FAUNUS (i.e. the “kindly,” from Lat. favere, or the “speaker,” from fari), an old Italian rural deity, the bestower of fruitfulness on fields and cattle. As such he is akin to or identical with Inuus (“fructifier”) and Lupercus (see [Lupercalia]). Faunus also revealed the secrets of the future by strange sounds from the woods, or by visions communicated to those who slept within his precincts in the skin of sacrificed lambs; he was then called Fatuus, and with him was associated his wife or daughter Fatua. Under Greek influence he was identified with Pan, and just as there was supposed to be a number of Panisci, so the existence of many Fauni was assumed—misshapen and mischievous goblins of the forest, with pointed ears, tails and goat’s feet, who loved to torment sleepers with hideous nightmares. In poetical tradition Faunus is an old king of Latium, the son of Picus (Mars) and father of Latinus, the teacher of agriculture and cattle-breeding, and the introducer of the religious system of the country, honoured after death as a tutelary divinity. Two festivals called Faunalia were celebrated in honour of Faunus, one on the 13th of February in his temple on the island in the Tiber, the other in the country on the 5th of December (Ovid, Fasti, ii. 193; Horace, Odes, iii. 18. 10). At these goats were sacrificed to him with libations of wine and milk, and he was implored to be propitious to fields and flocks. The peasants and slaves at the same time amused themselves with dancing in the meadows.
FAURE, FRANÇOIS FÉLIX (1841-1899), President of the French Republic, was born in Paris on the 30th of January 1841, being the son of a small furniture maker. Having started as a tanner and merchant at Havre, he acquired considerable wealth, was elected to the National Assembly on the 21st of August 1881, and took his seat as a member of the Left, interesting himself chiefly in matters concerning economics, railways and the navy. In November 1882 he became under-secretary for the colonies in M. Ferry’s ministry, and retained the post till 1885. He held the same post in M. Tirard’s ministry in 1888, and in 1893 was made vice-president of the chamber. In 1894 he obtained cabinet rank as minister of marine in the administration of M. Dupuy. In the January following he was unexpectedly elected president of the Republic upon the resignation of M. Casimir-Périer. The principal cause of his elevation was the determination of the various sections of the moderate republican party to exclude M. Brisson, who had had a majority of votes on the first ballot, but had failed to obtain an absolute majority. To accomplish this end it was necessary to unite among themselves, and union could only be secured by the nomination of some one who offended nobody. M. Faure answered perfectly to this description. His fine presence and his tact on ceremonial occasions rendered the state some service when in 1896 he received the Tsar of Russia at Paris, and in 1897 returned his visit, after which meeting the momentous Franco-Russian alliance was publicly announced. The latter days of M. Faure’s presidency were embittered by the Dreyfus affair, which he was determined to regard as chose jugée. But at a critical moment in the proceedings his death occurred suddenly, from apoplexy, on the 16th of February 1899. With all his faults, and in spite of no slight amount of personal vanity, President Faure was a shrewd political observer and a good man of business. After his death, some alleged extracts from his private journals, dealing with French policy, were published in the Paris press.
See E. Maillard, Le Président F. Faure (Paris, 1897); P. Bluysen, Félix Faure intime (1898); and F. Martin-Ginouvier, F. Faure devant l’histoire (1895).
FAURÉ, GABRIEL (1845- ), French musical composer, was born at Pamiers on the 13th of May 1845. He studied at the school of sacred music directed by Niedermeyer, first under Dietsch, and subsequently under Saint-Saëns. He became “maître de chapelle” at the church of the Madeleine in 1877, and organist in 1896. His works include a symphony in D minor (Op. 40), two quartets for piano and strings (Opp. 15 and 45), a suite for orchestra (Op. 12), sonata for violin and piano (Op. 13), concerto for violin (Op. 14), berceuse for violin, élégie for violoncello, pavane for orchestra, incidental music for Alexandre Dumas’ Caligula and De Haraucourt’s Shylock, a requiem, a cantata, The Birth of Venus, produced at the Leeds festival in 1898, a quantity of piano music, and a large number of songs. Fauré occupies a place by himself among modern French composers. He delights in the imprévu, and loves to wander through labyrinthine harmonies. There can be no denying the intense fascination and remarkable originality of his music. His muse is essentially aristocratic, and suggests the surroundings of the boudoir and the perfume of the hot-house.
FAURIEL, CLAUDE CHARLES (1772-1844), French historian, philologist and critic, was born at St Étienne on the 21st of October 1772. Though the son of a poor joiner, he received a good education in the Oratorian colleges of Tournon and Lyons. He was twice in the army—at Perpignan in 1793, and in 1796-1797 at Briançon, as private secretary to General J. Servan de Gerbey (1741-1808); but he preferred the civil service and the companionship of his friends and his books. In 1794 he returned to St Étienne, where, but only for a short period, he filled a municipal office; and from 1797 to 1799 he devoted himself to strenuous study, more especially of the literature and history, both ancient and modern, of Greece and Italy. Having paid a visit to Paris in 1799, he was introduced to Fouché, minister of police, who induced him to become his private secretary. Though he discharged the duties of this office to Fouché’s satisfaction, his strength was overtasked by his continued application to study, and he found it necessary in 1801 to recruit his health by a three months’ trip in the south. In resigning his office in the following year he was actuated as much by these considerations as by the scruples he put forward in serving longer under Napoleon, when the latter, in violation of strict republican principles, became consul for life. This is clearly shown by the fragments of Memoirs discovered by Ludovic Lalanne and published in 1886.
Some articles which Fauriel published in the Décade philosophique (1800) on a work of Madame de Staël’s—De la littérature considerée dans ses rapports avec les institutions sociales—led to an intimate friendship with her. About 1802 he contracted with Madame de Condorcet a liaison which lasted till her death (1822). It was said of him at the time that he gave up all his energies to love, friendship and learning. The salon of Mme de Condorcet was throughout the Consulate and the first Empire a rallying point for the dissentient republicans. Fauriel was introduced by Madame de Staël to the literary circle of Auteuil, which gathered round Destutt de Tracy. Those who enjoyed his closest intimacy were the physiologist Cabanis (Madame de Condorcet’s brother-in-law), the poet Manzoni, the publicist Benjamin Constant, and Guizot. Later Tracy introduced to him Aug. Thierry (1821) and perhaps Thiers and Mignet. During his connexion with Auteuil, Fauriel’s attention was naturally turned to philosophy, and for some years he was engaged on a history of Stoicism, which was never completed, all the papers connected with it having accidentally perished in 1814. He also studied Arabic, Sanskrit and the old South French dialects. He published in 1810 a translation of the Parthenaīs of the Danish poet Baggesen, with a preface on the various kinds of poetry; in 1823 translations of two tragedies of Manzoni, with a preface “Sur la théorie de l’art dramatique”; and in 1824-1825 his translation of the popular songs of modern Greece, with a “Discours préliminaire” on popular poetry.
The Revolution of July, which put his friends in power, opened to him the career of higher education. In 1830 he became professor of foreign literature at the Sorbonne. The Histoire de la Gaule méridionale sous la domination des conquerants germains (4 vols., 1836) was the only completed section of a general history of southern Gaul which he had projected. In 1836 he was elected a member of the Academy of Inscriptions, and in 1837 he published (with an introduction the conclusions of which would not now all be endorsed) a translation of a Provençal poem on the Albigensian war. He died on the 15th of July 1844. After his death his friend Mary Clarke (afterwards Madame J. Möhl) published his Histoire de la littérature provençale (3 vols., 1846)—his lectures for 1831-1832. Fauriel was biased in this work by his preconceived and somewhat fanciful theory that Provence was the cradle of the chansons de geste and even of the Round Table romances; but he gave a great stimulus to the scientific study of Old French and Provençal. Dante et les origines de la langue et de la littérature italiennes (2 vols.) was published in 1854.