HOE, RICHARD MARCH (1812-1886), American inventor, was born in New York City on the 12th of September 1812. He was the son of Robert Hoe (1784-1833), an English-born American mechanic, who with his brothers-in-law, Peter and Matthew Smith, established in New York City a manufactory of printing presses, and used steam to run his machinery. Richard entered his father’s manufactory at the age of fifteen and became head of the firm (Robert Hoe & Company) on his father’s death. He had considerable inventive genius and set himself to secure greater speed for printing presses. He discarded the old flat-bed model and placed the type on a revolving cylinder, a model later developed into the well-known Hoe rotary or “lightning” press, patented in 1846, and further improved under the name of the Hoe web perfecting press (see [Printing]). He died in Florence, Italy, on the 7th of June 1886.

See A Short History of the Printing Press (New York, 1902) by his nephew Robert Hoe (1839-1909), who was responsible for further improvements in printing, and was an indefatigable worker in support of the New York Metropolitan Museum.


HOE (through Fr. houe from O.H.G. houwâ, mod. Ger. Haue; the root is seen in “hew,” to cut, cleave; the word must be distinguished from “hoe,” promontory, tongue of land, seen in place names, e.g. Morthoe, Luton Hoo, the Hoe at Plymouth, &c.; this is the same as Northern English “heugh” and is connected with “hang”), an agricultural and gardening implement used for extirpating weeds, for stirring the surface-soil in order to break the capillary channels and so prevent the evaporation of moisture, for singling out turnips and other root-crops and similar purposes. Among common forms of hoe are the ordinary garden-hoe (numbered 1 in fig. 1), which consists of a flat blade set transversely in a long wooden handle; the Dutch or thrust-hoe (2), which has the blade set into the handle after the fashion of a spade; and the swan-neck hoe (3), the best manual hoe for agricultural purposes, which has a long curved neck to attach the blade to the handle; the soil falls back over this, blocking is thus avoided and a longer stroke obtained. Several types of horse-drawn hoe capable of working one or more rows at a time are used among root and grain crops. The illustrations show two forms of the implement, the blades of which differ in shape from those of the garden-hoe. Fig. 2 is in ordinary use for hoeing between two lines of beans or turnips or other “roots.” Fig. 3 is adapted for the narrow rows of grain crops and is also convertible into a root-hoe. In the lever-hoe, which is largely used in grain crops, the blades may be raised and lowered by means of a lever. The horse-drawn hoe is steered by means of handles in the rear, but its successful working depends on accurate drilling of the seed, because unless the rows are parallel the roots of the plants are liable to be cut and the foliage injured. Thus Jethro Tull (17th century), with whose name the beginning of the practice of horse-hoeing is principally connected, used the drill which he invented as an essential adjunct in the so-called “Horse-hoeing Husbandry” (see [Agriculture]).

Fig. 1.—Three Forms of Manual Hoe.
Fig. 2.—Martin’s One-Row Horse Hoe.
Fig. 3.—Martin’s General Purpose Steerage Horse Hoe.

HOEFNAGEL, JORIS (1545-1601), Dutch painter and engraver, the son of a diamond merchant, was born at Antwerp. He travelled abroad, making drawings from archaeological subjects, and was a pupil of Jan Bol at Mechlin. He was afterwards patronized by the elector of Bavaria at Munich, where he stayed eight years, and by the Emperor Rudolph at Prague. He died at Vienna in 1601. He is famous for his miniature work, especially on a missal in the imperial library at Vienna; he painted animals and plants to illustrate works on natural history; and his engravings (especially for Braun’s Civitates orbis terrarum, 1572, and Ortelius’s Theatrum orbis terrarum, 1570) give him an interesting place among early topographical draughtsmen.