As a talker by the winter’s fireside in these unknown-to-fame days, we give him the crown for being the king of speakers. His reading, his thoughts thereon, his plans, he described with a graphic and nimble tongue, accompanied by the queer, flourishing gesticulations and the “speaking gestures” of his thin, sensitive hands. We teased him unmercifully for his peculiarities in dress and manner. It did not become a youth of his years, we held, to affect a bizarre style, and he held he lived in a free country, and could exercise his own taste at will. Nothing annoyed him more than to affirm his shabby clothes, his long cloak, which he wore instead of an orthodox great-coat, were eccentricities of genius. He certainly liked to be noticed, for he was full of the self-absorbed conceit of youth. If he was not the central figure, he took what we called Stevensonian ways of attracting notice to himself. He would spring up full of a novel notion he had to expound (and his brain teemed with them), or he vowed he could not speak trammelled by a coat, and asked leave to talk in his shirt-sleeves. For all these mannerisms he had to stand a good deal of chaff, which he never resented, though he vehemently defended himself or fell squashed for a brief space in a limp mass into a veritable back seat.

Looking back through the mellowing vista of years these little eccentric whims were all very harmless and guileless, and I own we were hard on the susceptible lad, but, as we told him, it was for his good, and if he had been like ourselves, with a band of brothers, egotisms would have been stamped out in the nursery. He would, after a severe shower of chaff, put out his cigarette, wind himself in his cloak and silently, with an elaborate bow, go off; but, to his credit be it said, he bore no ill-will. His very sensitiveness was to his tormentors conceit. He wrote of himself later that he was “a very humble-minded youth, though it was a virtue he never had much credit for.” He is credited now with it, for as the then “uncharted desert of the future” lies mapped out, we see that his fantastic ways were not affectations, but second nature, to which the life he chose in the subtle south was an appropriate setting. We never, though we gibed him sorely, found fault with his enthusiasm; it was so infectious and refreshing. He was always brimful of new ideas, new ventures, full of sweeping changes, a rabid radical, a religious doubter; though with him, as with many others, there was more “belief in honest doubt than half their creeds.” He had an almost child-like fund of insatiable curiosity. He thirsted to know how it would feel to be in other people’s shoes, from those of a king to a beggar, and he smoked on the hearth rug an endless succession of cigarettes and put his imaginations thereof into words.

He was very sore and somewhat rebellious over writing not being considered a profession, and having to bend to his good father in so far as to join the Scottish bar. For long “R. L. Stevenson, Advocate,” was on the door-plate of 17 Heriot Row. The Parliament House saw him seldom, never therein to practise his bewigged profession. We frightened him much by avowing that a clerk was hunting for him, and even the rich library below the trampling advocate’s feet could not wile him into the old Hall for some time after that false scare. He also heard he had been dubbed “That Gifted Boy and the New Chatterton” by an idle legal wit. That name more nearly persuaded him to have his hair shorn to an orthodox length than any other entreaty. Like all people with character, he had animosities, but he was very just and tolerant in belaboring an adversary with his tongue, which, considering he was in the full bloom of the critical self-satisfiedness of youth, showed a just mind and kindliness of heart. When he had fallen foul of and had hurled some sarcasms at the stupid dulness of people, he next, in his queer inquisitive way, fell to wondering what it would be like to be inside their torpid minds and view things from their dead level. He was fond of travel, of boating, of walking tours, but he was no sportsman, and not even a lover of the Gentle Art. Though his friends were all golfers (and golf then was mostly confined to Scotland), I do not think he ever took a club in hand. His eyes, when outside, were wholly occupied enjoying his surroundings and painting them in words. “Even in the thickest of our streets,” he noted, “the country hill-tops find out a young man’s eyes and set his heart beating for travel and pure air.” He loved to wander round his native city. Duddingstone was one favorite haunt, Queensferry was another, and the Hawes Inn there, now grown into a villafied hotel, with the hawthorn hedges still in its garden, had attractions for him. From it Davie Balfour was “kidnapped,” and Rest-And-Be-Thankful on Corstorphine Hill, where Allan and Davie part after their adventures, we often walked to on Sundays, and all the while he was busy talking and full of plans and projects. The Jekyll and Hyde plot he had in his brain, and told us of in those days. Burke and Hare had a fascination for him. A novel called the “Great North Road” was another plot in his mind. His “Virginibus Puerisque” is dedicated to W. E. Henley, of whom I heard Stevenson speak when he had first discovered him an invalid in the Edinburgh Infirmary. He came in glowing with delight at the genius he had found and began ransacking our shelves for books for him. A few days later he was bristling with indignation because some people who visited the sick objected to the advanced and foreign literary food Stevenson had fed his new acquaintance on, and left a new supply of tract literature in their stead. In the preface of “Virginibus Puerisque,” which is dedicated to Mr. Henley, Stevenson says: “These papers are like milestones on the wayside of my life.” To those who knew him in these past days to re-read these papers seem to travel the same road again in the same good company. They recall the slight, boyish-looking youth they knew, and to those who live under the stars which Stevenson thought shone so bright—the Edinburgh street lamps—he was not so much the famous author, as the sympathetic comrade, the unique, ideal talker we welcomed of yore. As he truly said, “The powers and the ground of friendship are a mystery,” but looking back I can discern in part we loved the thing he was, for some shadow of what he was to be.

FOOTNOTE:

[1] A clachan is a wooden racket Edinburgh Academy boys play ball with.


Mr. Gilbert Parker’s
Sonnets
By
Richard Henry Stoddard