In 1401 Dilawar Khān assumed independence in Malwa, of which Māndu became the capital, and his son Hoshang adorned it with important buildings. They are of a modified form of the Pathān style of the 14th century. Among them the finest is the great Jama Masjid, which was finished by Mahmūd Shāh I. in 1454. It covers a nearly square area, 290 ft. from east to west by 275 ft. from north to south, exclusive of the porch on the east, which projects about 56 ft. Inside, the court is an almost exact square, surrounded by arches on each side, standing on plain square piers 10 ft. high, each of a single block of red sandstone; behind these are triple arcades on the north and south, a double one on the east, and on the west the mosque, having three great domes on its west side. This court, in its simple grandeur and expression of power, may be regarded as one of the very best specimens of this style to be found in India. The tombs and palaces of Māndu, mostly much ruined, it would occupy too much space to describe. But here, as elsewhere, the available materials have exercised a marked influence upon the architecture; the prevalence of a red sandstone is emphasized in the piers of the Jama Masjid, more than 300 of them being each of a single block of this material; and for more decorative purposes marble, both white and coloured, was freely used to revet the walls and piers. The style is strictly arcuate, without admixture of the general trabeate structural methods followed by the native Hindus; and while at Jaunpur and Ahmedābād, at the same period, we find the strong influence of native methods copied in the Mahommedan architecture, at Māndu the builders clung steadily to the pointed arch style, without any attempt, however, at groining.
The capital of the Bengal kingdom was at Gaur, which had been the metropolis of a native kingdom probably since the 9th century. As the country is practically without stone, the Hindu buildings would be chiefly of brick, but pillars, images and details were of hard potstone or hornblende; and these would afford materials for the Moslem conquerors. The construction of large buildings of brick required heavy piers for the arches and thicker walls than those constructed of stone. Then such piers and walls, when enriched by a facing of moulded or glazed tiles, would appear still heavier; and sometimes for tiles a casing of carved stone was substituted. Hence this style is a purely local one with short, heavy pillars faced with stone and supporting pointed brick arches and vaults. The use of brick further forced the builders to employ an arched style of their own and a mode of roofing in which a curvilinear form was given to the eaves descending at the corners of the structures. This form spread later up through Hindustan as far as the Punjab.
The capital at one time was moved to Pandua, north of Gaur, and there was built (1358-1368) the great Ādina mosque, 500 ft. in length by 285 in depth containing a large court surrounded by a thick wall of brick. The roof was supported by 266 stone pillars and covered by 378 domes, all of one form. Such a design has little architectural merit, but its size and the richness of its details make it an interesting study, and the same character belongs to most of the works of the Bengal Moslem rulers.
The Bahmanī dynasty, founded in 1347, had its capital at Gulbarga till 1428, when it was moved to Bīdar. During this period the city was adorned with important buildings of which the most notable now remaining is the great mosque, one of the most striking in India. It measures over all 216 ft. from east to west by 176 from north to south. It differs from all the great mosques in India in having the whole central area covered over as in the great mosque at Cordova—what in others would be an open court being roofed by sixty-three small domes. The light is admitted through the side-walls, which are pierced by great arches on all sides except the west. The study is plain and substantial, with but little ornament. The tombs of the kings are massive square-domed buildings, with handsome stone tracery on their outer walls, and are elaborately finished inside. At Bīdar, mosques, palaces and tombs were also erected, but most of them have perished, the great mosque in the fort being the only one fairly entire. The ten tombs of the later Bahmanī kings, 5 m. from the city, are of like pattern with those of Gulbarga and of considerable splendour. They are not much ornamented, but are structurally good and impressive by their massive proportions.
Plate III.
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| Fig. 13.—KANĀRAK TEMPLE OF SŪRYA, OR BLACKPAGODA, FROM THE EAST. | Fig. 14.—TOMB OF MAHOMMED ADIL SHĀH,BIJAPUR. |
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| Fig. 15.—JAMA MASJID AT AHMEDĀBAD. | |
| From Photographs kindly lent by the India Office. | |
Plate IV.
| Photo, F. Frith & Co. |
| Fig. 16.—TOMB OF PRINCE ITIMAD-UD-DAULA, AGRA. |
| Photo, Johnston & Hoffmann. |
| Fig. 17.—THE TAJ MAHAL, AGRA. |
Of the various forms which the Moslem architecture assumed, “that of Ahmedābād,” Fergusson has justly remarked, “may probably be considered as the most elegant, as it certainly is the most characteristic of all. No other form is so essentially Indian, and no one tells its tale with the same unmistakable distinctness.” Under the Mahommedan rule the Hindu architects employed introduced forms and ornaments into the works they constructed for their rulers, superior in elegance to any the latter knew or could have invented. Hence there arose a style combining all the beauty and finish of the previous native art with a certain magnificence of conception which is deficient in their own works. The elevations of the mosques have usually been studiously arranged with a view to express at once the structural arrangements, and to avoid monotony of outline by the varied elevation of each division. The central portion of the façade was raised by a storey over the roof of the wings, and to the front of this was attached the minarets, in the earliest mosques forming only small turrets over the façade, but soon after they became richly carved towers of considerable height. The upper storey formed a gallery under the central dome which was supported on pillars connected by open stone trellis work, admitting a subdued light, and providing perfect ventilation (see Plate III. fig. 15). At first the façades were pierced by arched entrances, but at a later date a screen of columns formed an open front and the minarets were removed to the corners, no longer for the mu’azzin, but simply as architectural ornaments.
The tombs were pillared pavilions of varying dimensions, the central area over the grave covered by a dome standing on twelve pillars. These pillars connected by screens of stone trellis work carved in ever-varying patterns, and round this there might be a verandah with twenty pillars in the periphery, or a double aisle with thirty-two in the outer square. And as these were irregularly spaced in order to allow the inner twelve to support the lintels of a regular octagon for the dome, the monotony of equal spacing was avoided. For further details and examples of this style, however, we must refer the reader to the published volumes of the archaeological survey of Western India relating to Ahmedābād and Gujarat.