See further Joseph Lucas, Studies in Nidderdale (1882), pp. 156-157.
GABRIELI, GIOVANNI (1557-1612?), Italian musical composer, was born at Venice in 1557, and was a pupil of his uncle Andrea, a distinguished musician of the contrapuntal school and organist of St Mark’s. He succeeded Claudio Merulo as first organist of the same church in 1585, and died at Venice either in 1612 or 1613. He was remarkable for his compositions for several choirs, writing frequently for 12 or 16 voices, and is important as an early experimenter in chromatic harmony. It was probably for this reason that he made a special point of combining voices with instruments, being thus one of the founders of choral and orchestral composition. Among his pupils was Heinrich Schütz; and the church of St Mark, from the time of the Gabrielis onwards down to that of Lotti, became one of the most important musical schools in Europe.
See also Winterfeld, Johann Gabrieli und seine Zeit (1834).
GABUN, a district on the west coast of Africa, one of the colonies forming French Congo (q.v.). It derives its designation from the settlements on the Gabun river or Rio de Gabão. The Gabun, in reality an estuary of the sea, lies immediately north of the equator. At the entrance, between Cape Joinville or Santa Clara on the N. and Cape Pangara or Sandy Point on the S., it has a width of about 10 m. It maintains a breadth of some 7 m. for a distance of 40 m. inland, when it contracts into what is known as the Rio Olambo, which is not more than 2 or 3 m. from bank to bank. Several rivers, of which the Komo is the chief, discharge their waters into the estuary. The Gabun was discovered by Portuguese navigators towards the close of the 15th century, and was named from its fanciful resemblance to a gabão or cabin. On the small island of Koniké, which lies about the centre of the estuary, scanty remains of a Portuguese fort have been discovered. The three principal tribes in the Gabun are the Mpongwe, the Fang and the Bakalai.
GACE BRULÉ (d. c. 1220), French trouvère, was a native of Champagne. It has generally been asserted that he taught Thibaut of Champagne the art of verse, an assumption which is based on a statement in the Chroniques de Saint-Denis: “Si fist entre lui [Thibaut] et Gace Brulé les plus belles chançons et les plus délitables et melodieuses qui onque fussent oïes.” This has been taken as evidence of collaboration between the two poets. The passage will bear the interpretation that with those of Gace the songs of Thibaut were the best hitherto known. Paulin Paris, in the Histoire littéraire de la France (vol. xxiii.), quotes a number of facts that fix an earlier date for Gace’s songs. Gace is the author of the earliest known jeu parti. The interlocutors are Gace and a count of Brittany who is identified with Geoffrey of Brittany, son of Henry II. of England. Gace appears to have been banished from Champagne and to have found refuge in Brittany. A deed dated 1212 attests a contract between Gatho Bruslé (Gace Brulé) and the Templars for a piece of land in Dreux. It seems most probable that Gace died before 1220, at the latest in 1225.
See Gédéon Busken Huet, Chansons de Gace Brulé, edited for the Société des anciens textes français (1902), with an exhaustive introduction. Dante quotes a song by Gace, Ire d’amor qui en mon cuer repaire, which he attributes erroneously to Thibaut of Navarre (De vulgari eloquentia, p. 151, ed. P. Rajna, Florence, 1895).