See F. Chabloz, La Bataille de Grandson (Lausanne, 1897).
GRANET, FRANÇOIS MARIUS (1777-1849), French painter, was born at Aix in Provence, on the 17th of December 1777; his father was a small builder. The boy’s strong desires led his parents to place him—after some preliminary teaching from a passing Italian artist—in a free school of art directed by M. Constantin, a landscape painter of some reputation. In 1793 Granet followed the volunteers of Aix to the siege of Toulon, at the close of which he obtained employment as a decorator in the arsenal. Whilst a lad he had, at Aix, made the acquaintance of the young comte de Forbin, and upon his invitation Granet, in the year 1797, went to Paris. De Forbin was one of the pupils of David, and Granet entered the same studio. Later he got possession of a cell in the convent of Capuchins, which, having served for a manufactory of assignats during the Revolution, was afterwards inhabited almost exclusively by artists. In the changing lights and shadows of the corridors of the Capuchins, Granet found the materials for that one picture to the painting of which, with varying success, he devoted his life. In 1802 he left Paris for Rome, where he remained until 1819, when he returned to Paris, bringing with him besides various other works one of fourteen repetitions of his celebrated Chœur des Capucins, executed in 1811. The figures of the monks celebrating mass are taken in this subject as a substantive part of the architectural effect, and this is the case with all Granet’s works, even with those in which the figure subject would seem to assert its importance, and its historical or romantic interest. “Stella painting a Madonna on his Prison Wall,” 1810 (Leuchtenberg collection); “Sodoma à l’hôpital,” 1815 (Louvre); “Basilique basse de St François d’Assise,” 1823 (Louvre); “Rachat de prisonniers,” 1831 (Louvre); “Mort de Poussin,” 1834 (Villa Demidoff, Florence), are among his principal works; all are marked by the same peculiarities, everything is sacrificed to tone. In 1819 Louis Philippe decorated Granet, and afterwards named him Chevalier de l’Ordre St Michel, and Conservateur des tableaux de Versailles (1826). He became member of the institute in 1830; but in spite of these honours, and the ties which bound him to M. de Forbin, then director of the Louvre, Granet constantly returned to Rome. After 1848 he retired to Aix, immediately lost his wife, and died himself on the 21st of November 1849. He bequeathed to his native town the greater part of his fortune and all his collections, now exhibited in the Musée, together with a very fine portrait of the donor painted by Ingres in 1811.
GRANGE (through the A.-Fr. graunge, from the Med. Lat. granea, a place for storing grain, granum), properly a granary or barn. In the middle ages a “grange” was a detached portion of a manor with farm-houses and barns belonging to a lord or to a religious house; in it the crops could be conveniently stored for the purpose of collecting rent or tithe. Thus, such barns are often known as “tithe-barns.” In many cases a chapel was included among the buildings or stood apart as a separate edifice. The word is still used as a name for a superior kind of farm-house, or for a country-house which has farm-buildings and agricultural land attached to it.
Architecturally considered, the “grange” was usually a long building with high wooden roof, sometimes divided by posts or columns into a sort of nave and aisles, and with walls strongly buttressed. Sometimes these granges were of very great extent; one at St Leonards, Hampshire, was originally 225 ft. long by 75 ft. wide, and a still larger one (303 ft. long) existed at Chertsey. Ancient granges, or tithe-barns, still exist at Glastonbury, Bradford-on-Avon, St Mary’s Abbey, York, and at Coxwold. A fine example at Peterborough was pulled down at the end of the 19th century. In France there are many examples in stone of the 12th, 13th and 14th centuries; some divided into a central and two side aisles by arcades in stone. Externally granges are noticeable on account of their great roofs and the slight elevation of the eaves, from 8 to 10 ft. only in height. In the 15th century they were sometimes protected by moats and towers. At Ardennes in Normandy, where the grange was 154 ft. long; Vauclerc near Laon, Picardy, 246 ft. long and in two storeys; at Perrières, St Vigor, near Bayeux, and Ouilly near Falaise, all in Normandy; and at St Martin-au-Bois (Oise) are a series of fine examples. Attached to the abbey of Longchamps, near Paris, is one of the best-preserved granges in France, with walls in stone and internally divided into three aisles in oak timber of extremely fine construction.
In the social economic movement in the United States of America, which began in 1867 and was known as the “Farmers’ Movement,” “grange” was adopted as the name for a local chapter of the Order of the Patrons of Husbandry, and the movement is thus often known as the “Grangers’ Movement” (see [Farmers’ Movement]). There are a National Grange at Washington, supervising the local divisions, and state granges in most states.
GRANGEMOUTH, a police burgh and seaport of Stirlingshire, Scotland. Pop. (1901) 8386. It is situated on the south shore of the estuary of the Forth, at the mouth of the Carron and also of Grange Burn, a right-hand tributary of the Carron, 3 m. N.E. of Falkirk by the North British and Caledonian railways. It is the terminus of the Forth and Clyde Canal, from the opening of which (1789) its history may be dated. The principal buildings are the town hall (in the Greek style), public hall, public institute and free library, and there is a public park presented by the marquess of Zetland. Since 1810, when it became a head port, it has gradually attained the position of the chief port of the Forth west of Leith. The first dock (opened in 1846), the second (1859) and the third (1882) cover an area of 28 acres, with timber ponds of 44 acres and a total quayage of 2500 yards. New docks, 93 acres in extent, with an entrance from the firth, were opened in 1905 at a cost of more than £1,000,000. The works rendered it necessary to divert the influx of the Grange from the Carron to the Forth. Timber, pig-iron and iron ore are the leading imports, and coal, produce and iron the chief exports. The industries include shipbuilding, rope and sail making and iron founding. There is regular steamer communication with London, Christiania, Hamburg, Rotterdam and Amsterdam. Experiments in steam navigation were carried out in 1802 with the “Charlotte Dundas” on the Forth and Clyde Canal at Grangemouth. Kersa House adjoining the town on the S.W. is a seat of the marquess of Zetland.