[1] In the act of ennoblement the name is spelt Day, due probably to the peculiar pronunciation. It has been disputed whether the name was written originally d’Arc or Darc. It is beyond doubt that the father of Joan was not of noble origin, but Bouteiller suggests that at that period the apostrophe did not indicate nobility. Her mother, it may be noted, is called “de Vouthon.”
[2] The Porte St Honoré where Joan was wounded stood where the Comédie Française now stands.
JOANES (or Juanes), VICENTE (1506-1579), head of the Valencian school of painters, and often called “the Spanish Raphael,” was born at Fuente de la Higuera in the province of Valencia in 1506. He is said to have studied his art for some time in Rome, with which school his affinities are closest, but the greater part of his professional life was spent in the city of Valencia, where most of the extant examples of his work are now to be found. All relate to religious subjects, and are characterized by dignity of conception, accuracy of drawing, truth and beauty of colour, and minuteness of finish. He died at Bocairente (near Jativa) while engaged upon an altarpiece in the church there, on the 21st of December 1579.
JOANNA (1479-1555), called the Mad (la Loca), queen of Castile and mother of the emperor Charles V., was the second daughter of Ferdinand and Isabella, king and queen of Spain, and was born at Toledo on the 6th of November 1479. Her youngest sister was Catherine of Aragon, the first wife of Henry VIII. In 1496 at Lille she was married to the archduke Philip the Handsome, son of the German King Maximilian I., and at Ghent, in February 1500, she gave birth to the future emperor. The death of her only brother John, of her eldest sister Isabella, queen of Portugal, and then of the latter’s infant son Miguel, made Joanna heiress of the Spanish kingdoms, and in 1502 the cortes of Castile and of Aragon recognized her and her husband as their future sovereigns. Soon after this Joanna’s reason began to give way. She mourned in an extravagant fashion for her absent husband, whom at length she joined in Flanders; in this country her passionate jealousy, although justified by Philip’s conduct, led to deplorable scenes. In November 1504 her mother’s death left Joanna queen of Castile, but as she was obviously incapable of ruling, the duties of government were undertaken by her father, and then for a short time by her husband. The queen was with Philip when he was wrecked on the English coast and became the guest of Henry VII. at Windsor; soon after this event, in September 1506, he died and Joanna’s mind became completely deranged, it being almost impossible to get her away from the dead body of her husband. The remaining years of her miserable existence were spent at Tordesillas, where she died on the 11th of April 1555. In spite of her afflictions the queen was sought in marriage by Henry VII. just before his death. Nominally Joanna remained queen of Castile until her death, her name being joined with that of Charles in all public documents, but of necessity she took no part in the business of state. In addition to Charles she had a son Ferdinand, afterwards the emperor Ferdinand I., and four daughters, among them being Maria (1505-1558), wife of Louis II., king of Hungary, afterwards governor-general of the Netherlands.
See R. Villa, La Reina doña Juana la Loca (Madrid, 1892); Rösler, Johanna die Wahnsinnige (Vienna, 1890); W. H. Prescott, Hist. of Ferdinand and Isabella (1854); and H. Tighe, A Queen of Unrest (1907).
JOANNA I. (c. 1327-1382), queen of Naples, was the daughter of Charles duke of Calabria (d. 1328), and became sovereign of Naples in succession to her grandfather King Robert in 1343. Her first husband was Andrew, son of Charles Robert, king of Hungary, who like the queen herself was a member of the house of Anjou. In 1345 Andrew was assassinated at Aversa, possibly with his wife’s connivance, and at once Joanna married Louis, son of Philip prince of Taranto. King Louis of Hungary then came to Naples to avenge his brother’s death, and the queen took refuge in Provence—which came under her rule at the same time as Naples—purchasing pardon from Pope Clement VI. by selling to him the town of Avignon, then part of her dominions. Having returned to Naples in 1352 after the departure of Louis, Joanna lost her second husband in 1362, and married James, king of Majorca (d. 1375), and later Otto of Brunswick, prince of Taranto. The queen had no sons, and as both her daughters were dead she made Louis I. duke of Anjou, brother of Charles V. of France, her heir. This proceeding so angered Charles, duke of Durazzo, who regarded himself as the future king of Naples, that he seized the city. Joanna was captured and was put to death at Aversa on the 22nd of May 1382. The queen was a woman of intellectual tastes, and was acquainted with some of the poets and scholars of her time, including Petrarch and Boccaccio.
See Crivelli, Della prima e della seconda Giovanna, regine di Napoli (1832); G. Battaglia, Giovanna I., regina di Napoli (1835); W. St C. Baddeley, Queen Joanna I. of Naples (1893); Scarpetta, Giovanna I. di Napoli (1903); and Francesca M. Steele, The Beautiful Queen Joanna I. of Naples (1910).