MARIA STELLA, the self-styled legitimate daughter of Philip, duke of Orleans. According to her, Louis Philippe was not the son of Philip duke of Orleans, but a suppositious child, his father being one Lorenzo Chiappini, constable at the village of Modigliana in Tuscany. The story is that the duke and duchess of Orleans, travelling under the incognito of Comte and Comtesse de Joinville, were at this village in April 1773, when the duchess gave birth to a daughter; and that the duke, desiring a son in order to prevent the rich Penthièvre inheritance from reverting to his wife’s relations in the event of her death, bribed the Chiappinis to substitute their newly-born male child for his own.
Maria Stella, the supposed daughter of Chiappini, went on the stage at Florence, where her putative parents had settled, and there at the age of thirteen became the wife of the first Lord Newborough, after whose death she married the Russian Count Ungern-Sternberg. On the death of her putative father in 1821 she received a letter, written by him shortly before his death, in which he confessed that she was not his daughter, adding “Heaven has repaired my fault, since you are in a better position than your real father, though he was of almost similar rank” (i.e. a French nobleman). Maria Stella henceforward devoted her time and fortune to establishing her identity. Her first success was the judgment of the episcopal court at Faenza, which in 1824 declared that the Comte Louis de Joinville exchanged his daughter for the son of Lorenzo Chiappini, and that the Demoiselle de Joinville had been baptized as Maria Stella, “with the false statement that she was the daughter of L. Chiappini and his wife.” The discovery that Joinville was a countship of the Orleans family, and a real or fancied resemblance of Louis Philippe to Chiappini, convinced her that the duke of Orleans was the person for whose sake she had been cheated of her birthright, a conviction strengthened by the striking resemblance which many people discovered in her to the princesses of the Orleans family. In 1830 she published her proofs under the title Maria Stella ou un échange d’une demoiselle du plus haut rang contre un garçon de plus vile condition (reprinted 1839 and 1849). This coincided with the advent of Louis Philippe to the throne, and her claim became a weapon for those who wished to throw discredit and ridicule on the “bourgeois monarch.” He for his part treated the whole thing with amused contempt, and Baroness Newborough-Sternburg de Joinville, or Marie Étoile d’Orléans, as she called herself, was suffered to live in Paris until on the 23rd of December 1843 she died in poverty and obscurity.
In spite of much discussion and investigation, the case of Maria Stella remains one of the unsolved problems of history. Sir Ralph Payne Gallwey’s Mystery of Maria Stella, Lady Newborough (London, 1907), is founded on her own accounts and argues in favour of her point of view. More convincing, however, is Maurice Vitrac’s Philippe-Egalité et M. Chiappini (Paris, 1907), which is based on unpublished material in the Archives nationales. M. Vitrac seeks to overthrow Maria Stella’s case by an alibi. The duke and duchess of Chartres could not have been at Modigliana in April 1773, for the simple reason that they can be proved at that time to have been in Paris. On the 8th of April the duke, according to the official Gazette de France, took part in the Maundy Thursday ceremonies at Versailles; from the 7th to the 14th he was in constant attendance at the lodge of Freemasons of which he had just been elected grand master. Moreover, it was impossible for the first prince of the blood royal to leave France without the royal permission, and his absence would certainly have been remarked. Lastly, the duchess’s accouchement, a semi-public function in the case of royal princesses, did not take place till the 6th of October. M. Vitrac identifies the real father of Maria Stella with Count Carlo Battaglini of Rimini, who died in 1796 without issue: the case being not one of substitution, but of ordinary “farming out” to avoid a scandal.
MARIA THERESA (1717-1780), archduchess of Austria, queen of Hungary and Bohemia, and wife of the Holy Roman emperor Francis I., was born at Vienna on the 13th of May 1717. She was the eldest daughter of the Emperor Charles VI. (q.v.) and his wife Elizabeth of Brunswick-Wolfenbüttel. On the 12th of February 1736 she was married to her cousin Francis of Lorraine (q.v.), then grand duke of Tuscany, and afterwards emperor. Five sons and eleven daughters were born of this marriage. From the date of her father’s death on the 20th of October 1740, till her own death in 1780, Maria Theresa was one of the central figures in the wars and politics of Europe. But unlike some sovereigns, whose reigns have been agitated, but whose personal character has left little trace, Maria Theresa had a strong and in the main a noble individuality. Her great qualities were relieved by human traits which make her more sympathetic. It must be allowed that she was fairly open to the criticism implied in a husbandly jest attributed to Francis I. While they were returning from the opera house at Vienna she said to him that the singer they had just heard was the greatest actress who had ever lived, and he answered “Next to you, Madam.” Maria Theresa had undoubtedly an instinctive histrionic sense of the perspective of the theatre, and could adopt the appropriate attitude and gesture, passionate, dignified or pathetic, required to impress those she wished to influence. But there was no affectation in her assumption of a becoming bearing or in her picturesque words. The common story, that she appeared before the Hungarian magnates in the diet at Pressburg in 1741 with her infant son, afterwards Joseph II., in her arms, and so worked on their feelings that they shouted Moriamur pro rege nostro Maria Theresia, is only mythically true. But during the delicate negotiations which were required to secure the support of the Hungarian nobles she undoubtedly did appeal to them with passionate eloquence, and, we may believe, with a very pardonable sense of the advantage she obtained from her youth, her beauty and her sex. Her beauty, inherited from her mother, was of an open and noble German type. The official portrait by Muytens, engraved by Petit, gives a less convincing impression that an excellent chalk drawing of the head by Gabriel Mattei. In the conflict between her sense of what was morally just and her sense of duty to the state she laid herself open to the scoffing taunt of Frederick of Prussia, who said that in the first partition of Poland elle pleurait et prenait toujours. But the king of Prussia’s taunt is deprived of its sting by the almost incredible candour of her own words to Kaunitz, that if she was to lose her reputation before God and man for respecting the rights of others it must not be for a small advantage—if, in fact, Austria was to share in the plunder of Poland, she was to be consoled for the distress caused to her feelings by the magnitude of her share of the booty. There was no hypocrisy in the tears of the empress. Her intellectual honesty was as perfect as Frederick’s own, and she was as incapable as he was of endeavouring to blind herself to the quality of her own acts. No ruler was ever more loyal to a conception of duty. Maria Theresa considered herself first and foremost as the heiress of the rights of the house of Austria. Therefore, when her inheritance was assailed at the beginning of her reign, she fought for it with every weapon an honest woman could employ, and for years she cherished the hope of recovering the lost province of Silesia, conquered by Frederick. Her practical sense showed her the necessity of submitting to spoliation when she was overpowered. She accepted the peace of Berlin in 1742 in order to have a free hand against her Bavarian enemy, the emperor Charles VII. (q.v.). When Frederick renewed the war she accepted the struggle cheerfully, because she hoped to recover her own. Down to the peace of Aix-la-Chapelle in 1748 she went on fighting for Silesia or its equivalent. In the years following the peace she applied herself to finding allies in France and Russia who would help her to recover Silesia. Here, as later in the case of Poland, she subordinated her feelings to her duty to the state. Though she denied that she had ever written directly to Madame de Pompadour, it is certain that she allowed her ministers to make use of the favourite’s influence over the French king. When fate decided against her in the Seven Years’ War she bowed to the inevitable, and was thenceforward a resolute advocate of peace.
In her internal government she showed herself anxious to promote the prosperity of her people, and to give more unity to an administration made up by the juxtaposition of many states and races with different characters and constitutions. Her instincts, like those of her enemy Frederick and her son Joseph II., were emphatically absolutist. She suspended the meetings of the estates in most parts of her dominions. She was able to do so because the mass of her subjects found her hand much lighter than that of the privileged classes who composed these bodies. Education, trade, religious toleration, the emancipation of the agricultural population from feudal burdens—all had her approval up to a certain point. She would favour them, but on the distinct condition that nothing was to be done to weaken the bonds of authority. She took part in the suppression of the Jesuits, and she resisted the pope in the interest of the state. Her methods were those of her cautious younger son, Leopold II., and not of her eldest son and immediate successor, Joseph II. She did not give her consent even to the suppression of torture in legal procedure without hesitation, lest the authority of the law should be weakened. Her caution had its reward, for whatever she did was permanently gained, whereas her successor in his boundless zeal for reform brought his empire to the verge of a general rebellion.
In her private life Maria Theresa was equally the servant of the state and the sovereign of all about her. She was an affectionate wife to her husband Francis I.; but she was always the queen of Hungary and Bohemia and archduchess of Austria, like her ancestress, Isabella the Catholic, who never forgot, nor allowed her husband to forget, that she was “proprietary queen” of Castile and Leon. She married her daughters in the interest of Austria, and taught them not to forget their people and their father’s house. In the case of Marie Antoinette (q.v.), who married the dauphin, afterwards Louis XVI., she gave an extraordinary proof of her readiness to subordinate everything to the reason of state. She instructed her daughter to show a proper respect to her husband’s grandfather, Louis XV., by behaving with politeness to his mistresses, in order that the alliance between the two courts might run no risk. The signing of the peace of Teschen, which averted a great war with Prussia, on the 13th of May 1779, was the last great act of her reign, and so Maria Theresa judged it to be in a letter to Prince Kaunitz; she said that she had now finished her life’s journey and could sing a Te Deum, for she had secured the repose of her people at whatever cost to herself. The rest, she said, would not last long. Her fatal illness developed in the autumn of the following year, and she died on the 28th of November 1780. When she lay painfully on her deathbed her son Joseph said to her, “You are not at ease,” and her last words were the answer, “I am sufficiently at my ease to die.”
See A. von Arneth, Geschichte Maria Theresas (Vienna, 1863-1879) and J. F. Bright, Maria Theresa (London, 1897); also the article [Austria].
MARIAZELL, a village of Austria, in Styria, 89 m. N. of Graz. Pop. (1900), 1499. It is picturesquely situated in the valley of the Salza, amid the north Styrian Alps. Its entire claim to notice lies in the fact that it is the most frequented sanctuary in Austria, being visited annually by about 200,000 pilgrims. The object of veneration is a miracle-working image of the Virgin, carved in lime-tree wood, and about 18 in. high. This was presented to the place in 1157, and is now enshrined in a chapel lavishly adorned with objects of silver and other costly materials. The large church of which the chapel forms part was erected in 1644 as an expansion of a smaller church built by Louis I., king of Hungary, after a victory over the Turks in 1363. In the vicinity of Mariazell is the pretty Alpine lake of Erlafsee.