[31] See Turbevile, op. cit., also J. du Fouilloux, La Vénerie (Paris, 1628), p. 70; cf. also editions of 1650 and of 1562, where the horn is called trompe, used with the verb corner; Juliana Bernes, Boke of St Albans (1496), the frontispiece of which is a hunting scene showing a horn of very wide bore, without bell. Only half the instrument is visible.
[32] See “Reliure italienne du xve siècle en argent niellé. Collection du Baron Nathaniel de Rothschild, Vienne,” in Gazette archéologique (Paris, 1880), xiii. p. 295, pl. 38, where other instruments are also represented.
[33] See Jost Amman, Wappen und Stammbuch (1589). A reprint in facsimile has been published by Georg Hirth as vol. iii. of Liebhaber Bibliothek (Munich, 1881). See arms of Sultzberger aus Tirol (p. 52), “Ein Jägerhörnlin,” and of the Herzog von Wirtenberg; cf. the latter with the arms of Wurthemberch in pl. xxii. vol. ii. of Gelre’s Wappenboek ou armorial de 1334 à 1372 (miniatures of coats of arms in facsimile), edited by Victor Bouton (Paris, 1883).
[34] For illustrations see autotype facsimile of Utrecht Psalter, 9th century; British Museum, Add. MS. 10,546, Ps. 150, 9th century; Add. MS. 24,199, 10th century; Eadwine Psalter, Trin. Coll. Camb., 11th century, and Cotton MS., Nero, D. IV., 8th century; also Edward Buhle, op. cit., pl. ii. and pp. 12-24.
[35] See John Carter, Specimens of Ancient Sculpture and Paintings (London, 1780-1794), i. p. 53 (plates unnumbered); also reproduced in H. Lavoix, Histoire de la musique (Paris, 1884).
[36] See Jost Amman, op. cit.
[37] Musica getutscht und ausgezogen (Basel, 1511), p. 30. The names are not given under the drawings, but the above is the order in which they occur, which is probably reversed.
[38] Harmonie universelle (Paris, 1636), p. 245.
[39] Syntagma Musicum (Wolfenbüttel, 1618), pl. vii. No. 11, p. 39.
[40] Historisch-biographisches Lexicon der Tonkünstler (Leipzig, 1790-1792 and 1812-1814).