HIPPOLYTUS, in Greek legend, son of Theseus and Hippolyte, queen of the Amazons (or of her sister Antiope), a famous hunter and charioteer and favourite of Artemis. His stepmother Phaedra became enamoured of him, but, finding her advances rejected, she hanged herself, leaving a letter in which she accused Hippolytus of an attempt upon her virtue. Theseus thereupon drove his son from his presence with curses and called upon his father Poseidon to destroy him. While Hippolytus was driving along the shore at Troezen (the scene of the Hippolytus of Euripides), a sea-monster (a bull or phoca) sent by Poseidon emerged from the waves; the horses were scared, Hippolytus was thrown out of the chariot, and was dragged along, entangled in the reins, until he died. According to a tradition of Epidaurus, Asclepius restored him to life at the request of Artemis, who removed him to Italy (see [Virbius]). At Troezen, where he had a special sanctuary and priest, and was worshipped with divine honours, the story of his death was denied. He was said to have been rescued by the gods at the critical moment, and to have been placed amongst the stars as the Charioteer (Auriga). It was also the custom of the Troezenian maidens to cut off a lock of their hair and to dedicate it to Hippolytus before marriage (see Frazer on Pausanias ii. 32. 1). Well-known classical parallels to the main theme are Bellerophon and Antea (or Stheneboea) and Peleus and Astydamia. The story was the subject of two plays by Euripides (the later of which is extant), of a tragedy by Seneca and of Racine’s Phèdre. A trace of it has survived in the legendary death of the apocryphal martyr Hippolytus, a Roman officer who was torn to pieces by wild horses as a convert to Christianity (see J. J. Döllinger, Hippolytus and Callistus, Eng. tr. by A. Plummer, 1876, pp. 28-39, 51-60).
According to the older explanations, Hippolytus represented the sun, which sets in the sea (cf. the scene of his death and the story of Phaëthon), and Phaedra the moon, which travels behind the sun, but is unable to overtake it. It is more probable, however, that he was a local hero famous for his chastity, perhaps originally a priest of Artemis, worshipped as a god at Troezen, where he was closely connected and sometimes confounded with Asclepius. It is noteworthy that, in a speech put into the mouth of Theseus by Euripides, the father, who of course believes his wife’s story and regards Hippolytus as a hypocrite, throws his son’s pretended misogyny and asceticism (Orphism) in his teeth. This seems to point to a struggle between a new ritual and that of Poseidon, the chief deity of Troezen, in which the representative of the intruding religion meets his death through the agency of the offended god, as Orpheus (q.v.) was torn to pieces by the votaries of the jealous Dionysus. According to S. Reinach (Archiv für Religionswissenschaft, x., 1907, p. 47), the Troezenian Hippolytus was a horse, the hypostasis of an equestrian divinity periodically torn to pieces by the faithful, who called themselves, and believed themselves to be, horses. Death was followed by resuscitation, as in the similar myths of Adonis (the sacred boar), Orpheus (the fox), Pentheus (the fawn), Phaëthon (the white sun-horse).
See Wilamowitz-Möllendorff’s Introduction to his German translation of Euripides’ Hippolytus (1891); A. Kalkmann, De Hippolytis Euripideis (Bonn, 1882); and (for representations in art) “Über Darstellung der Hippolytussage” in Archäologische Zeitung (xli. 1883); J. E. Harrison, Mythology and Monuments of Ancient Athens (1890), cl.
HIPPOLYTUS, a writer of the early Church. The mystery which enveloped the person and writings of Hippolytus,[1] one of the most prolific ecclesiastical writers of early times, had some light thrown upon it for the first time about the middle of the 19th century by the discovery of the so-called Philosophumena (see below). Assuming this writing to be the work of Hippolytus, the information given in it as to the author and his times can be combined with other traditional dates to form a tolerably clear picture. Hippolytus must have been born in the second half of the 2nd century, probably in Rome. Photius describes him in his Bibliotheca (cod. 121) as a disciple of Irenaeus, and from the context of this passage it is supposed that we may conclude that Hippolytus himself so styled himself. But this is not certain, and even if it were, it does not necessarily imply that Hippolytus enjoyed the personal teaching of the celebrated Gallic bishop; it may perhaps merely refer to that relation of his theological system to that of Irenaeus which can easily be traced in his writings. As a presbyter of the church at Rome under Bishop Zephyrinus (199-217), Hippolytus was distinguished for his learning and eloquence. It was at this time that Origen, then a young man, heard him preach (Hieron. Vir. ill. 61; cp. Euseb. H.E. vi. 14, 10). It was probably not long before questions of theology and church discipline brought him into direct conflict with Zephyrinus, or at any rate with his successor Calixtus I. (q.v.). He accused the bishop of favouring the Christological heresies of the Monarchians, and, further, of subverting the discipline of the Church by his lax action in receiving back into the Church those guilty of gross offences. The result was a schism, and for perhaps over ten years Hippolytus stood as bishop at the head of a separate church. Then came the persecution under Maximinus the Thracian. Hippolytus and Pontius, who was then bishop, were transported in 235 to Sardinia, where it would seem that both of them died. From the so-called chronograph of the year 354 (Catalogus Liberianus) we learn that on the 13th of August, probably in 236, the bodies of the exiles were interred in Rome and that of Hippolytus in the cemetery on the Via Tiburtina. So we must suppose that before his death the schismatic was received again into the bosom of the Church, and this is confirmed by the fact that his memory was henceforth celebrated in the Church as that of a holy martyr. Pope Damasus I. dedicated to him one of his famous epigrams, and Prudentius (Peristephanon, 11) drew a highly coloured picture of his gruesome death, the details of which are certainly purely legendary: the myth of Hippolytus the son of Theseus was transferred to the Christian martyr. Of the historical Hippolytus little remained in the memory of after ages. Neither Eusebius (H.E. vi. 20, 2) nor Jerome (Vir. ill. 61) knew that the author so much read in the East and the Roman saint were one and the same person. The notice in the Chronicon Paschale preserves one slight reminiscence of the historical facts, namely, that Hippolytus’s episcopal see was situated at Portus near Rome. In 1551 a marble statue of a seated man was found in the cemetery of the Via Tiburtina: on the sides of the seat were carved a paschal cycle, and on the back the titles of numerous writings. It was the statue of Hippolytus, a work at any rate of the 3rd century; at the time of Pius IX. it was placed in the Lateran Museum, a record in stone of a lost tradition.
Hippolytus’s voluminous writings, which for variety of subject can be compared with those of Origen, embrace the spheres of exegesis, homiletics, apologetics and polemic, chronography and ecclesiastical law. His works have unfortunately come down to us in such a fragmentary condition that it is difficult to obtain from them any very exact notion of his intellectual and literary importance. Of his exegetical works the best preserved are the Commentary on the Prophet Daniel and the Commentary on the Song of Songs. In spite of many instances of a want of taste in his typology, they are distinguished by a certain sobriety and sense of proportion in his exegesis. We are unable to form an opinion of Hippolytus as a preacher, for the Homilies on the Feast of Epiphany which go under his name are wrongly attributed to him. He wrote polemical words directed against the pagans, the Jews and heretics. The most important of these polemical treatises is the Refutation of all Heresies, which has come to be known by the inappropriate title of the Philosophumena. Of its ten books, the second and third are lost; Book i. was for a long time printed (with the title Philosophumena) among the works of Origen; Books iv.-x. were found in 1842 by the Greek Minoides Mynas, without the name of the author, in a MS. at Mount Athos. It is nowadays universally admitted that Hippolytus was the author, and that Books i. and iv.-x. belong to the same work. The importance of the work has, however, been much overrated; a close examination of the sources for the exposition of the Gnostic system which is contained in it has proved that the information it gives is not always trustworthy. Of the dogmatic works, that on Christ and Antichrist survives in a complete state. Among other things it includes a vivid account of the events preceding the end of the world, and it was probably written at the time of the persecution under Septimius Severus, i.e. about 202. The influence of Hippolytus was felt chiefly through his works on chronographic and ecclesiastical law. His chronicle of the world, a compilation embracing the whole period from the creation of the world up to the year 234, formed a basis for many chronographical works both in the East and West. In the great compilations of ecclesiastical law which arose in the East since the 4th century (see below: also [Apostolic Constitutions]) much of the material was taken from the writings of Hippolytus; how much of this is genuinely his, how much of it worked over, and how much of it wrongly attributed to him, can no longer be determined beyond dispute even by the most learned investigation.
Bibliography.—The edition of J. A. Fabricius, Hippolyti opera graece et latine (2 vols., Hamburg, 1716-1718, reprinted in Gallandi, Bibliotheca veterum patrum (vol. ii., 1766), and Migne, Cursus patrol. ser. Graeca, vol. x.) is out of date. The preparation of a complete critical edition has been undertaken by the Prussian Academy of Sciences. The task is one of extraordinary difficulty, for the textual problems of the various writings are complex and confused: the Greek original is extant in a few cases only (the Commentary on Daniel, the Refutation, on Antichrist, parts of the Chronicle, and some fragments); for the rest we are dependent on fragments of translations, chiefly Slavonic, all of which are not even published. Of the Academy’s edition one volume was published at Berlin in 1897, containing the Commentaries on Daniel and on the Song of Songs, the treatise on Antichrist, and the Lesser Exegetical and Homiletic Works, edited by Nathanael Bonwetsch and Hans Achelis. The Commentary on the Song of Songs has also been published by Bonwetsch (Leipzig, 1902) in a German translation based on a Russian translation by N. Marr of the Grusian (Georgian) text, and he added to it (Leipzig, 1904) a translation of various small exegetical pieces, which are preserved in a Georgian version only (The Blessing of Jacob, The Blessing of Moses, The Narrative of David and Goliath). A great part of the original of the Chronicle has been published by Adolf Bauer (Leipzig, 1905) from the Codex Matritensis Graecus, 221. For the Refutation we are still dependent on the editions of Miller (Oxford, 1851), Duncker and Schneidewin (Göttingen, 1859), and Cruice (Paris, 1860). An English translation is to be found in the Ante-Nicene Christian Library (Edinburgh, 1868-1869).
See Bunsen, Hippolytus and his Age (1852, 2nd ed., 1854; Ger. ed., 1853); Döllinger, Hippolytus und Kallistus (Regensb. 1853; Eng. transl., Edinb., 1876); Gerhard Ficker, Studien zur Hippolytfrage (Leipzig, 1893); Hans Achelis, Hippolytstudien (Leipzig, 1897); Karl Johannes Neumann, Hippolytus von Rom in seiner Stellung zu Staat und Welt, part i. (Leipzig, 1902); Adhémar d’Alès, La Théologie de Saint Hippolyte (Paris, 1906).
(G. K.)