KOVROV, a town of Russia, in the government of Vladimir, 40 m. N.E. of the city of Vladimir by the railway from Moscow to Nizhniy-Novgorod, and on the Klyazma River. It has railway-carriage works, cotton mills, steam flour mills, tallow works and quarries of limestone, and carries on an active trade in the export of wooden wares and in the import of grain, salt and fish, brought from the Volga governments. Pop. (1890), 6600; (1900), 16,806.
KOWTOW, or Kotou, the Chinese ceremonial act of prostration as a sign of homage, submission, or worship. The word is formed from ko, knock, and tou, head. To the emperor, the “kowtow” is performed by kneeling three times, each act accompanied by touching the ground with the forehead.
KOZLOV, a town of Russia, in the government of Tambov, on the Lyesnoi Voronezh River, 45 m. W.N.W. of the city of Tambov by rail. Pop. (1900), 41,555. Kozlov had its origin in a small monastery, founded in the forest in 1627; nine years later, an earthwork was raised close by, for the protection of the Russian frontier against the Tatars. Situated in a very fertile country, on the highway to Astrakhan and at the head of water communication with the Don, the town soon became a centre of trade; as the junction of the railways leading to the Sea of Azov, to Tsaritsyn on the lower Volga, to Saratov and to Orel, its importance has recently been still further increased. Its export of cattle, grain, meat, eggs (22,000,000), tallow, hides, &c., is steadily growing, and it possesses factories, flour mills, tallow works, distilleries, tanneries and glue works.
KRAAL, also spelt craal, kraul, &c. (South African Dutch, derived possibly from a native African word, but probably from the Spanish corral, Portuguese curral, an enclosure for horses, cattle and the like), in South and Central Africa, a native village surrounded by a palisade, mud wall or other fencing roughly circular in form; by transference, the community living within the enclosure. Folds for animals and enclosures made specially for defensive purposes are also called kraals.
KRAFFT (or Kraft), ADAM (c. 1455-1507), German sculptor, of the Nuremberg school, was born, probably at Nuremberg, about the middle of the 15th century, and died, some say in the hospital, at Schwabach, about 1507. He seems to have emerged as sculptor about 1490, the date of the seven reliefs of scenes from the life of Christ, which, like almost every other specimen of his work, are at Nuremberg. The date of his last work, an Entombment, with fifteen life-size figures, in the Holzschuher chapel of the St John’s cemetery, is 1507. Besides these, Krafft’s chief works are several monumental reliefs in the various churches of Nuremberg; he produced the great Schreyer monument (1492) for St Sebald’s at Nuremberg, a skilful though mannered piece of sculpture opposite the Rathaus, with realistic figures in the costume of the time, carved in a way more suited to wood than stone, and too pictorial in effect; Christ bearing the Cross, above the altar of the same church; and various works made for public and private buildings, as the relief over the door of the Wagehaus, a St George and the Dragon, several Madonnas, and some purely decorative pieces, as coats of arms. His masterpiece is perhaps the magnificent tabernacle, 62 ft. high, in the church of St Laurence (1493-1500). He also made the great tabernacle for the Host, 80 ft. high, covered with statuettes, in Ulm Cathedral, and the very spirited “Stations of the Cross” on the road to the Nuremberg cemetery.
See Adam Krafft und seine Schule, by Friedrich Wanderer (1869); Adam Krafft und die Künstler seiner Zeit, by Berthold Daun (1897); Albert Gümbel in Repertorium für Kunstwissenschaft, Bd. xxv. Heft 5, 1902.