Whole double-tonguing
(Ganze Doppel-Zungen)
Double cross-beat[2]
(Doppel Kreuzschläge)
The roll
(Wirbel)
The double roll
(Doppel Wirbel)
It is generally stated that Beethoven was the first to treat the kettledrum as a solo instrument, but in Dido, an opera by C. Graupner performed at the Hamburg Opera House in 1707, there is a short solo for the kettledrum.[3]