Jutland is well served by railways. Two lines cross the frontier from Germany on the east and west respectively and run northward near the coasts. The eastern touches the ports of Kolding, Fredericia, Vejle, Horsens, Aarhus, Randers, Aalborg on Limfjord, Frederikshavn and Skagen. On the west the only port of first importance is Esbjerg. The line runs past Skjerne, Ringkjöbing, Vemb and Holstebro to Thisted. Both throw off many branches and are connected by lines east and west between Kolding and Esbjerg, Skanderborg and Skjerne, Langaa and Struer on Limfjord via Viborg. Of purely inland towns only Viborg in the midland and Hjörring in the extreme north are of importance.
JUTURNA (older form Diuturna, the lasting), an old Latin divinity, a personification of the never-failing springs. Her original home was on the river Numicius near Lavinium, where there was a spring called after her, supposed to possess healing qualities (whence the old Roman derivation from juvare, to help). Her worship was early transferred to Rome, localized by the Lacus Juturnae near the temple of Vesta, at which Castor and Pollux, after announcing the victory of lake Regillus, were said to have washed the sweat from their horses. At the end of the First Punic War Lutatius Catulus erected a temple in her honour on the Campus Martius, subsequently restored by Augustus. Juturna was associated with two festivals: the Juturnalia on the 11th of January, probably a dedication festival of a temple built by Augustus, and celebrated by the college of the fontani, workmen employed in the construction and maintenance of aqueducts and fountains; and the Volcanalia on the 23rd of August, at which sacrifice was offered to Volcanus, the Nymphs and Juturna, as protectors against outbreaks of fire. In Virgil, Juturna appears as the sister of Turnus (probably owing to the partial similarity of the names), on whom Jupiter, to console her for the loss of her chastity, bestowed immortality and the control of all the lakes and rivers of Latium. For the statement that she was the wife of Janus and mother of Fontus (or Fons), the god of fountains, Arnobius (Adv. gentes iii. 29) is alone responsible.
See Virgil, Aeneid, xii. 139 and Servius ad loc.; Ovid, Fasti, ii. 583-616; Valerius Maximus, i. 8. 1; L. Deubner, “Juturna und die Ausgrabungen auf dem römischen Forum,” in Neue Jahrb. f. das klassische Altertum (1902), p. 370.
JUVENAL (Decimus Junius Juvenalis) (c. 60-140), Roman poet and satirist, was born at Aquinum. Brief accounts of his life, varying considerably in details, are prefixed to different MSS. of the works. But their common original cannot be traced to any competent authority, and some of their statements are intrinsically improbable. According to the version which appears to be the earliest:—
“Juvenal was the son or ward of a wealthy freedman; he practised declamation till middle age, not as a professional teacher, but as an amateur, and made his first essay in satire by writing the lines on Paris, the actor and favourite of Domitian, now found in the seventh satire (lines 90 seq.). Encouraged by their success, he devoted himself diligently to this kind of composition, but refrained for a long time from either publicly reciting or publishing his verses. When at last he did come before the public, his recitations were attended by great crowds and received with the utmost favour. But the lines originally written on Paris, having been inserted in one of his new satires, excited the jealous anger of an actor of the time, who was a favourite of the emperor, and procured the poet’s banishment under the form of a military appointment to the extremity of Egypt. Being then eighty years of age, he died shortly afterwards of grief and vexation.”
Some of these statements are so much in consonance with the indirect evidence afforded by the satires that they may be a series of conjectures based upon them. The rare passages in which the poet speaks of his own position, as in satires xi. and xiii., indicate that he was in comfortable but moderate circumstances. We should infer also that he was not dependent on any professional occupation, and that he was separated in social station, and probably too by tastes and manners, from the higher class to which Tacitus and Pliny belonged, as he was by character from the new men who rose to wealth by servility under the empire. Juvenal is no organ of the pride and dignity, still less of the urbanity, of the cultivated representatives of the great families of the republic. He is the champion of the more sober virtues and ideas, and perhaps the organ of the rancours and detraction, of an educated but depressed and embittered middle class. He lets us know that he has no leanings to philosophy (xiii. 121) and pours contempt on the serious epic writing of the day (i. 162). The statement that he was a trained and practised declaimer is confirmed both by his own words (i. 16) and by the rhetorical mould in which his thoughts and illustrations are cast. The allusions which fix the dates when his satires first appeared, and the large experience of life which they imply, agree with the statement that he did not come before the world as a professed satirist till after middle age.
The statement that he continued to write satires long before he gave them to the world accords well with the nature of their contents and the elaborate character of their composition, and might almost be inferred from the emphatic but yet guarded statement of Quintilian in his short summary of Roman literature. After speaking of the merits of Lucilius, Horace and Persius as satirists, he adds, “There are, too, in our own day, distinguished writers of satire whose names will be heard of hereafter” (Inst. Or. x. 1, 94). There is no Roman writer of satire who could be mentioned along with those others by so judicious a critic, except Juvenal. The motive which a writer of satire must have had for secrecy under Domitian is sufficiently obvious; and the necessity of concealment and self-suppression thus imposed upon the writer may have permanently affected his whole manner of composition.