GIBBON, the collective title of the smaller man-like apes of the Indo-Malay countries, all of which may be included in the single genus Hylobates. Till recently these apes have been generally included in the same family (Simiidae) with the chimpanzee, gorilla and orang-utan, but they are now regarded by several naturalists as representing a family by themselves—the Hylobatidae. One of the distinctive features of this family is the presence of small naked callosities on the buttocks; another being a difference in the number of vertebrae and ribs as compared with those of the Simiidae. The extreme length of the limbs and the absence of a tail are other features of these small apes, which are thoroughly arboreal in their habits, and make the woods resound with their unearthly cries at night. In agility they are unsurpassed; in fact they are stated to be so swift in their movements as to be able to capture birds on the wing with their paws. When they descend to the ground—which they must often do in order to obtain water—they frequently walk in the upright posture, either with the hands crossed behind the neck, or with the knuckles resting on the ground. Their usual food consists of leaves and fruits. Gibbons may be divided into two groups, the one represented by the siamang, Hylobates (Symphalangus) syndactylus, of Sumatra and the Malay Peninsula, and the other by a number of closely allied species. The union of the index and middle fingers by means of a web extending as far as the terminal joints is the distinctive feature of the siamang, which is the largest of the group, and black in colour with a white frontal band. Black or puce-grey is the prevailing colour in the second group, of which the hulock (H. hulock) of Assam, H. lar of Arakan and Pegu, H. entellöides of Tenasserim (fig.), and H. agilis of Sumatra are well-known representatives. A female of the Hainan gibbon (H. hainanus) in confinement changed from uniform sooty-black (without the white frontal band of the black phase of the hulock) to puce-grey; but it is probable that this was only an individual, or at most a sexual, peculiarity. The range of the genus extends from the southern bank of the Bramaputra in Assam to southern China, the Malay Peninsula, Java, Sumatra and Borneo.

(R. L.*)

The Tenasserim Gibbon (Hylobates entellöides).

GIBBONS, GRINLING (1648-1721), English wood-carver, was born in 1648, according to some authorities of Dutch parents at Rotterdam, and according to others of English parents at London. By the former he is said to have come to London after the great fire in 1666. He early displayed great cleverness and ingenuity in his art, on the strength of which he was recommended by Evelyn to Charles II., who employed him in the execution both of statuary and of ornamental carving in wood. In the early part of the 18th century he worked for Sir Christopher Wren. In statuary one of his principal works is a life-size bronze statue in the court of Whitehall, representing James II. in the dress of a Roman emperor, and he also designed the base of the statue of Charles I. at Charing Cross. It is, however, chiefly as a sculptor in wood that he is famous. He was employed to execute the ornamental carving for the chapel at Windsor, the foliage and festoons in the choir of St Paul’s, the baptismal fonts in St James’s, and an immense quantity of ornamental work at Burleigh, Chatsworth, and other aristocratic mansions. The finest of all his productions in this style is believed to be the ceiling which he devised for a room at Petworth. His subjects are chiefly birds, flowers, foliage, fruit and lace, and many of his works, for delicacy and elaboration of details, and truthfulness of imitation, have never been surpassed. He, however, sometimes wasted his ingenuity on trifling subjects; many of his flowers used to move on their stems like their natural prototypes when shaken by a breeze. In 1714 Gibbons was appointed master carver in wood to George I. He died at London on the 3rd of August 1721.

GIBBONS, JAMES (1834-  ), American Roman Catholic cardinal and archbishop, was born in Baltimore, Maryland, on the 23rd of July 1834, and was educated at St Charles College, Ellicott City, Maryland, and St Mary’s Seminary, Baltimore, where he finished his theological training and was ordained priest on the 30th of June 1861. After a short time spent on the missions of Baltimore, he was called to be secretary to Archbishop Martin J. Spalding and assistant at the cathedral. When in 1866 the Second Plenary Council of Baltimore considered the matter of new diocesan developments, he was selected to organize the new Vicariate Apostolic of North Carolina; and was consecrated bishop in August 1868. During the four successful years spent in North Carolina he wrote, for the benefit of his mission work, The Faith of our Fathers, a brief presentation of the doctrines of the Roman Catholic Church, especially intended to reach Protestants; the books passed through more than forty editions in America and about seventy in England, and an answer was made to it in Faith of our Forefathers (1879), by Edward J. Stearns. Gibbons was transferred to the see of Richmond, Virginia, in 1872, and in 1877 was made coadjutor, with the right of succession, to the Archbishop (James R. Bayley) of Baltimore. In October of the same year he succeeded to the archbishopric. Pope Leo XIII. in 1883 selected him to preside over the Third Plenary Council in Baltimore (1884), and on the 30th of June 1886 created him a cardinal priest, with the title of Santa Maria Trastevere. His simplicity of life, foresight and prudence made him a power in the church. Thoroughly American, and a lover of the people, he greatly altered the attitude of the Roman Catholic Church toward the Knights of Labor and other labour organizations, and his public utterances displayed the true instincts of a popular leader. He contributed frequently to periodicals, but as an author is known principally by his works on religious subjects, including Our Christian Heritage (1889) and The Ambassador of Christ (1896). For many years an ardent advocate of the establishment of a Catholic university, at the Third Plenary Council of Baltimore (1884) he saw the realization of his desires in the establishment of the Catholic University of America at Washington, of which he became first chancellor and president of the board of trustees.

GIBBONS, ORLANDO (1583-1625), English musical composer, was the most illustrious of a family of musicians all more or less able. We know of at least three generations, for Orlando’s father, William Gibbons, having been one of the waits of Cambridge, may be assumed to have acquired some proficiency in the art. His three sons and at least one of his grandsons inherited and further developed his talent. The eldest, Edward, was made bachelor of music at Cambridge, and successively held important musical appointments at the cathedrals of Bristol and Exeter; Ellis, the second son, was organist of Salisbury cathedral, and is the composer of two madrigals in the collection known as the The Triumphs of Oriana. Orlando Gibbons, the youngest and by far the most celebrated of the brothers, was born at Cambridge in 1583. Where and under whom he studied is not known, but in his twenty-first year he was sufficiently advanced and celebrated to receive the important post of organist of the Chapel Royal. His first published composition “Fantasies in three parts, composed for viols,” appeared in 1610. It seems to have been the first piece of music printed in England from engraved plates, or “cut in copper, the like not heretofore extant.” In 1622 he was created doctor of music by the university of Oxford. For this occasion he composed an anthem for eight parts, O clap your Hands, still extant. In the following year he became organist of Westminster Abbey. Orlando Gibbons died before the beginning of the civil war, or it may be supposed that, like his eldest brother, he would have been a staunch royalist. In a different sense, however, he died in the cause of his master; for having been summoned to Canterbury to produce a composition written in celebration of Charles’s marriage, he there fell a victim to smallpox on the 5th of June 1625.