north Wales. He died on the 19th of July 1887.

Edwards may fairly be called one of the makers of modern Wales. Through his hands there passed generation after generation of preachers, who carried his influence to every corner of the principality. By fostering competitive meetings and by his writings, especially in Y Traethodydd (“The Essayist”), a quarterly magazine which he founded in 1845 and edited for ten years, he did much to inform and educate his countrymen on literary and theological subjects. A new college was built at Bala in 1867, for which he raised £10,000. His chief publication was a noteworthy book on The Doctrine of the Atonement, cast in the form of a dialogue between master and pupil; the treatment is forensic, and emphasis is laid on merit. It was due to him that the North and South Wales Calvinistic Methodist Associations united to form an annual General Assembly; he was its moderator in 1866 and again in 1876. He was successful in bringing the various churches of the Presbyterian order into closer touch with each other, and unwearying in his efforts to promote education for his countrymen.

See Bywyd a Llythyrau y Parch, (i.e. Life and Letters of the Rev.) Lewis Edwards, D.D., by his son T. C. Edwards.


EDWARDS, RICHARD (c. 1523-1566), English musician and playwright, was born in Somersetshire, became a scholar of Corpus Christi College, Oxford, in 1540, and took his M.A. degree in 1547. He was appointed in 1561 a gentleman of the chapel royal and master of the children, and entered Lincoln’s Inn in 1564, where at Christmas in that year he produced a play which was acted by his choir boys. On the 3rd of September 1566 his play, Palamon and Arcite, was performed before Queen Elizabeth in the Hall of Christ Church, Oxford. Another play, Damon and Pithias, tragic in subject but with scenes of vulgar farce, entered at Stationers’ Hall in 1567-8, appeared in 1571 and was reprinted in 1582; it may be found in Dodsley’s Old Plays, vol. i., and Ancient British Drama, vol. i. It is written in rhymed lines of rude construction, varying in length and neglecting the caesura. A number of the author’s shorter pieces are preserved in the Paradise of Dainty Devices, first published in 1575, and reprinted in the British Bibliographer, vol. iii.; the best known are the lines on May, the Amantium Irae, and the Commendation of Music, which has the honour of furnishing a stanza to Romeo and Juliet. The Historie of Damocles and Dionise is assigned to him in the 1578 edition of the Paradise. Sir John Hawkins credited him with the part song “In going to my lonely bed”; the words are certainly his, and probably the music. In his own day Edwards was highly esteemed. The fine poem, “The Soul’s Knell,” is supposed to have been written by him when dying.

See Grove’s Dict. of Music (new edition); the Shakespeare Soc. Papers, vol. ii. art. vi.; Ward, English Dram. Literature, vol. i.