The utmost care was taken to preserve the body itself from decay. Before the time of the Middle Kingdom it became usual for the rich to have their bodies embalmed. The intestines were removed and placed in four vases (the Embalming and burial. so-called Canopic jars) in which they were supposed to enjoy the protection of the four sons of Horus, the man-headed Mesti, the ape-headed Hapi, the jackal Duamutef and the falcon Kebhsenuf. The corpse was treated with natron and asphalt, and wound in a copious swathing of linen bandage, with a mask of linen and stucco on the face. The “mummy” thus prepared was then laid on its side like a sleeper, the head supported by a head-rest, in a sarcophagus of wood or stone. The operations in connexion with the mummy grow more and more elaborate towards the end of the Pharaonic period: already in the New Kingdom the wealthiest persons had their mummies laid in several coffins, each of which was gaudily painted with mythological scenes and inscriptions. The costliest process of embalmment lasted no less than seventy days. Many superstitious rites had to be observed in the course of the process: a late book has preserved to us the magical formulae that were repeated by the wise kher-heb priest (who in the necropolis performed the functions of taricheutes, “embalmer”), as each bandage was applied.
A large number of utensils, articles of furniture and the like were placed in the burial-chamber for the use of the dead—jars, weapons, mirrors, and even chairs, musical instruments and wigs. In the early times statuettes of servants, representing them as engaged in their various functions (brewers, bakers, &c.), were included for the same purpose; they were supposed to perform their menial functions for their deceased lord in the future life. In the Middle Kingdom these are gradually replaced by small models of the mummy itself, and the belief arose that when their owner was called upon to perform any distasteful work in the nether world, they would answer to his name and do the task for him. The later ushebti-figures, little statuettes of wood, stone or faience, of which several hundreds are often found in a single tomb, are confused survivals of both of the earlier classes of statuettes. Still more important than all such funereal objects are the books that were placed in the grave for the use of the dead: in the pyramids they are written on the walls of the sepulchral chamber and the passages leading to it; in the Middle Kingdom usually inscribed on the inner sides of the sarcophagus; in later times contained in rolls of papyrus. The Pyramid texts and the Book of the Dead are the most important of these, and teach us much about the dangers and needs that attended the dead man beyond the tomb, and about the manner in which it was thought they could be counteracted.
The burial ceremony itself must have been an imposing spectacle. In many cases the mummy had to be conveyed across the Nile, and boats were gaily decked out for this purpose. On the western bank a stately procession conducted the deceased to his last resting-place. At the door of the tomb the final ceremonies were performed; they demanded a considerable number of actors, chief among whom were the sem-priest and the kher-heb priest. It was a veritable drama that was here enacted, and recalled in its incidents the story of Osiris, the divine prototype of all successive generations of the Egyptian dead.
However carefully the preliminary rites of embalmment and burial might have been performed, however sumptuous the tomb wherein the dead man reposed, he was nevertheless almost entirely at the mercy of the living for The soul. his welfare in the other world: he was as dependent on a continued cult on the part of the surviving members of his family as the gods were dependent on the constant attendance of their priests. That portion of a man’s individuality which required, even after death, food and drink, and the satisfaction of sensuous needs, was called by the Egyptians the ka, and represented in hieroglyphs by the uplifted hands
. This ka was supposed to be born together with the person to whom it belonged, and on the very rare occasions when it is depicted, wears his exact semblance. The conception of this psychical entity is too vaguely formulated by the Egyptians and too foreign to modern thought to admit of exact translation: of the many renderings that have been proposed, perhaps “double” is the most suitable. At all events the ka has to be distinguished from the soul, the bai (in hieroglyphs
or
), which was of more tangible nature, and might be descried hovering around the tomb in the form of a bird or in some other shape; for it was thought that the soul might assume what shape it would, if the funerary rites had been duly attended to. The gods had their ka and bai, and the forms attributed to the latter are surprising; thus we read that the soul of the sky Nun is Re, that of Osiris the Goat of Mendes, the souls of Sobk are crocodiles, and those “of all the gods are snakes”; similarly the soul of Ptah was thought to dwell in the Apis bull, so that each successive Apis was during its lifetime the reincarnation of the god. Other parts of a man’s being to which at given moments and in particular contexts the Egyptians assigned a certain degree of separate existence are the “name”