JACOB OF SĔRŪGH, one of the best Syriac authors, named by one of his biographers “the flute of the Holy Spirit and the harp of the believing church,” was born in 451 at Kurtam, a village on the Euphrates to the west of Ḥarrān, and was probably educated at Edessa. At an early age he attracted the attention of his countrymen by his piety and his literary gifts, and entered on the composition of the long series of metrical homilies on religious themes which formed the great work of his life. Having been ordained to the priesthood, he became periodeutes or episcopal visitor of Ḥaurā, in Sĕrūgh, not far from his birthplace. His tenure of this office extended over a time of great trouble to the Christian population of Mesopotamia, due to the fierce war carried on by Kavadh II. of Persia within the Roman borders. When on the 10th of January 503 Amid was captured by the Persians after a three months’ siege and all its citizens put to the sword or carried captive, a panic seized the whole district, and the Christian inhabitants of many neighbouring cities planned to leave their homes and flee to the west of the Euphrates. They were recalled to a more courageous frame of mind by the letters of Jacob.[1] In 519, at the age of 68, Jacob was made bishop of Baṭnān, another town in the district of Sĕrūgh, but only lived till November 521.

From the various extant accounts of Jacob’s life and from the number of his known works, we gather that his literary activity was unceasing. According to Barhebraeus (Chron. Eccles. i. 191) he employed 70 amanuenses and wrote in all 760 metrical homilies, besides expositions, letters and hymns of different sorts. Of his merits as a writer and poet we are now well able to judge from P. Bedjan’s excellent edition of selected metrical homilies, of which four volumes have already appeared (Paris 1905-1908), containing 146 pieces.[2] They are written throughout in dodecasyllabic metre, and those published deal mainly with biblical themes, though there are also poems on such subjects as the deaths of Christian martyrs, the fall of the idols, the council of Nicaea, &c.[3] Of Jacob’s prose works, which are not nearly so numerous, the most interesting are his letters, which throw light upon some of the events of his time and reveal his attachment to the Monophysite doctrine which was then struggling for supremacy in the Syrian churches, and particularly at Edessa, over the opposite teaching of Nestorius.[4]

(N. M.)


[1] See the contemporary Chronicle called that of Joshua the Stylite, chap. 54.

[2] Assemani (Bibl. Orient. i. 305-339) enumerates 231 which he had seen in MSS.

[3] Some other historical poems M. Bedjan has not seen fit to publish, on account of their unreliable and legendary character (vol. i. p. ix. of preface).

[4] A full list of the older editions of works by Jacob is given by Wright in Short History of Syriac Literature, pp. 68-72.

JACOBA, or Jacqueline (1401-1436), countess of Holland, was the only daughter and heiress of William, duke of Bavaria and count of Holland, Zeeland and Hainaut. She was married as a child to John, duke of Touraine, second son of Charles VI., king of France, who on the death of his elder brother Louis became dauphin. John of Touraine died in April 1417, and two months afterwards Jacoba lost her father. Acknowledged as sovereign in Holland and Zeeland, Jacoba was opposed by her uncle John of Bavaria, bishop of Liége. She had the support of the Hook faction in Holland. Meanwhile she had been married in 1418 by her uncle, John the Fearless, duke of Burgundy, to her cousin John IV., duke of Brabant. By the mediation of John the Fearless, a treaty of partition was concluded in 1419 between Jacoba and John of Bavaria; but it was merely a truce, and the contest between uncle and niece soon began again and continued with varying success. In 1420 Jacoba fled to England; and there, declaring that her marriage with John of Brabant was illegal, she contracted a marriage with Humphrey, duke of Gloucester, in 1422. Two years later Jacoba, with Humphrey, invaded Holland, where she was now opposed by her former husband, John of Brabant, John of Bavaria having died of poison. In 1425 Humphrey deserted his wife, who found herself obliged to seek refuge with her cousin, Philip V., duke of Burgundy, to whom she had to submit, and she was imprisoned in the castle of Ghent. John of Brabant now mortgaged the two counties of Holland and Zeeland to Philip, who assumed their protectorate. Jacoba, however, escaped from prison in disguise, and for three years struggled gallantly to maintain herself in Holland against the united efforts of Philip of Burgundy and John of Brabant, and met at first with success. The death of the weak John of Brabant (April 1427) freed the countess from her quondam husband; but nevertheless the pope pronounced Jacoba’s marriage with Humphrey illegal, and Philip, putting out his full strength, broke down all opposition. By a treaty, made in July 1428, Jacoba was left nominally countess, but Philip was to administer the government of Holland, Zeeland and Hainaut, and was declared heir in case Jacoba should die without children. Two years later Philip mortgaged Holland and Zeeland to the Borselen family, of which Francis, lord of Borselen, was the head. Jacoba now made her last effort. In 1432 she secretly married Francis of Borselen, and endeavoured to foment a rising in Holland against the Burgundian rule. Philip invaded the country, however, and threw Borselen into prison. Only on condition that Jacoba abdicated her three countships in his favour would he allow her liberty and recognize her marriage with Borselen. She submitted in April 1432, retained her title of duchess in Bavaria, and lived on her husband’s estates in retirement. She died on the 9th of October 1436, leaving no children.