The peculiar conciliatory tendencies of Kabir were carried on with even greater zeal from the latter part of the 15th century by one of his followers, Nanak Shah, the promulgator of the creed of the Nanak Shahis or Sikhs—i.e. (Sanskr.) sishya, disciples, whose guru, or teacher, he called himself—a peaceful sect at first until, in consequence of Mahommedan persecution, a martial spirit was infused into it by the tenth, and last, guru, Govind Shah, changing it into a political organization. Whilst originally more akin in its principles to the Moslem faith, the sect seems latterly to have shown tendencies towards drifting back to the Hindu pale.
Of Ramananda’s disciples and successors several others, besides Kabir, have established schismatic divisions of their own, which do not, however, offer any very marked differences of creed. The most important of these, the Dadu Panthi sect, founded by Dadu about the year 1600, has a numerous following in Ajmir and Marwar, one section of whom, the Nagas, engage largely in military service, whilst the others are either householders or mendicants. The followers of this creed wear no distinctive sectarial mark or badge, except a skull-cap; nor do they worship any visible image of any deity, the repetition (japa) of the name of Rama being the only kind of adoration practised by them.
Although the Vaishnava sects hitherto noticed, in their adoration of Vishnu and his incarnations, Krishna and Ramachandra, usually associate with these gods their wives, as their saktis, or female energies, the sexual Eroticism and Krishna worship. element is, as a rule, only just allowed sufficient scope to enhance the emotional character of the rites of worship. In some of the later Vaishnava creeds, on the other hand, this element is far from being kept within the bounds of moderation and decency. The favourite object of adoration with adherents of these sects is Krishna with his mate—but not the devoted friend and counsellor of the Pandavas and deified hero of epic song, nor the ruler of Dvaraka and wedded lord of Rukmini, but the juvenile Krishna, Govinda or Bala Gopala, “the cowherd lad,” the foster son of the cowherd Nanda of Gokula, taken up with his amorous sports with the Gopis, or wives of the cowherds of Vrindavana (Brindaban, near Mathura on the Yamuna), especially his favourite mistress Radha or Radhika. This episode in the legendary life of Krishna has every appearance of being a later accretion. After barely a few allusions to it in the epics, it bursts forth full-blown in the Harivansa, the Vishnu-purana, the Narada-Pancharatra and the Bhagavata-purana, the tenth canto of which, dealing with the life of Krishna, has become, through vernacular versions, especially the Hindi Prem-sagar, or “ocean of love,” a favourite romance all over India, and has doubtless helped largely to popularize the cult of Krishna. Strange to say, however, no mention is as yet made by any of these works of Krishna’s favourite Radha; it is only in another Purana—though scarcely deserving that designation—that she makes her appearance, viz. in the Brahma-vaivarta, in which Krishna’s amours in Nanda’s cow-station are dwelt upon in fulsome and wearisome detail; whilst the poet Jayadeva, in the 12th century, made her love for the gay and inconstant boy the theme of his beautiful, if highly voluptuous, lyrical drama, Gita-govinda.
The earliest of the sects which associate Radha with Krishna in their worship is that of the Nimavats, founded by Nimbaditya or Nimbarka (i.e. “the sun of the Nimba tree”), a teacher of uncertain date, said to have been a Telugu Brahman who subsequently established himself at Mathura (Muttra) on the Yamuna, where the headquarters of his sect have remained ever since. The Mahant of their monastery at Dhruva Kshetra near Mathura, who claims direct descent from Nimbarka, is said to place the foundation of that establishment as far back as the 5th century—doubtless an exaggerated claim; but if Jayadeva, as is alleged, and seems by no means improbable, was really a follower of Nimbarka, this teacher must have flourished, at latest, in the early part of the 12th century. He is indeed taken by some authorities to be identical with the mathematician Bhaskara Acharya, who is known to have completed his chief work in A.D. 1150. It is worthy of remark, in this respect, that—in accordance with Ramanuja’s and Nimbarka’s philosophical theories—Jayadeva’s presentation of Krishna’s fickle love for Radha is usually interpreted in a mystical sense, as allegorically depicting the human soul’s striving, through love, for reunion with God, and its ultimate attainment, after many backslidings, of the longed-for goal. As the chief authority of their tenets, the Nimavats recognize the Bhagavata-purana; though several works, ascribed to Nimbarka—partly of a devotional character and partly expository of Vedanta topics—are still extant. Adherents of this sect are fairly numerous in northern India, their frontal mark consisting of the usual two perpendicular white lines, with, however, a circular black spot between them.
Of greater importance than the sect just noticed, because of their far larger following, are the two sects founded early in the 16th century by Vallabha (Ballabha) Acharya and Chaitanya. In the forms of worship favoured by votaries of these creeds the emotional and erotic elements are allowed yet freer scope than in those that preceded them; and, as an effective auxiliary to these tendencies, the use of the vernacular dialects in prayers and hymns of praise takes an important part in the religious service. The Vallabhacharis, or, as they are usually called, from the title of their spiritual heads, the Gokulastha Gosains, i.e. “the cow-lords (gosvamin) residing in Gokula,” are very numerous in western and central India. Vallabha, the son of a Telinga Brahman, after extensive journeyings all over India, settled at Gokula near Mathura, and set up a shrine with an image of Krishna Gopala. About the year 1673, in consequence of the fanatical persecutions of the Mogul emperor, this image was transferred to Nathdvara in Udaipur (Mewar), where the shrine of Srinatha (“the lord of Sri,” i.e. Vishnu) continues to be the chief centre of worship for adherents of this creed; whilst seven other images, transferred from Mathura at the same time, are located at different places in Rajputana. Vallabha himself went subsequently to reside at Benares, where he died. In the doctrine of this Vaishnava prophet, the adualistic theory of Sankara is resorted to as justifying a joyful and voluptuous cult of the deity. For, if the human soul is identical with God, the practice of austerities must be discarded as directed against God, and it is rather by a free indulgence of the natural appetites and the pleasures of life that man’s love for God will best be shown. The followers of his creed, amongst whom there are many wealthy merchants and bankers, direct their worship chiefly to Gopal Lal, the boyish Krishna of Vrindavana, whose image is sedulously attended like a revered living person eight times a day—from its early rising from its couch up to its retiring to repose at night. The sectarial mark of the adherents consists of two red perpendicular lines, meeting in a semicircle at the root of the nose, and having a round red spot painted between them. Their principal doctrinal authority is the Bhagavata-purana, as commented upon by Vallabha himself, who was also the author of several other Sanskrit works highly esteemed by his followers. In this sect, children are solemnly admitted to full membership at the early age of four, and even two, years of age, when a rosary, or necklace, of 108 beads of basil (tulsi) wood is passed round their necks, and they are taught the use of the octo-syllabic formula Sri-Krishnah saranam mama, “Holy Krishna is my refuge.” Another special feature of this sect is that their spiritual heads, the Gosains, also called Maharajas, so far from submitting themselves to self-discipline and austere practices, adorn themselves in splendid garments, and allow themselves to be habitually regaled by their adherents with choice kinds of food; and being regarded as the living representatives of the “lord of the Gopis” himself, they claim and receive in their own persons all acts of attachment and worship due to the deity, even, it is alleged, to the extent of complete self-surrender. In the final judgment of the famous libel case of the Bombay Maharajas, before the Supreme Court of Bombay, in January 1862, these improprieties were severely commented upon; and though so unsparing a critic of Indian sects as Jogendra Nath seems not to believe in actual immoral practices on the part of the Maharajas, still he admits that “the corrupting influence of a religion, that can make its female votaries address amorous songs to their spiritual guides, must be very great.”
A modern offshoot of Vallabha’s creed, formed with the avowed object of purging it of its objectionable features, was started, in the early years of the 19th century, by Sahajananda, a Brahman of the Oudh country, who subsequently assumed the name of Svami Narayana. Having entered on his missionary labours at Ahmadabad, and afterwards removed to Jetalpur, where he had a meeting with Bishop Heber, he subsequently settled at the village of Wartal, to the north-west of Baroda, and erected a temple to Lakshmi-Narayana, which, with another at Ahmadabad, forms the two chief centres of the sect, each being presided over by a Maharaja. Their worship is addressed to Narayana, i.e. Vishnu, as the Supreme Being, together with Lakshmi, as well as to Krishna and Radha. The sect is said to be gaining ground in Gujarat. Chaitanya, the founder of the great Vaishnava sect of Bengal, was the son of a high-caste Brahman of Nadiya, the famous Bengal seat of Sanskrit learning, where he was born in 1485, two years after the birth of Martin Luther, the German reformer. Having married in due time, and a second time after the death of his first wife, he lived as a “householder” (grihastha) till the age of 24, when he renounced his family ties and set out as a religious mendicant (vairagin), visiting during the next six years the principal places of pilgrimage in northern India, and preaching with remarkable success his doctrine of Bhakti, or passionate devotion to Krishna, as the Supreme Deity. He subsequently made over to his principal disciples the task of consolidating his community, and passed the last twelve years of his life at Puri in Orissa, the great centre of the worship of Vishnu as Jagannatha, or “lord of the world,” which he remodelled in accordance with his doctrine, causing the mystic songs of Jayadeva to be recited before the images in the morning and evening as part of the daily service; and, in fact, as in the other Vaishnava creeds, seeking to humanize divine adoration by bringing it into accord with the experience of human love. To this end, music, dancing, singing-parties (sankirtan), theatricals—in short anything calculated to produce the desired impression—would prove welcome to him. His doctrine of Bhakti distinguishes five grades of devotional feeling in the Bhaktas, or faithful adherents: viz. (santi) calm contemplation of the deity; (dasya) active servitude; (sakhya) friendship or personal regard; (vatsalya) tender affection as between parents and children; (madhurya) love or passionate attachment, like that which the Gopis felt for Krishna. Chaitanya also seems to have done much to promote the celebration on an imposing scale of the great Puri festival of the Ratha-yatra, or “car-procession,” in the month of Ashadha, when, amidst multitudes of pilgrims, the image of Krishna, together with those of his brother Balarama and his sister Subhadra, is drawn along, in a huge car, by the devotees. Just as this festival was, and continues to be, attended by people from all parts of India, without distinction of caste or sex, so also were all classes, even Mahommedans, admitted by Chaitanya as members of his sect. Whilst numerous observances are recommended as more or less meritorious, the ordinary form of worship is a very simple one, consisting as it does mainly of the constant repetition of names of Krishna, or Krishna and Radha, which of itself is considered sufficient to ensure future bliss. The partaking of flesh food and spirituous liquor is strictly prohibited. By the followers of this sect, also, an extravagant degree of reverence is habitually paid to their gurus or spiritual heads. Indeed, Chaitanya himself, as well as his immediate disciples, have come to be regarded as complete or partial incarnations of the deity to whom adoration is due, as to Krishna himself; and their modern successors, the Gosains, share to the fullest extent in the devout attentions of the worshippers. Chaitanya’s movement, being chiefly directed against the vile practices of the Saktas, then very prevalent in Bengal, was doubtless prompted by the best and purest of intentions; but his own doctrine of divine, though all too human, love was, like that of Vallabha, by no means free from corruptive tendencies,—yet, how far these tendencies have worked their way, who would say? On this point, Dr W. W. Hunter—who is of opinion that “the death of the reformer marks the beginning of the spiritual decline of Vishnu-worship,” observes (Orissa, i. 111), “The most deplorable corruption of Vishnu-worship at the present day is that which has covered the temple walls with indecent sculptures, and filled its innermost sanctuaries with licentious rites” ... yet ... “it is difficult for a person not a Hindu to pronounce upon the real extent of the evil. None but a Hindu can enter any of the larger temples, and none but a Hindu priest really knows the truth about their inner mysteries”; whilst the well-known native scholar Babu Rajendralal Mitra points out (Antiquities of Orissa, i. 111) that “such as they are, these sculptures date from centuries before the birth of Chaitanya, and cannot, therefore, be attributed to his doctrines or to his followers. As a Hindu by birth, and a Vaishnava by family religion, I have had the freest access to the innermost sanctuaries and to the most secret of scriptures. I have studied the subject most extensively, and have had opportunities of judging which no European can have, and I have no hesitation in saying that, ‘the mystic songs’ of Jayadeva and the ‘ocean of love’ notwithstanding, there is nothing in the rituals of Jagannatha which can be called licentious.” Whilst in Chaitanya’s creed, Krishna, in his relations to Radha, remains at least theoretically the chief partner, an almost inevitable step was taken by some minor sects in attaching the greater importance to the female element, and making Krishna’s love for his mistress the guiding sentiment of their faith. Of these sects, it will suffice to mention that of the Radha-Vallabhis, started in the latter part of the 16th century, who worship Krishna as Radha-vallabha, “the darling of Radha.” The doctrines and practices of these sects clearly verge upon those obtaining in the third principal division of Indian sectarians which will now be considered.
The Saktas, as we have seen, are worshippers of the sakti, or the female principle as a primary factor in the creation and reproduction of the universe. And as each of the principal gods is supposed to have associated with him his own Saktas particular sakti, as an indispensable complement enabling him to properly perform his cosmic functions, adherents of this persuasion might be expected to be recruited from all sects. To a certain extent this is indeed the case; but though Vaishnavism, and especially the Krishna creed, with its luxuriant growth of erotic legends, might have seemed peculiarly favourable to a development in this direction, it is practically only in connexion with the Saiva system that an independent cult of the female principle has been developed; whilst in other sects—and, indeed, in the ordinary Saiva cult as well—such worship, even where it is at all prominent, is combined with, and subordinated to, that of the male principle. What has made this cult attach itself more especially to the Saiva creed is doubtless the character of Siva as the type of reproductive power, in addition to his function as destroyer which, as we shall see, is likewise reflected in some of the forms of his Sakti. The theory of the god and his Sakti as cosmic principles is perhaps already foreshadowed in the Vedic couple of Heaven and Earth, whilst in the speculative treatises of the later Vedic period, as well as in the post-Vedic Brahmanical writings, the assumption of the self-existent being dividing himself into a male and a female half usually forms the starting-point of cosmic evolution.[7] In the later Saiva mythology this theory finds its artistic representation in Siva’s androgynous form of Ardha-narisa, or “half-woman-lord,” typifying the union of the male and female energies; the male half in this form of the deity occupying the right-hand, and the female the left-hand side. In accordance with this type of productive energy, the Saktas divide themselves into two distinct groups, according to whether they attach the greater importance to the male or to the female principle; viz. the Dakshinacharis, or “right-hand-observers” (also called Dak-shina-margis, or followers “of the right-hand path”), and the Vamacharis, or “left-hand-observers” (or Vama-margis, followers “of the left path”). Though some of the Puranas, the chief repositories of sectarian doctrines, enter largely into Sakta topics, it is only in the numerous Tantras that these are fully and systematically developed. In these works, almost invariably composed in the form of a colloquy, Siva, as a rule, in answer to questions asked by his consort Parvati, unfolds the mysteries of this occult creed.
The principal seat of Sakta worship is the north-eastern part of India—Bengal, Assam and Behar. The great majority of its adherents profess to follow the right-hand practice; and apart from the implied purport and the emblems of the cult, their mode of adoration does not seem to offer any very objectionable features. And even amongst the adherents of the left-hand mode of worship, many of these are said to follow it as a matter of family tradition rather than of religious conviction, and to practise it in a sober and temperate manner; whilst only an extreme section—the so-called Kaulas or Kulinas, who appeal to a spurious Upanishad, the Kaulopanishad, as the divine authority of their tenets—persist in carrying on the mystic and licentious rites taught in many of the Tantras. But strict secrecy being enjoined in the performance of these rites, it is not easy to check any statements made on this point. The Sakta cult is, however, known to be especially prevalent—though apparently not in a very extreme form—amongst members of the very respectable Kayastha or writer caste of Bengal, and as these are largely employed as clerks and accountants in Upper India, there is reason to fear that their vicious practices are gradually being disseminated through them.
The divine object of the adoration of the Saktas, then, is Siva’s wife—the Devi (goddess), Mahadevi (great goddess), or Jagan-mata (mother of the world)—in one or other of her numerous forms, benign or terrible. The forms in which she is worshipped in Bengal are of the latter category, viz. Durga, “the unapproachable,” and Kali, “the black one,” or, as some take it, the wife of Kala, “time,” or death the great dissolver, viz. Siva. In honour of the former, the Durga-puja is celebrated during ten days at the time of the autumnal equinox, in commemoration of her victory over the buffalo-headed demon Mahishasura; when the image of the ten-armed goddess, holding a weapon in each hand, is worshipped for nine days, and cast into the water on the tenth day, called the Dasahara, whence the festival itself is commonly called Dasara in western India. Kali, on the other hand, the most terrible of the goddess’s forms, has a special service performed to her, at the Kali-puja, during the darkest night of the succeeding month; when she is represented as a naked black woman, four-armed, wearing a garland of heads of giants slain by her, and a string of skulls round her neck, dancing on the breast of her husband (Mahakala), with gaping mouth and protruding tongue; and when she has to be propitiated by the slaughter of goats, sheep and buffaloes. On other occasions also Vamacharis commonly offer animal sacrifices, usually one or more kids; the head of the victim, which has to be severed by a single stroke, being always placed in front of the image of the goddess as a blood-offering (bali), with an earthen lamp fed with ghee burning above it, whilst the flesh is cooked and served to the guests attending the ceremony, except that of buffaloes, which is given to the low-caste musicians who perform during the service. Even some adherents of this class have, however, discontinued animal sacrifices, and use certain kinds of fruit, such as coco-nuts or pumpkins, instead. The use of wine, which at one time was very common on these occasions, seems also to have become much more restricted; and only members of the extreme section would still seem to adhere to the practice of the so-called five m’s prescribed by some of the Tantras, viz. mamsa (flesh), matsya (fish), madya (wine), maithuna (sexual union), and mudra (mystical finger signs)—probably the most degrading cult ever practised under the pretext of religious worship.
In connexion with the principal object of this cult, Tantric theory has devised an elaborate system of female figures representing either special forms and personifications or attendants of the “Great Goddess.” They are generally arranged in groups, the most important of which are the Mahavidyas (great sciences), the 8 (or 9) Mataras (mothers) or Mahamataras (great mothers), consisting of the wives of the principal gods; the 8 Nayikas or mistresses; and different classes of sorceresses and ogresses, called Yoginis, Dakinis and Sakinis. A special feature of the Sakti cult is the use of obscure Vedic mantras, often changed so as to be quite meaningless and on that very account deemed the more efficacious for the acquisition of superhuman powers; as well as of mystic letters and syllables called bija (germ), of magic circles (chakra) and diagrams (yantra), and of amulets of various materials inscribed with formulae of fancied mysterious import.