[6] At the funeral of Drusus the images of Aeneas, of the Alban kings, of Romulus, of the Sabine nobles, of Attus Clausus, and of “the rest of the Claudians” were exhibited (Tac. Ann. iv. 9).
[7] The Roman stemmata had, as will be seen afterwards, great interest for the older modern genealogists. Reference may be made to J. Glandorp’s Descriptio gentis Antoniae (1557); to the Descriptio gentis Juliae (1576) of the same author; and to J. Hübner’s Genealogische Tabellen. See also G.A. Ruperti’s Tabulae genealogicae sive stemmata nobiliss. gent. Rom. (1794).
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GENELLI, GIOVANNI BUONAVENTURA (1798-1868), German painter, was born at Berlin on the 28th of September 1798. He was the son of Janus Genelli, a painter whose landscapes are still preserved in the Schloss at Berlin, and grandson to Joseph Genelli, a Roman embroiderer employed to found a school of gobelins by Frederick the Great. Buonaventura Genelli first took lessons from his father and then became a student of the Berlin academy. After serving his time in the guards he went with a stipend to Rome, where he lived ten years, a friend and assistant to Koch the landscape painter, a colleague of the sculptor Ernst Hähnel (1811-1891), Reinhart, Overbeck and Führich, all of whom made a name in art. In 1830 he was commissioned by Dr Härtel to adorn a villa at Leipzig with frescoes, but quarrelling with this patron he withdrew to Munich, where he earned a scanty livelihood at first, though he succeeded at last in acquiring repute as an illustrative and figure draughtsman. In 1859 he was appointed a professor at Weimar, where he died on the 13th of November 1868. Genelli painted few pictures, and it is very rare to find his canvases in public galleries, but there are six of his compositions in oil in the Schack collection at Munich. These and numerous water-colours, as well as designs for engravings and lithographs, reveal an artist of considerable power whose ideal was the antique, but who was also fascinated by the works of Michelangelo. Though a German by birth, his spirit was unlike that of Overbeck or Führich, whose art was reminiscent of the old masters of their own country. He seemed to hark back to the land of his fathers and endeavour to revive the traditions of the Italian Renaissance. Subtle in thought and powerfully conceived, his compositions are usually mythological, but full of matter, energetic and fiery in execution, and marked almost invariably by daring effects of foreshortening. Impeded by straitened means, the artist seems frequently to have drawn from imagination rather than from life, and much of his anatomy of muscle is in consequence conventional and false. But none the less Genelli merits his reputation as a bold and imaginative artist, and his name deserves to be remembered beyond the narrow limits of the early schools of Munich and Weimar.
GENERAL (Lat. generalis, of or relating to a genus, kind or class), a term which, from its pointing to all or most of the members of a class, the whole of an area, &c. as opposed to “particular” or to “local,” is hence used in various shades of meaning, for that which is prevalent, usual, widespread or miscellaneous, indefinite, vague. It has been added to the titles of various officials, military officers and others; thus the head of a religious order is the “superior-general,” more usually the “general,” and we find the same combination in such offices as that of “accountant-general,” “postmaster-general,” “attorney-” or “solicitor-general,” and many others, the additional word implying that the official in question is of superior rank, as having a wider authority or sphere of activity. This is the use that accounts for the application of the term, as a substantive, to a military officer of superior rank, a “general officer,” or “general,” who commands or administers bodies of troops larger than a regiment, or consisting of more than one arm of the service (see also [Officers]). It was towards the end of the 16th century that the word began to be used in its present sense as a noun, and in the armies of the time the “general” was commander-in-chief, the “lieutenant-general” commander of the horse and second in command of the army, and the “major-general” (strictly “sergeant-major-general”) commander of the foot and chief of the staff. Field marshals, who have now the highest rank, were formerly subordinate to the general officers. These titles—general, lieutenant-general and major-general—are still applied in most armies to the first, second and third grades of general officer, and in the French service until 1870 the chief of the staff of the army bore the title of major-general. In the German and Russian services the three grades are qualified by the addition of the words “of cavalry,” “of infantry” and “of artillery.” The French service possesses only two grades, “general of brigade” and “general of division.” The Austrian service has two ranks of general officers peculiar to itself, “lieutenant field marshal,” equivalent to lieutenant-general, and Feldzeugmeister (master of the ordnance), equivalent to the German general of infantry or artillery. There is also the rank of “general of cavalry.” The Spanish army still retains the old term “captain-general.” In the German service General Oberst (colonel-general) and General Feldzeugmeister (master-general of ordnance) are ranks intermediate between that of full general and that of general field marshal. It may be noted that during the 17th century “general” was not confined to a commanding officer of an army, and was also equivalent to “admiral”; thus when under the Protectorate the office of lord high admiral was put into commission, the three first commissioners, Blake, Edward Popham and Richard Deane, were styled “generals at sea.”
GENERATION (from Lat. generare, to beget, procreate; genus, stock, race), the act of procreation or begetting, hence any one of the various methods by which plants, animals or substances are produced. As applied to the result of procreation, “generation” is used of the offspring of the same parents, taken as one degree in descent from a common ancestor, or, widely, of the body of living persons born at or near the same time; thus the word is also used of the age or period of a generation, usually taken as about thirty years, or three generations to a century. As a term in biology or physiology, generation is synonymous with the Gr. βιογένεσις and the Ger. Zeugung, and may comprehend the whole history of the first origin and continued reproduction of living bodies, whether plants or animals; but it is frequently restricted to the sexual reproduction of animals. The subject may be divided into the following branches, viz.: (1) the first origin of life and living beings, (2) non-sexual or agamic reproduction, and (3) gamic or sexual reproduction. For the first two of these topics see [Abiogenesis], [Biogenesis] and [Biology]; for the third and more extensive division, including (1) the formation and fecundation of the ovum, and (2) the development of the embryo in different animals, see [Reproduction] and [Embryology].