When in 1854 Dost Mahommed, weakened by the antagonism of his brothers in Kandahar, and by the interference of Persia, sent his son to Peshawar to make a treaty, Sir John Lawrence was opposed to any entangling relation with the Afghans after the experience of 1838-1842, but he obeyed Lord Dalhousie so far as to sign a treaty of perpetual peace and friendship. His ruling idea, the fruit of long and sad experience, was that de facto powers only should be recognized beyond the frontier. When in 1863 Dost Mahommed’s death let loose the factions of Afghanistan he acted on this policy to such an extent that he recognized both the sons, Afzul Khan and Shere Ali, at different times, and the latter fully only when he had made himself master of all his father’s kingdom. The steady advance of Russia from the north, notwithstanding the Gortchakov circular of 1864, led to severe criticism of this cautious “buffer” policy which he justified under the term of “masterly inactivity.” But he was ready to receive Shere Ali in conference, and to aid him in consolidating his power after it had been established and maintained for a time, when his term of office came to an end and it fell to Lord Mayo, his successor, to hold the Umballa conference in 1869. When, nine years after, the second Afghan War was precipitated, the retired viceroy gave the last days of his life to an unsparing exposure, in the House of Lords and in the press, of a policy which he had striven to prevent in its inception, and which he did not cease to denounce in its course and consequences.
On his final return to England early in 1869, after forty years’ service in and for India, “the great proconsul of our English Christian empire” was created Baron Lawrence of the Punjab, and of Grately, Hants. He assumed the same arms and crest as those of his brother Henry, with a Pathan and a Sikh trooper as supporters, and took as his motto “Be ready,” his brother’s being “Never give in.” For ten years he gave himself to the work of the London school board, of which he was the first chairman, and of the Church missionary society. Towards the end his eyesight failed, and on the 27th of June 1879 he died at the age of sixty-eight. He was buried in the nave of Westminster Abbey, beside Clyde, Outram and Livingstone. He had married the daughter of the Rev. Richard Hamilton, Harriette-Katherine, who survived him, and he was succeeded as 2nd baron by his eldest son, John Hamilton Lawrence (b. 1846).
See Bosworth Smith, Life of Lord Lawrence (1885); Sir Charles Aitchison, Lord Lawrence (“Rulers of India” series, 1892); L. J. Trotter, Lord Lawrence (1880); and F. M. Holmes, Four Heroes of India.
LAWRENCE, STRINGER (1697-1775), English soldier, was born at Hereford on the 6th of March 1697. He seems to have entered the army in 1727 and served in Gibraltar and Flanders, subsequently taking part in the battle of Culloden. In 1748, with the rank of major and the reputation of an experienced soldier, he went out to India to command the East India Company’s troops. Dupleix’s schemes for the French conquest of southern India were on the point of taking effect, and not long after his arrival at Fort St David, Stringer Lawrence was actively engaged. He successfully foiled an attempted French surprise at Cuddalore, but subsequently was captured by a French cavalry patrol at Ariancopang near Pondicherry and kept prisoner till the peace of Aix-la-Chapelle. In 1749 he was in command at the capture of Devicota. On this occasion Clive served under him and a life-long friendship began. On one occasion, when Clive had become famous, he honoured the creator of the Indian army by refusing to accept a sword of honour unless one was voted to Lawrence also. In 1750 Lawrence returned to England, but in 1752 he was back in India. Here he found Clive in command of a force intended for the relief of Trichinopoly. As senior officer Lawrence took over the command, but was careful to allow Clive every credit for his share in the subsequent operations, which included the relief of Trichinopoly and the surrender of the entire French besieging force. In 1752 with an inferior force he defeated the French at Bahur (Behoor) and in 1753 again relieved Trichinopoly. For the next seventeen months he fought a series of actions in defence of this place, finally arranging a three months’ armistice, which was afterwards converted into a conditional treaty. He had commanded in chief up to the arrival of the first detachment of regular forces of the crown. In 1757 he served in the operations against Wandiwash, and in 1758-1759 was in command of Fort St George during the siege by the French under Lally. In 1759 failing health compelled him to return to England. He resumed his command in 1761 as major-general and commander-in-chief. Clive supplemented his old friend’s inconsiderable income by settling on him an annuity of £500 a year. In 1765 he presided over the board charged with arranging the reorganization of the Madras army, and he finally retired the following year. He died in London on the 10th of January 1775. The East India Company erected a monument to his memory in Westminster Abbey.
See Biddulph, Stringer Lawrence (1901).
LAWRENCE, SIR THOMAS (1769-1830), English painter, was born at Bristol on the 4th of May 1769. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Thomas was already shown off to the guests of the Black Boar as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business, and the precocious talent of the son, who had gained a sort of reputation along the Bath road, became the support of the family. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of the fashionables of the place at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael’s “Transfiguration,” and presently beginning to paint in oil. Throwing aside the idea of going on the stage which he had for a short time entertained, he came to London in 1787, was kindly received by Reynolds, and entered as a student at the Royal Academy. He began to exhibit almost immediately, and his reputation increased so rapidly that he became an associate of the Academy in 1791. The death of Sir Joshua in 1792 opened the way to further successes. He was at once appointed painter to the Dilettanti society, and principal painter to the king in room of Reynolds. In 1794 he was a Royal Academician, and he became the fashionable portrait painter of the age, having as his sitters all the rank, fashion and talent of England, and ultimately most of the crowned heads of Europe. In 1815 he was knighted; in 1818 he went to Aix-la-Chapelle to paint the sovereigns and diplomatists gathered there, and visited Vienna and Rome, everywhere receiving flattering marks of distinction from princes, due as much to his courtly manners as to his merits as an artist. After eighteen months he returned to England, and on the very day of his arrival was chosen president of the Academy in room of West, who had died a few days before. This office he held from 1820 to his death on the 7th of January 1830. He was never married.
Sir Thomas Lawrence had all the qualities of personal manner and artistic style necessary to make a fashionable painter, and among English portrait painters he takes a high place, though not as high as that given to him in his lifetime. His more ambitious works, in the classical style, such as his once celebrated “Satan,” are practically forgotten.
The best display of Lawrence’s work is in the Waterloo Gallery of Windsor, a collection of much historical interest. “Master Lambton,” painted for Lord Durham at the price of 600 guineas, is regarded as one of his best portraits, and a fine head in the National Gallery, London, shows his power to advantage. The Life and Correspondence of Sir T. Lawrence, by D. E. Williams, appeared in 1831.